It does exist already and has done for some years now, albeit not really primarily in the UK (unless you count the last hour at Jo Jo's when Keb *used to play what would probably be considered 'modern' oldies although maybe not 'modern' oldies that were played on the NS scene but 'modern oldies' played on the 'Modern scene') And if you understood that, you're doing well. It's (maybe again not as much as it used to be) in Japan and increasingly in Europe (Oslo would be a good example) where 'old modern' records get played pretty heavily to a primarily young crowd of people for whom the phrase 'oldie' 'newie' 'underplayed' etc - even to a degree, Northern Soul - is largely irrelevant against a backdrop of just good, solid music - be it funk, 60's soul, discoey-type 70's, crossover, 'old modern' etc. Finland would be a good example where I was lucky enough to play last month and got away with everything from your Trace of Smoke, Morris, Spade Brigade etc type stuff at one end of the spectrum to out and out funk to disco stuff ala Le Cop, BNB, to your Pages, Broomfield corporate Jam, New World, Rokk etc etc stuff. No northern though as it wouldn't have fitted and it wasn't that sort of club. They did all seem to be enjoying their drink a little bit enthusiastically - seemed to like the music though, which is what matters at the end of the day. Maybe the 'new blood' that folk hope will keep the NS scene going (which in 5-10 years time maybe not be the NS scene as you'd recognise it today but a music 'scene' that plays NS amongst a wider spectrum of good music) will come out of a drunken night out hearing old music that makes them go home and wonder why they've been putting up with nights out listening to digital bleeps played by a trendy, hair gel advertising half-wit with a perma-grin glued to his mush. Having waffled all that, maybe in a way I'm on about something completely different to what you were asking. If I understood what I just rambled I'd know for sure