Dave Moore

Hi Rod, I thought you'd picked up the W/Demo a couple of yeras ago? Strange I've never come across the stocker before, I thought it may be blue. Thanks for posting.

Hey Tim, That would be great. Many Thanks. I'm on the hunt for one now too!

Dave Are the track listings to these EPs the same as the US EP equivelents or are there one or two 'niceties' nestling in there somewhere?

Sourced from drummer extraordinaire George MacGregor if I remember correctly, along with one or two other niceties. George was involved with Washpan/Sidra.

If you have a stock issue could you post a scan of it Mate please? I've not seen a stocker of the Bullet release yet. Much obliged.

Had lots of emails over the past week that may have gone unanswered. Apolgies for the inconvenience but Bev had a rather nasty accident and has been in hospital in Spain this past week. She undergoes surgery today and hopefully will be 'back at it' after the weekend. All magazines, weekender tickets will be sorted then. Don't worry, everything will be back on track admin wise when 'the boss' is back at her laptop. Message from Bev is 'Normal service WILL be resumed asap'. Thanks for everyone's patience. Many thanks for all the good wishes I've passed them on to her.

I completed the UK Motown catalogue in 1989, which included the London, Fontana, Oriole, Stateside stuff. I'd been collecting them since around 1978. Completed the day I found the Spinners Columbia Issue and Demo together in Vinyl Solution for 15UKP each. (Not really Motown but hey ho). The TMGs were demos where applicable up to 900 but the Stateside were a mish mash of issues and demos. In 1991 I sold the entire collection to buy a motorcycle, (which I still own). In 1995 I decided to have a crack at the US catalogue (on Demos where applicable). I gave up three years ago, it was just too overwhelming although I have just about the whole Northern catalogue on mint Demos on all the labels. I've now started on the company's European Pic Sleeves, which I suspect I may also abandon eventually as I'm not sure I want to buy 8 different copies of The Supremes - Where Did Our Love Go! (I have 5 already!)

Hi Richard, I have the scans stored and am hoping to update the listings the week after next. Real life getting in the way at the moment. I'll drop you a line once everything's in place.

I have number of additions to add to the Ric Tic discography on the Hitsville Forum when I get the time. I reckon it'll be the most comprehensive Ric Tic listing there is once it's all in place. Then we can lok to complete the Reo (Ric Tic) stuff too just to round it all off. It's a long slow process but we'll get there in the end. On another note...anyone found a Bob and Earl - Everybody Jerk - Loma 20004 yet???? It's in all the listings but I've yet to see one. That's another Hitsville discography we're looking to put to bed.

Mary Wells - Fancy Free - Atco W/DEMO Betty Everett - Love Comes Tumbling - ABC W/DEMO Pat Lundy - Any Day Now - Columbia W/DEMO Lovemasters - Pushin' and Pullin' - Jacklyn The Dynamos - You Can Do It By Yourself - Dynamo

Dani, Played it at Hitsville last year. (Keep up Mate!). They also did another on Tower..."I'm Lost" although that one is a little more 'frantic'. See you in Valencia on 18th.

Thought I'd give this another whirl...... Cash waiting for Buster and Eddie - Can't Be Still- Class DEMO. MUST be EX at least.

Confirmation, if any was needed that you are indeed 'barking' Mr Darcyboy. And a tad deaf I'd wager!

It's an old (but good), question and one that will inevitably throw up many significant names. Many of the Jazz greats and the blues legends certainly spring to mind initially. But the question of 'which artist had really paved the way for other black artists to reach the great American public?' leads to only one real answer. Up until Berry Gordy many artists were successful but most were in their own 'communities'or 'genres'. Sure, Sam Cooke was popular on both sides of America's racial divide but it was Gordy who OWNED the first businesses that transcended that divide. May seem surprising that it was as late as the late 50s before any black musical monatary muscle was finally flexed but there you have it. Mr Berry Gordy Jr. Not only a pioneer in musical terms but a beacon of an example for literally thousands of other artists both at the time and ever since. There are some fantastic people who have achieved many things in soul music but success breeds success, and competition, so without the breakthroughs made at West Grand Boulevard it would have been much harder for the people who followed. The key phrase in the question, for me anyways, wasn't so much 'who paved the way' but rather 'the great American public'. From literally nothing, to the countries biggest black owned business, in one decade. BG gets my vote.

Think I still have one of these on the shelves. If you're not sorted by next week give me a shout. I'm away from home at the minute until next Wednesday.

Neil, You Sir, should be burnt at the stake! Best Dave

That was just it fo me. To me it's all bass. Also sounded 'muffled'. Great potential as a backing track I agree, but I couldn't decide whether it was male/female or duet either at first. Little Carl Carlton is a fair shout but I'd also not rule out someone like the L'il Soul Brothers or the like. I quite liked it and did so on first hearing though.

Pete, Was watching this (as were a few others I'll bet), you're right about the backing track but the vocal was (is) atrocious. I'd put my money on a Detroit production too. It sounded (s) unfinished to me, almost like a demo. The production was certainly poor which in my opoinion would rule out any Wylie/Hestor connection. (Unless it was actually unfinished). Nice sound though and if the vocal had been better it may have been winging it's way to my place as opposed to Wombourne. Nice buy either way.

Cash waiting. Must be EX with no wol, sol, H20, ringwear or any of that ole gubbins.

Yep John, Nigel did it all whilst moving house too!, Just what you need when moving gaffs eh....a raving loonie Editor, frothing at the mouth and chasing you 24 hours a day! LOL! Top banana as you say. Think you'll all be pleased down under when you see the final result of all his efforts.

Here's a sneak peek inside this latest issue.... ">

Hi Guys, A while ago I enquired about a copy of the Rod Jordan - I Live In A Castle - Karen hoping to get one for Grant's family. Someone contacted me with an acetate of the song he owned. It wasn't for sale but I'd like to get a good quality scan of the disc for his family if possible. Could the person who owned it please get in touch at HITSVILLE Any help would be greatly appreciated. After 5 years working on Ollie Mac's story we may finally have light at the end of the tunnel.

The latest issue (#11) of There's That Beat! hits the streets tomorrow. This particular issue is absolutely rammed with scans and pics, stories and the stuff people have come to expect from us. There are more full color record scans in this issue than ever before! With extensive features on Esther Phillips, Little Anthony and The Imperials and a great look at the Australian labeled Rare Soul we compliment the stories this time with a truly international flavour from the "Diary of A Travelling Soulie" as we encompass gigs in the US, UK and Spain. You can check it out by clicking HERE There are also a few back issues of some issues so if you need to complete I'd grab them now. Issues 1-4 are now completely sold out. The remaining issues are also steadily disappearing. We also have a great binder now that will keep the issues pristine, you can check these out at: TTB! BINDERS If anyone needs to check their subscription Bev will be only too happy to oblige at info@theresthatbeat.com As usual a big thanks to all the contributors and subscribers for all the support.

I think that Ollie, having had a smash with Ms Lewis simply regurgitated the song as many times as possible hoping to hit again. The instrumental credited to Riley Hampton on Karen 101 is simply the Barbara Lewis original track minus her vocal if memory serves correctly (I haven't got my records with me). The Reggie Milner on Volt is indeed a great version too. Although QWO are a Detroit group I suspect the track was recorded in Chicago as was Ms Lewis' original. Has anyone ever seen a Demo of either the Riley Hampton version or the QWO version? If so....cash waiting.