Ady Croasdell
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Everything posted by Ady Croasdell
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One of Randy's o;ld Rock And Roll favourites that he somehow managed to link with a bert Weedon piss take of me on a 45 cover once, I'll try and scan it when I find it next time. Rocking manic 50s R&B at its best. Not remotely Northern of course.
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Well it looks like it ain't out there, so thanks anyway. At least it got us talking about Lou who had a very good track record, not that many singers have had 3 Northern "Hits"!
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Of 'Ain't That Love Enough' And is the Ty Karim 'You Really Made It Good To Me' Romark 101 just the same as 112 except for the number? Cheers
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Nowt wrong with cheese lad, though I actually like them a lot, though not so keen on Ten to One. I'll listen to the one you mentioned, cheers.
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Yes thanks, but I saw the XL version in John's price guide for £150 so guessed it must be around somewhere!
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Anyone got a high res. scan of this one, I didn't even know it was out on this before MGM!
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Master tapes that Ted Carroll the compiler hadn't seen or heard before. You're right about the "Clasics" ploy though Sebastian!
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That link doesn't work for me, anyone got another one?
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2008 6TS Northern and Modern Soul Weekender at Cleethorpes Line Up!
Ady Croasdell posted an article in Event News
The 2008 6TS Northern and Modern Soul Weekender at Cleethorpes boasts an impressive three act live performance at midnight on the Saturday all-nighter. KARIME HARRIS The opening act sees us witness the start of a new musical career for a very talented young singer. Karime is the daughter of top LA songwriter and producer Kent Harris and the legendary LA singer Ty Karim. She has actually now made north-west London her home and lives 2 miles from Ace’s offices. Over the past few years she has been performing as the lead singer of the funk group the Killer Meters, but has now come to terms with her parents’ music which she had previously revered so much that she was loath to perform it. However Kent Records’ recent and future reissuing of her mother’s 60s and 70s recordings has put that music back to the forefront and seeing Duffy, Adele and Amy hitting the charts with US soul style songs has made her determined to claim back her birthright and perform a special tribute to her parents’ work. She has inherited her mother’s husky, deep (for a woman) voice and will perform her biggest Northern and Modern tracks including ‘Lighten Up Baby’, ‘You Just Don’t Know’, ‘You Really Made It Good To Me’, ‘Wear Your Natural’, ‘Lighten Up’ and ‘I Ain’t Lying’ aka ‘Ain’t That Love Enough’. It will be a memorable night for both us and her. FRANK DELL Speaking of big voices, we are proud to be bringing New York singer Frank Dell over to Europe for the first time. Frank is a soul collector’s household name on the strength of his one superlative Northern Soul smash ‘He Broke Your Game Wide Open’. Though he has been a singer throughout his life, his career has mainly been on the jazz circuit, which has been our loss and their gain. He recorded with New York stalwart producer Phil Medley, most famous for penning the original ‘Twist And Shout’ and Dave Blake the guy responsible for the Quotations and Jackye Owens recordings, among others. Apart from HBYGWO he cut the uptempo ‘Baby You’ve Got It’ which is soon to feature on Kent’s “Northern Soul’s Classiest Rarities Vol 3”. He recorded more sides with Phil and Dave in the 70s, some of which mysteriously came out on the Guinness LP devoted to Frank. More tracks were laid down that never made it onto vinyl like the excellent two-stepper ‘You’ve Got To Deal With It’ and one that came out as a Valise label 12” only, ‘What More Can I Do’, which is getting a lot of Modern soul action right now. He also had a pair of singles for the Philips and Blue Rock stable of labels under his surname of Murphy; his real name being Franklin Delano Murphy. As Big Frank Murphy he cut 'It's All Over But The Pain' while as Big Frank & The Essence he recorded the magnificent 'I Won't Let Her See Me Cry', one of the monsters of the Stafford inspired "60s newies" Northern Soul scene in the 1980s. It will be an honour to hear these recordings performed live. There's no doubt that Frank’s deep rich voice is going to thrill Cleethorpes and this charming and talented New York singer will show the soul world his vast talent. GIGI & THE CHARMAINES Our headline act this year is none other than Cincinnati’s fabulous girl group the Charmaines. Lead by Gigi Griffin this notable outfit has been present at some of the most ground breaking moments in soul music history, supplying backing vocals to many of James Brown’s legendary King sessions and working with the great Herman Griffin/Lewis in Detroit and Chicago in the mid 60s when those cities ruled the airwaves. This will be their first ever European appearance singing their uptempo soul songs. Though the girls had an impressive series of 45 releases throughout their career, it is three unissued (one unheard) tracks that have shot them into the spotlight in recent years. Firstly we discovered a throbbingly tough version of Ike Turner’s ‘I Idolize You’ in the Fraternity tapes that Ace purchased and though the song was given a release number, no vinyl appears to exist of it. That was until acetate plays at London’s 100 Club turned it into the monster R&B/Northern crossover record that eventually lead to it being released as the 6TS 23rd anniversary single. It’s now very hard to find and quite expensive too. A similar path was lead by the girls’ stupendous 1966 Date recording, ‘I Don’t Wanna Lose Him’ a previously unissued track that was cut by Gigi’s future husband Herman Lewis at the same session as the issued stomper ‘Eternally’, a Wigan monster once bootlegged as by The Sweet Things. ‘Lose’ eventually saw life onto vinyl 4 years late as another 100 Club world exclusive. The third mystery track of the triumvirate is Gigi’s original version of the Andrea Henry and Janice Northern Soul classic ‘I Need You Like A Baby’. It’s a song Dale Warren wrote for the Charmaines that got as far as the demo stage but was then used on Andrea Henry. Sadly the demo version has not been heard since it was cut, but Gigi remembers Andrea copied her performance completely. Dale also wrote ‘Guilty’ and ‘Girl Crazy’ for the girls in this period, two great Columbia singles that will also be sung live at Cleethorpes along with their great reading of JJ Barnes’ ‘Poor Unfortunate Me’. And if that ain’t enough for you, original group member and Gigi’s sister, Gerri Jackson, was the girl responsible for the wonderful duet with Herman Lewis (Griffin) version of Clara Ward’s stomping Wigan classic ‘The Right Direction’. And she’s going to relive that rare soul moment with us too. So I feel this year’s Cleethorpes live show will be a remarkable and entertaining experience for us all. You might even catch me with a smile on my face. Ady full info on weekender and all things 6t ish can be found at links below http://www.6ts.info/ http://www.6ts.info/ -
I met him a couple of times and he traded me a load of his dodgy lookalike boots virtually the day they came off the presses. I was staying at the YMCA in downtown LA (near Pershing Square that Jackie Lee sang about) and he came to see me. They were good but looked too new so I said i didn't want them but he was desperate for a 'Broadway Sissy' I had (I had a few but he thought I only had one) so showered me with these new boots for them. I told Clarkie to tell everyone they were boots but people (including Ian) bought them anyway and then complained when they got them that they were boots! The second time he was in one of the Flash record shops on his knees searching for records. I still found plenty after he'd gone, being away from the scene there were a lot of titles he didn't know about. One of those people , like several on the Northern scene who would rather earn a tenner dishonestly than the often simpler straight way. He had a big ego and opinion of himself too of course. He just couldn't help himself.
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My best finds over the years were definitely the acetates from the Carlin music publishers library that ended up on Hanway St London W1 (read all about it in the Gettin' To Me CD) and the GWP/Pied Piper publishing acetates (GWP " will reveal all!). I would they must have been the two biggest sources of previously unissued Northern discoveries in one place. I've had lots of great vinyl finds over the years but the one that impressed me the most was in A1 Record Finders on Melrose in LA. It's a well known shop that ended up with Flash Records old stock, I got 4 John & The Wierdest there once. This had all been gone through by the early noughties and I didn't expect to find much, I just got a few filed copies of things I needed for Kent projects and paid up. I then asked the guy who ran it if he'd had anything new and he said there were a couple of boxes in another room. They didn't look up to much, clearly second hand, some without sleeves, but they were nearly all single local LA releases from 65-75 and included the Turbines, both Ty Karim Lighten Up versions, Cal Green on Filmtown, Hank Jacobs, Leon Haywood, Rita & The Tiaras, more that I can't remember and a lot of super-rare funk. The captivating thing about the box was that it had obviously come from a local collector of black music who had probably bought them all as new releases on his/her favourite local artists. There was hardly a Motown or Stax single in the whole box. And the shop owner got completely confused because it was just pre-Manship and I'd put a bunch of other stuff in to confuse him when he priced them up, so he ended up charging me sod all for the good stuff and I didn't bother buying the Make Me Yours for the $30 he wanted!
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I'd heard of the Dobard's stash years ago but he and his relations were described to me as extremely eccentric and there was also a strong rumour that they didn't like white people.
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It can be a nightmare booking acts and groups have their own dynamics (not the group). I know Chris and Chalky did everything they could to make this happen, at least they tried. It's easier to do nothing and play safe but not remotely as rewarding if you can pull it off. We'll have a great old fashioned Northern Soul disco anyway.
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Whoever I'm talking to on the phone that day!
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Listening to Willie tee twice on the decks last night and I must say his singing is superb; a surprise breakthrough into my top 5.
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Eddie, I think Hoagy is highly rated by several diehard soul fans and he was a bit of a troubled genius like James Carr and Darrow. Lou Johnson did some of Dionne's numbers and transformed them into Deep Soul in my opinion. Some of his best stuff was with Giant, Baum & Kaye other top Brill Building/1650 writers. If we're going back to the war I'll bagsy Paul Robeson and Flanagan & Allen but not together. Tony I've got 200 dance band LPs for you if you can drag the family to Bexhill in the next few weeks. Toby, we weren't asking about your first erection!
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I just posted this up in Freebasing about George Harrison and thought it might make an interesting topic here. And of course his #1 I Got My Mind Set On You was one of the most obscure soul covers ever being a small label release from James Ray. I actually met a charming American girl on Friday night whose favourite singers are James Ray and Herbie Goins. Like Darrow Fletcher, it's interesting that some singers you never particularly rated can be someone else's all time faves. My own favourite is Lou Johnson which may not be that unusual, though I've not seen anyone else list him as their #1.
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And of course the music's strongpoint is such interesting titles. None of that "I Love You" nonsense but songs about cigars, typewriters and cash registers. If we can only find some about pies and ale it should be massive in Yorkshire. Seriously thanks for the huge number of suggestions and advice, I'll certainly try and co-opt a couple of the leading collectors into the organising committee and it won't be peanuts I'm paying them with (It'll be popcorn!).
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Thanks Linda, you know your stuff and the colour of the singer is less of a problem than the general sound as Kent is a soul/R&B label so we try to dodge out and out pop but there are several notable exceptions. I'll listen to all of these with an open mind when I get sorted. Ady
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1,000 apologies Sir; my problem is a small brain, the income tax people and a stress level high enough to run a Ferrari. I've already had to apologise to Stuart today and am nearly out of Humble Pie now. Thanks for the suggestions, i wrongly thought that you were against Popcorn and jumped to a stupid conclusion. Ady
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Thanks Geoff, it's nice to know you're still with us and don't just turn up at Cleethorpes once a year with a caravan of ladeez. Once we've had a few more I'll get the list sorted and then Linda can add a couple of hundred.
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Perhaps Pete S has some typewriter suggestions, though I think he probably means cash register. Sorry for trying to earn a living out of the music business; whatever next!
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OK as we know SSers have the best taste going. Let's have your suggestions for an out & out Popcorn CD but black music, predominantly soulful and ideally from labels we have contacts with. Though don't worry if you're not sure; that's really my job. So far for starters we have had volunteered: Mack Vance Down By The Waterhole ?? Love is a nightmare - Johnny Darrow (sue) Your heart wasn't in it - Chuck Collins (dot) Nothing without your love - Johnny Barnes (Jaba) Pretty little girl - George Smith (laurie) Oh what a feeling - Jimmy Ricks Festival? The tingle - Jackie Weaver ?? And obviously nothing from the 3 New Breed CDs we've already put out, though odd tracks from other Kent or Ace CDs would be OK if it's presenting them in this context and particularly if they've been out for some time already. Thanks in advance Ady