It does seem that only record companies and master owners who care go after smaller scale bootleggers. Ace certainly go for them, some of the majors don't always chase them up though.
Was Love's Calling originally by Zingara? Is it the same song?
Did Mary Wells do These Arms first?
Did anyone else do any of these, before or after?
Ta in advance
Ace has done virtually all the tape research, that's where Otis' Loving By The Pound, Carla Thomas' I'll Never Stop Loving You and Johnnie Taylor's Please Let Me In etc came from. Some are on Kent and others on Stax. We don't have the exclusive European licensing deal directly any more and some are now deleted but have kept several alive by re-licensing.
Dave, Goldie would have been Goldie of & The Gingerbreads fame.
Brian reckoned Tony Washington's UK Sue released 'Show Me How To Milk A Cow' was one of the biggest records there; complete with very obvious dance actions.
I spoke to a 66 mod yesterday who said he was so in awe of the Scene and it's seniority in the Mod world that he wouldn't have dreamed of going down there, he stuck to Tiles and other places.
Yeah, that Time Is Tight bit was incredible, I've never seen so much emotion put into an instrumental. The live concert from Norway later wasn't so hot, too many "got to, got tos" the best live bit on film has to be Otis at Monterey of all places.
Thanks but need a M/M- copy, there's was VG+.
Yes Sebastian I think the Robert Riley connection puts paid to the Billy Lee Riley theory. Robert Riley did productions for Ted Jarrett's Nashville labels.
I Got My Eyes On You
Don't Leave Me Baby
Gone Gone
Respectively please. A nice shiny Kent CD goes to the first person to post the correct info.
Cheers
Ady
I think that may have been the publishing which you have to renew every so often, if you could do it with the recordings a lot of big pre 50 years ones would have been done by now and they ain't.
TV ads need label owner permission and publishing clearances, the blanket agreement that was mentioned is to do with using music on TV progs in the backgound
At my first nighter at Kelmarsh in Northants (was it 1969 anyone?) I found myself surrounded by 100 skinheads while i had hair down my back (none on my head). Everyone totally accepted me, Mad George from Bedford sold me some gear and a skinhead girl said "it's nice to see some weirdos round here!" she actually meant it in a nice way. The scene was so small in those days that fellow soulies were glad of anyone showing an interest. Later on I found some of the Wheel lot who used to come down a bit superior, but they did dress well. I never had any problems as a punter from that day on: as a promoter that's another story-but still not much in thirty years.