Tony Smith

I can't understand why Pete S. doesn't like George Hobson.?

Of course, George Hobson is great stuff, regret letting mine go in a moment of madness some years back. T

Morning Jock, I only agreed with Richards assessment of the Exits 45, and would only part with it for a record of the quality of Yvonne Vernee (unlikely, I know), apologies for the ensuing confusion, I will be donning a hair shirt for the rest of October, and flagellating myself with a used copy of Manifesto.

Got to agree with Mr. Bergman, first heard it via Martin Koppell in ,86, took me several years to find one, wouldn't part with it for Y. Vernee (ok, I might )

I've got spares of: 6T5 6T6 6T9 6T13 only if you're interested

I bought something off him on swan, that he had covered as milton wright 'downtown', an instrumental. I can't remember the artist now. audrey something? yeah. top bloke JV. macca (resident soul-source stalker) link

Great cheapie was £6-8 for years.

I still have a weakness for the Jewels

soul sam used to thrash it to death in 1975. Bet he wouldn't touch it now. Horrible naff cabaret stomper with no soul content.

Got it on Rouser, not sure about selling it tho'

That's from August & Deneen (awful!!) not Adam & Eve

Thankfully not

First released on Tiny 2927 as featured in the gallery.

C/U by Keb as Los Chansonettes, bloody awful it is too IMHO, far too bad for Guy to play

Yup, Covered as Don Gardner

£807

Mmmmh, what's that lurking under Eddie then??

Scratched in matrix, BTW very under priced on Manship's at the moment.

Tim Ashibendi had 6 copies of E Daye and 2 of B Wilson sold them for 50 and 100 respectively mind you that was 1990 eddie Daye as i rember was uptempo but pretty tuneless didnt bother with it but bought BW thank god link

Came from Charly records, towards the end of Stafford, great stuff

Wendell Watts "You Girl" Ref-o-ree w/d 200 (250 elsewhere) Still loads of life left in this one

THE DISTRICTS-"ONE LOVER (JUST WON'T DO)"- NILE - EX-**OFFERS** THE NEW YORKERS-"DON'T WANT TO BE YOUR FOOL" - TAC-FUL - EX WOL **OFFERS** WHEN WAS THE LAST TIME THESE BEAUTIES CAME UP FOR SALE?? GRAB YOUR CHANCE NOW!!!

Big Red, got this on Flying V

I'll put some up next week (copyright permitting)

From The Chicago Sun-Times: Little Milton Campbell worked with Sam Phillips in Memphis, Tenn., and the Chess brothers in Chicago early in his career, so he knew many legends of rock 'n' roll and blues. One thing always bothered him, though. "Elvis [Presley] was called 'The King,' " he said in an interview last fall. "Why couldn't they have called Fats Domino or Little Richard 'The King of Rock 'n' Roll'? And mainly Ike Turner -- he played on the first rock 'n' roll song, 'Rocket 88.' " Little Milton was never afraid to point out what he perceived as injustices in the music industry, right up until his death Thursday in Memphis at age 70. Well-known on chitlin' circuit But unlike other artists who used the inequities as excuses, Mr. Campbell persevered, working to expand his fan base beyond the black nightclubs of the South. His last album, "Think of Me," released in May on Telarc International, marked an attempt to "cross over" into the pop market while returning to his classic soul-blues sound of the 1960s and '70s. Mr. Campbell died in the Delta Medical Center in Memphis. He'd had a massive stroke on July 27 and his condition worsened last weekend. He slipped into a coma on Wednesday. He was well-known on the chitlin' circuit of the upper Delta region but also had many followers in Chicago, his home for nearly 30 years, with earlier stopovers in East St. Louis and Clarksdale, Miss. Mr. Campbell moved to Las Vegas when he left Chicago in the late '80s but also maintained a residence in Memphis. The son of Mississippi sharecropper and bluesman Big Milton, Mr. Campbell left home in his early teens, making his way to Helena, Ark. "I was looking for a better way of life," he said. "I knew there had to be a better way to make a living than picking or chopping cotton." In Helena, he became a protege of harmonica kingpin Sonny Boy Williamson. He moved on to East St. Louis on the advice of Turner, who had recommended him to Phillips at Sun Records. His first hit, "I'm a Lonely Man," came on the Bobbin label. Then Mr. Campbell switched to Checker, a subsidiary of Chicago's Chess Records, in 1961, where he recorded such hits as "We're Gonna Make It," "Grits Ain't Groceries" and the anthem "Hey, Hey, the Blues Is Alright." His horn-driven sound rarely stuck to the classic 12-bar blues structure, making it harder to market him to white blues fans. A nearly two-decade stint with Malaco Records that preceded the Telarc signing brought continued popularity with soul lovers but inhibited his crossover dreams. Music resonated with audiences Jon Tiven, who co-produced, co-wrote and played on the final Little Milton disc, said, "Milton didn't have a gimmick, he was just about the music. . . . He did extraordinarily well in navigating the music industry by himself without a huge organization to help him out. I rank him right up there with B.B. King and Buddy Guy as the epitome of what the blues is." Chicago soul singer Otis Clay, who befriended Mr. Campbell 40 years ago, "when we were young men, chasing our dreams," took the news of his passing particularly hard because he is still mourning the loss of another local soul-blues great, Tyrone Davis. Clay said he was looking forward to an Aug. 28 booking with Little Milton in Milwaukee. "We were going to go crazy together backstage," he said. Mr. Campbell's music resonated with audiences, Clay said, because it "got you through whatever problems you had at the time, whether it was with money or your woman or whatever." Mr. Campbell is survived by his wife, Patricia, and several children. Funeral services were pending.