I've always been of the opinion that a 'pressing', bought with your school dinner money/pocket money, was for home consumption, or the tuesday night 'soul session' at the local school youth club. when somebody, invariably older, say 18 & at work, turned up at the club with rarities, we were all gobsmacked, in awe even.
but, it was the youth club, not a soul night with paid deejays.
I admired these guys, lugging in their huge boxes and spinning the new discoveries, watching knowledgeable collectors sift through boxes, proudly having their piccie taken with their latest rare purchase etc, etc.
There came a point, when I was 17 & in my first job that I could no longer justify buying pressings even for my bedroom. I started, very slowly at first, to build up a collection, spending most of the night in the record bars listening to the 'shop talk' of dealers like Mick Smith. I ventured into the main hall, where big name jocks spun the big sounds of the day. I began to see the 'pressing crowd' as either misguided fools or, I hate to say it, plain divs. You might call it an elitist position, but it was how I (and many others) felt at the time. To talk of the dancefloor as if it were some kind of mobile mass of jelly with no mind of its own is quite insulting in my opinion. Some dancers clearly care about OVO & some don't. I can't help thinking that NOVAP (can we use this acronym?) is a cop out. I'm sorry if this offends anyone, but I consider rare records to be a vital component of 'thing' we call Rare Soul. Does this make me an elitist/anorak/taliban etc, etc? I think not.