Let's see if I've got this right-
The short version-staight into the violins, is the original ?
The long version-with the sh*te before the violins is the reissue.??
The instrumental is a figment of Webby's fevered imagination???
I presume then, that the original short version is fairly hard to get hold of which is why I am only hearing the ruined version.
Tony
It's been bugging me for a long time.
I KNOW that when I first heard it at the break it went staight into the strings,
When it got reissued/pressed -at the break before the strings, it's got that horrible organ type thing.
And every time I've heard it played out over the last few years it's the second version I've heard..
So, what's the crack ??
Am I going crackers or what??
Tony
Quite often seen the name -MORRIS CHESTNUT-turn up on the end credits,
Don't know if it's the same one but.
Also there's Rat Race, from the Tony Curtis film of the same name-
(either the Elmer Bernstein or Richard Maltby version though)
Tony
[Thank god for the very sharp and vivid memory of Mr Malc Burton whose recollections of many things soulful prove time and again to be accurate and knowledgeable down to the finest detail. .
Malc as i remember it, Junior Walker did appear at the Queens hall and on the same bill was the Detroit Emeralds although other artists that appeared on the night escapes the memory. The highlight of the night was when Junior did his impression of a very slow backdrop without his hands as they were still playing that immortal saxaphone and rose up again in one very slow movement. Priceless! wish i had a photo.
Were you there at that night Malc and can you confirm my recollections of the evening?.
Everything said about this venue regarding how crap it was as music venue is pretty accurate although it was probably the only venue around that could take the blown up attendance that Chris Burton was expecting to get through the doors.
ROY
I seem to remember that originally "exclusives" had their labels covered and were known as " Secret sounds", certainly round our way, around '72 ish.
The practice of giving fictitious names and titles was instigated around '73ish, in an effort to fox the bootleggers.
Of course, I could be talking utter b*llocks
Again.
tony
Haven't a clue..never went,
Could not understand WHY anyone would want to spend all night listening to played out Oldies.
Things dont change much do they??
Still convinced that these and Mr. Ms started the trend of looking backwards that continues today.
Tony
Nice list Mick,
Here's a few I played to Ste.Pat and the Barstaff
Drifters- If you Don't come Back-Atlantic
Ad-Libs-He Ain't no angel-Blue Cat
Isleys-Got To Have You Back-Tamla
Precisions-Dream Girl-Drew
Bobby Jones-Beware A Stranger-USA
Flamingos-Since My Baby Put Me Down-Philips
Bobby Powell-There Is Something In a Man-Whit
Rocky Brown-Without A Warning-Penntowne
Jean & Joe-Don't Shoot Me Down-Dot
Delicates-Stop Shoving Me Around-Challenge
Astors-Twilight Zone-Stax
Kelly Brothers-Crying Days are Over-Sims
Bobby Powell-I'm Gonna Leave You-Whit
Vibrations-End Up Crying-Okeh
Bill Johnson-It Aint Never Gonna Die-Jocida
Ex Saveyons-Running Wild- Smoke
Robert Thomas-Salvation-Charay
Kennth & Dekroy-Let Me Hold You Close-Steeltown
Tommy Scott-Pain Reliever-Wise World
Royal Jesters-That Girl-Optimum
Jimmy Gilmer-Thunder N Lightnin-Dot.
I enjoyed em any way
Tony
Chatting about Fred Hughes and this tune in particular at Burscough on Saturday....
went something like
Has he made a bad tune?
No.
What about that Walk on Back to you..
Belter, and the other side as well, in fact I think i'll give it a spin later......
Sadly, like a numpty----I forgot
I was..
I'm afraid
very
very
drunk
Tony
Blimey Steve, that is a list of interesting characters...
depending on the cicumstances, half of em could make your night
or,
f*ck you right up
and you know which half
Tony