Rick Scott

Your welcome, not a big ticket number but a fine example of some fine instrumentation and not easy to come by

Have put this one on another thread but thought why not include it here, this was and still is an alturnative spin outta my record box to jobell and the Orchestra de Salsa - Never Gonna Let You Go, Hope you enjoy.

Used to love playing the Jobel orchestra back in the Day at the Cleethorpes - Dayers And Niters and beyond BUT, does anyone remember this one from 1970, Yes 6 years earlier Love it! Enjoy, Rick

John manship has one of these up on MusicStack for £16. 20p

Pretty sure mine came out of a "soul pack" in the 70s (one of soul bowls i think)

Cheers Pete, That's nice to know.

Thanks Chalky for that, should answer a few of the questions being asked.

I bought my copy of the 8 track EP at the time for the Leonie track Silly Love Games which was an un-issued Modern Soul track, and it must have been quite ltd. as it soon disappeared, and like all the other stuff on the label not re pressed.

Would have thought so if the picture sleeve of the 10" EP is anything to go by and the sleeve notes by Glenn Gunton, don't know much about Sanctuary Records as a company but it was Bar Coded etc and looks legit. AND Sleeve design was done by Glen@Joeboy.co.uk

Don't forget that Joey Delorenzo - Wake up to the sunshine girl 7" came out on this label in 2002 ( FBU07007 A) They also put out an 8 Track 10" E.P. same year called FAB-U-LUS Northern Soul (FBUBX012) Face 1 1. Give me another chance - Barbara Mercer 2. Check it baby - Willie and the Mighty Magnificents 3. Let her go - Otis Smith 4. Make the devil stop messing' with me - Ruth Christie FACE 2 1. Where is the love - Glen Miller 2. Change my life - The Foundations 3. Something said love - The Impressions 4. Silly love games - Leonie Most copies were Autographed by Clem Curtis. THESE WERE DONE THROUGH THE SANCTUARY RECORDS GROUP LTD.

Was played at The Cethorpes Pier Circa 1975 and was a massive record there at the time and Instrumentals very popular during the 70's so just a we bit earlier, It was one of those records that builds and builds up to the ending, my mate has cassette tapes of some of my spots there with myself Ginger and Eddie,Poke, Chris Dalton etc, although sound quality not that great on but interesting insights of those heady day and nites, So yea I'm Guilty as Charged lol

was playing this at a couple of local soul nites early 70s (Friendship Inn Keadby,Then Central Soul Scene Scunthorpe, then Pier and Winter Gardens Cleethorpes where it was a big tue but may well have been played before that.

So like you say, identical in every way other than name change of artist, over to the experts and the men or women in the know lol

yea mine too, just spoted that as not easy to see, and a very small MR scratched on run out of record both sides, is yours styrene too or vinyl?

My pulsar copy (issue) She 'bout drive me wild record number 2408 underneath that1-43998 (matrix stamped 43998 3) Empty Talk record number same 2408 number underneath 1-44004 ( matrix stamped number44004 5) across bottom of label states manufactured by Mercury Record production inc Don't know if that helps at all Richard

Thanks Mike, That settles it then 2011 it is, funny how the mind plays tricks on you, thank you one and all for all your help.

The plot thickens Richard, well not sure now, with the numbers being the same maybe if the Matrix numbers are different the very clever people will know, i wonder if there is any info in Manships Guides on this, I am very interested myself now on the outcome of this one.

Or put another way was 2011 when it was first released as a 45 as i always thought it was earlier than that, Rick

Many thanks for the very quick response on this guys, so whats the story on the 2011 release of the cry myself to sleep Rhetta Hughes, is the tat a legit re-vamp of the label, legit release As a friend of mine Colin Moss is looking for the first single release of it (Shot 107) and found the 2011 release of it and asked me what i knew about it

What a great record from back in the day and still have my copy, Not had or seen a shine copy before, but with it being a promo copy on the video play clip you would assume that was the first issue and they decided on a name change when they went to the issue release unless anyone has seen a straight Shine issue (none Promo copy) have to say it looks very nice.

Seem to think there was a track listing (discography) on here of all the releases the past but at my age the memory plays lots of tricks on you as you get older so i may be wrong, I think the label started back in the 90s ? and the last release on shotgun i have seen on line was the Rhetta Hughes track Cry Myself To Sleep in 2011. i only bough 2 or 3 releases back then and would like a look back at the releases from then to the present date and who was behind it. many thanks for looking and hope there is some clever person can help who knows a bit more about it than i do, Ta Muchley.

Remember back in the day Pier/Winter Gardens Cleethorpes during one of the All Dayers we went out for fish "n"chips and some pop 'n' sweets in one of the local shops where we spotted a swivel rack with 5 or 10 USA 45"s per pack of records in sealed see through plastic bags for next to nowt so most of us took a punt, on opening my pack found a copy of one of the records i played in my sets i.e. Christopher Cerf - Sweet Music, (AMY) which was covered up at the time as Turn Off The Music by Len Barry one or two of the other lads got copies too, when we went back to the Gardens i played Christopher serf in my set. I announced what we had found in the shop, and how to get there, it was so funny watching so many people making a mad dash for the doors, the packs were mostly country, pop, and a few Stax and Atlantic singles but depending how tight the records were packed in each bag you could see what was in most of them, the lady in the shop must have been wondering what the heck was going on when that lot decended on her shop,A lot of people turned up back at the Gardens with a copy of Sweet Music with beaming smiles on their faces, Happy Days.

Great topic Dean, I loved the hand clapping in the early days of my visits to Wigan Casino during its first year (stopped going after that) and the Blackpool Mecca too. Then we had The Cleethorpes Pier during its short couple of years and of course The Cleethorpes Winter Gardens.There were many other venues at that time that had this wonderful Hand Clapping at all the right moments in a song, why or when it stopped is a mystery to me as the atmosphere was electric at the time. Just may be that some just could not be bothered and eventually it died out, would be great to see (hear) it revived, wouldn't take much i wouldn't have thought. Clapping seems to be now reserved for the end of a tune being played that was well received or with the showing of appreciation of a DJ playing something nice for the first time or a less played quality oldie, and of course at the end of a good set being played to show how much it had been enjoyed and appreciated which also is very welcome, that for what it is worth that is my take on it, interesting point would be looking back would be did the dancers hand clap while dancing or was it just the ones off the dance floor observing or both, fast hand clapping and dancing must be quite hard do do at the same time and keeping in step with the track being danced to would be very difficult i would have thought.

Sorry peter, there are so many versions of this track ( i have a fair few myself ) but was thinking of those no SAX, have an album version some where by a Hippie looking band and female lead singer but can't lay my hands on it but will keep looking, You might try a trawl through youtube but you have probably done that already