Coolnotes

This week sees the 10th anniversary of the death of Amy Winehouse. I thought she deserved a personal tribute on these pages. Whilst she won’t be everyone’s taste it would be hard not to ignore her impact and achievements . Amy’s Roots Amy’s roots were forged in the migration of her great great Grandfather from Minsk , Belarus to Londons East End in the 1890’s . By the time Amy was born in 1983 the family had settled , with many other East End Jewish families in the North London suburb of Southgate. Father Mitch was a Black Cab driver despite an early divorce he became an influential figure in her later career.Amy’s musical legacy was forged by a number of uncles who were Jazz musicians but more so by her paternal Grandmother Cynthia who the young Amy adored. Pictures of Cynthia and Amy showing startling similarities. Cynthia, occasional Jazz singer , dated legendary club owner Ronnie Scott . Legend has it Amy grew up hearing her Dad and Cynthia deliver Frank Sinatra Jazz standards in the house, but she has also cited her love of Salt and Pepper and The Beastie Boys. This fusion of both retro classics and contemporary sounds was to be her hallmark and path to success. Cynthia provided far more than musical influence , she was flamboyant , and something of a mystic absorbed by Tarot cards and the fragility of fate and destiny . By the age of 12 Amy had bought her own guitar and was writing songs. Her influences were never merely cited retrospectively to appear hip, evidenced by details of an early ‘Chill Out ‘ cassette tape. It includes the often cited Ella Fitzgerald , Frank Sinatra , Carol King but also Ray Charles Curtis Mayfield Edwin Star . She was encouraged by Cynthia to attend drama schools . At 17 she became the featured female vocalist with the National Youth Jazz Orchestra and by the age of 19 she has signed to Simon Fullers 19 Management, and began a long working relationship with Producer Salaam Remi. The buzz about Amy triggered keen interest from a number of major labels , but Island Records A and R man Darcus Beese acting on a tip off sealed a deal that was to secure the release of her debut album Frank in 2003. Blues and Soul magazine feature following the release of Frank. Much of it had been written whilst Amy was still a teenager , it provided a credible debut of Neo Soul over a mix of drum and base and mellow Jazz. Whilst it won an Ivor Novello award , was shortlisted for a Mercury prize and reached platinum sales it was only a shade of what was to come. Amy performed at Glastonbury , V Festival and Montreal Jazz festival to promote an album she was often self critical of . Back to Black Co producer on her debut album had been Salaam Remi whose previous work had included The Fugees, Lisa “Left Eye” Lopes and Ms Dynamite.This collaboration continued for the follow up Back to Black album which saw her travel to New York and Miami to work with British born legendary director Mark Ronson . Amy developed a close working relationship with both men , and also the Dapp Kings who were brought in work on the album which provided a shift away from Jazz towards sixties soul and girl groups , with additional elements of Neo Soul, modern blues and ska .Both men have admitted that Amy was not the easiest person to work with , and it took some coaxing and a high degree of trust for her to accept changes in production. They produced album made of ten songs that average three minutes with 5 of the nine songs are under 3 mins. Amy poured out her sorrow and frustration in a style that was both sultry and agonising at the same time. The songs were marked by references to soul idols (Ray Charles and Donny Hathaway) sexual frustration and the contradictory emotions in modern relationships . It drew on Motown , Neo Soul and Billie Holiday’s legacy. Whilst Amy’s voice was never ever going to compete with Aretha or Glady’s it was by any standards a Soulful album. Completed within five months it was destined to become a modern classic It barely had a weak track and was to provide 5 singles within a year . Musically Rehab was ironically the most commercial and was on everybody’s lips and radios world wide, a cruel irony given that Amy was never more in need of rehab at the time . It reached the UK and US top ten in October 2006. It was followed by You Know Im No Good , Back to Black, Tears Dry on their own , and prophetically Love is a Losing Game. A cynical mind might feel Island were milking a talent that wasn’t destined to shine for long.By the end of 2011 it had sold 3.5 million copies in the UK and 20 million worldwide and award ceremonies couldn’t get enough of Amy and the Back to Black team. The Brits’s , Mercury , Rolling Stone Magazine , and 5 Grammys’ all took a chance on giving her a an acceptance speech. Amy’s Decline Within the next 2 years a catalyst of events would combine to result in a Amy’s drift towards self destruction. There had been rumours of mood swings and depression as a child and school exclusions which were denied. There is a stark warning in a statement from Amy to camera in the posthumous 2015 film Amy about her inability to handle fame and attention.Her early manager and friend Nicky Shymansky later disclosed to Daily Telegraph journalistJessamy Calkin : ‘It was around February 2005, in the space of a week, everything changed. I called her, and she sounded different. I remember saying to my brother, “Something weird is going on. Amy doesn’t sound like Amy.”‘That was the week she met Blake Fielder-Civil. She changed overnight." He reportedly admitted to introducing her to Class A Drugs , then broke off their relationship to return to an existing girlfriend. Whilst Amy never hid her frequent use - or dependency of Canabis and Alcohol she was reported as chanting ‘Class A drugs are for mugs’ at the beginning of her shows prior to meeting Fielder - Civil . Amy’s family and fans have pointed to the death of her beloved grandmother Cynthia in May 2006 as a trigger for her emotional decline.Amy Winehouse and Fielder-Civil married secretly in Florida in May 2007 Their relationship was marked by co dependency , binge sessions , violent break ups and emotional make ups between the two. They were divorced within two years, but by this time Amy appeared in full decline . Ive chosen not to detail the sad gory details of her personal decline which were captured almost gleefully by a tabloid press. She died alone on 23rd July 2011 aged 27 , and the inquest reported blood alcohol levels as .416 mg of alcohol per 100 ml of blood with readings of over 400 likely to lead to lead to a coma and death. Amy’s Legacy: Ahead of her death there were hopes of her delivering a song for a new James Bond song ,and also rumours of a Ska album.Amy Winehouse was one of a long line of white UK female singers who have embraced Soul music and delivered it with passion, respect and integrity.She belongs on that list along with Dusty , Lisa Stansfield , Joss Stone. There is no doubt Amy inspired countless singers to follow her , with Adele and Duffy among them. Emile Sande, Sam Smith and Paloma Faith are among many who have also cited her influence.You might not have wanted her for a neighbour , your daughters best friend or your sons new girlfriend, but in a music scene dominated by X Factor clones it was hard not to admire her raw energy.Amy sealed the bond that so many performers and artists in this country have with Soul music in all its forms. Its passion gripped her and she felt it no less than any of us who have taken to the floors of an all niter. RIP. Cool Notes 10th Anniversary Tributes The fact that the BBC have scheduled over 10 hours of TV and Radio programmes this week is testimony to the extent of Amy’s talent, influence and popularity . Here are a few looming . TV Programmes this week. Friday 23rd BBC 2. 9.00 . Reclaiming Amy : A personal collection of family memories provided by her Mother and other family members. BBC 2 10:00 Amy Winehouse : The Porchester Session. Set in London’s prestigious Porchester Hall, 2007 . Amy performs classics from her debut album ‘Frank’, and ‘Back To Black’. BBC4 10:30 Amy Winehouse ; The day she came to Dingle. A documentary built around Amy’s acoustic 2006 performance filmed at a church in Dingle , County Derry . BBC4 11:30 Classic Albums : Back to Black A excellent documentary examining the development of the Back to Black album . It includes interviews with members of the production team such as Mark Ronson and members of the Dap Tones, as well as Amy . It gets right to the heart of the chemistry between them . Radio : BBC 6 Music Monday 19th July 12:00am In Their Own Words.: Clips of Amy’s interviews with the BBC 1.00 am Amy Winehouse at the BBC : A selection of her BBC Sessions 2:00 am Amy Winehouse Live : Highlights of her BBC concerts. 3:00 am: Amy Winehouse Singer: Guy Garvey examines the roots of Amy’s music , including Jazz , Soul and Sixties Girl Groups. 4.00 am: The Amy Winehouse Playlist. Tracks celebrating Amy’s influences and insperations.

Today (Martin Luther King Day) finally saw the long over due opening of the National Museum of African American Music (NMAAM ) in Nashville. What might have been a star studded gala night was reduced to an official ribbon cutting and presentation of a $1million donation from Amazon . It opens to the public next week. The NMAAM (commonly pronounced Nyaam) is a visual and aural celebration of the history and achievement of Black American music. Visitors begin their journey in the Roots Theatre with an introductory film presentation focussing on the influence of West and Central African cultures and slavery which shaped so much of the music that was to come. You are then invited to explore the five separate galleries which detail the evolution of Black music. The Crossroads room is devoted to the origins of the Blues in the 19th Century. Detailing its growth in the Delta states and its migration to the Northern cities where it became a key ingredient for the emergence of Rock and Roll and inspired so many of the British beat legends . A Wade in the Water room charts whats described as ‘ golden age of gospel music” and its role in the development of Soul music. Jazz music is acknowledged in ‘Love Supreme’ which explores the emergence of the music around New Orleans and its subsequent genres such as Dixieland, Swing, Bebop, Fusion and its expanse into a world wide phononomon all of its own. One Nation Under a Groove pulls all these threads together to detail the emergence of Soul and RnB . ( RnB having long since replaced the term Soul Music in the US ) This room has the unenviable task of detailing the history of labels such as Motown, Stax and Philadelphia International , and hopefully many of their tributaries and legacies. As well as Funk, Disco, and modern dance music. This will include Disco, House , and the emergence of Hip Hop which also gets its own room. The Message , a room which charts Hip Hop’s New York origins and influencers and growth into the dominant force it has become in todays Black music. These five rooms are all linked by a central corridor labelled The Rivers of Rhythm , which reinforces how so much of these genre’s inspired and influenced each other as well as reflecting the social and political issues which both influenced and inspired them using an animated timeline and interactive touch screens. NMAAM suggests allowing at least 90 minutes for your visit, with accompanied bookable guided tours available , but you are welcome to take longer and given an entrance fee of just short of $25 you would probably want to .Now there are many of us in the UK who could easily fill 90 minutes on Berry Gordy - Saint or Sinner. The prospect of trying to encompass the whole history a music that we are so passionate about into the time allowed for Colchester to beat Crewe seems nothing short of an anathema. Clearly this is not a project primarily aimed at us , but it deserves our attention and support. It serves to celebrate the history of all forms of Black music and its pervasive cultural legacy and impact . It acknowledges , albeit often as an introduction, the breadth of its reach and the huge social and political hurdles it had to overcome. The Black Lives Matter campaigns add further resonance to continuing struggles. NMAAM is very much embedded in celebrating contemporary artists , which may prove its bread and butter , as well as feeding a local educational need.This will include educational workshops for local schools . The venue is also likely to host live concerts and hospitality events and is expected to provide a much needed boost to Nashvilles share of the tourist and hospitality market.NMAAM social media platforms will promote the museums facilities and celebrate both historical and contemporary figures in Black American history, including a number of Nashville based artistes .(Sadly no mention of Nashville legends Bobby Hebb and Robert Knight )There are frequent sound bite Facebook tributes to the past ( Queens of 80’s Hip Hop, Issac Hayes, Larry Graham.)Trivia Tuesday provides music history snap shots in time . Their You Tube channel features My Music Matters /Legends Gala provides profiles or interviews on artists such as Avery Sunshine, The Barkays , Kirk Franklin. Anita Pointer of the Pointer Sisters. I can’t deny my disappointment that their social media focus is overwhelmingly geared towards Hip Hop and modern RnB, with very limited acknowledgement of the the 60’s and 70’s which laid so many of the foundations for todays successful artists . You are feeling your age when a retro historical flash back takes you back to the eighties ! A You Tube tribute to David Porters career allocated him 1 min 18 seconds.NMAAM ’s convention and family visitors will be steered by parents brought up on Hip Hop and RnB, whose children probably won’t be hooked by Sam Dees and Gladys Knight. Lets give them some credit for just getting the place open. please make a visit to their social media links and make your own minds up. Cool Notes Social Media Links links to: https://www.facebook.com/theNMAAM Website: https://nmaam.org https://www.cbsnews.com/video/first-look-inside-new-museum-that-celebrates-impact-and-influence-of-african-americans-on-music/#x