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Beating Rhythm Fanzine Review Feat Clips of Jan 97 Issue site note originally up in 1999 Beating Rhythm - Edited by Pete Smith who should need no introduction to regular soul fans on net and was one of the main contributers to the rare online soul scene getting to where its at today. The mag itself is "one of the worlds most erratic fanzines (thats erratic not errotic)" - thats his own words not mine, due to its release schedule. But it is well worth the wait. Past issues have been crammed full of usefull and interesting stuff. CD + vinyl reviews, old rare press clips and adverts. And with his vast knowledge on soul things a lot of the facts and info if not all can be taken as gospel. A lot of articles on this site were from this mag such as film and cd, vinyl reviews etc plus a lot of info and lists,so highly recommended this one, I would subscribe to it if I could, but its a bit like hunting a certain rare sound you dont know when it turn up , but when it does it be worth the wait. The next issue is due out shortly and contains articles on The Astors, History Of Northern Soul, cd and record reviews, loads of rare label scans, new guide to soul surfing, worst 50 Northern records of all time...etc etc sounds good so email Pete for details and costs at {pete.smith4@virgin.net} Here's a few clips to give you a taste of the pie: Note: these articles are taken from the Jan 97 issue hence a bit dated but should give an idea of expertise expected. Vinyl reviews Before I begin this small UK 45's reviews section (Glen Walton has done the main part elsewhere), I've just remembered that I promised to uncover a couple of things from previous issues, so here goes. The Jackie Edwards Band - "Jerkin' Time" from a few issues back was from a Trojan LP called Millie And Her Boyfriends by Mille Small. It was supposed to be a duet with Jackie Edwards called, I think, Never Again, but for some reason the vocal was left off, leaving a cracking Northern instrumental. It also came out as a B side on Island, but I 've lost the info on that one. The lovely "Give Him Up" by Sonya Kaye & The Ebonies (last issue) is actually "Give Him Up" by First Generation on the reggae label High Note and is the B side of "She Want It" by Dave Barker. You find a lot of soul on the flip sides of reggae singles. Also Steve Aldo - "These Same Old Things" is Bobby Shafto -" The Same Old Room " on Parlophone, though I think I may have uncovered that before. This is a cracking little UK dancer and I sold it to Mick Smith so it might start appearing on a few people's wants lists. Speaking of cover-up' s..... JUDY JACOBS - "DANGER TO MY HEART "(UK c/u ) This is the most recent British thing I 've discoverd and after an initial "Erm, it's okay I guess" response from my inner self, I now think it's bloody brilliant and would definitely go - or have gone. The intro is very much like Peggy March - If You Loved Me or Shirley Abicair on Piccadilly, with what sounds like a zither or a strange electric keyboard hammering on one note while the bass guitar picks a tune, then in comes the sweet voiced "Judy'' and the beat really begins to become insistent. Now, after a verse or so you can feel that you're being set up for a drum roll and then all hell will break loose, with chimes and trumpets and God knows what - but it doesn't! It just stays 4-4 and builds very slowly, until three quarters of the way through when we get the instrumental break, where, bizarrely, the beat stops and there's 10 seconds of jazzy playing. However, out of the instrmnental the big build up really starts with a thudding drum adding to the proceedings and a little bit of jazz trumpet making itself heard also. The song is minimal "He's a stranger in town" seems to be the gist of if but whatever, this is a smashing little record, absoulty unknown and by the most unlikely artist(s) you'll ever imagine - clue: it's not listed as a girl singer and one of those which is going to make a lot of impact over the next couple of years. Was I wrong about Ketty Lester? **** (Check this out on one of the tapes) MARIAN ANGEL - A LITTLE BIT OF SUNSHINE (CBS 202391) This is a Brit girl singer who had a fair Northern thumper entitled Tomorrow's Fool on Columbia or Parophone (God my memory!), anyway, this is a later disc whicl will certainly appeal to the army of 60's UK girls fans although it's certainly not to everyone' s taste. Nice big orchestral intro with multitudes of shimmering strings, and a great beat ballad first verse with a trumpet answering Marion's vocal, but sadly at the end of the verse Marian tries to become an opera singer and warbles the words where she should have shouted them. Full orchestra comes in for the chorus, the vocal becomes double tracked, then it calms down a little and goes back to beat ballad, and so on and goes back to Beat Ballad, setting the format for the rest of the record. A few years back I'd have raved over this, but in all truth it's a nice little pop/beat ballad ruined by over orchestration and double tracked vocals. The flip side, All The Time In The World (sadly not the Stevie Kimble beauty) is uptempo and sounds like it should have been recorded by Tom Jones! **GENE PITNEY - LAST CHANCE TO TURN AROUND (Stateside SS420) Look, stop laughing, this is a fantastic record! Okay, it's not but neither was anything by Slade and they were all great. I'll get me coat! No, honestly, this is just about the most dramatic record you'll ever hear, what an intro, it sounds as if a train is coming through your living room wall, the drumming sounds exactly like a locomotive doing 100mph, then all of a sudden, in comes everyone else in New York on accompanying instruments, and Gene's all too distinctive voice pleads with his girl, then decides to forget and take the "Iast exit to Brooklyn, last chance to turn around". Now, this was probably arranged by Jimmy Radcliffe, so the question I pose is; did Jim do a version, if he did, did it get a release? What a sound! I tell you, if this wasn't by Gene Pitney, who has a voice unlike anyone else on earth (meaning cover-up's are useless) it'd be a big sound. It's cool, really. ***TOM & MICK - SOMEBODY'S TAKEN MARIA AWAY ( Olqa 014 ) This must be the f irst time anything on this label's been mentioned in this mag, I can only think of one other record from this source and that's Yesterday flas Gone by Lena Junoff which is fairly well known. This is a Swedish recording from the bizarre Sonet label, and boy, is this gonna be hard to describe. First; somebody crashes their hands down onto a piano keyboard while someone else blasts away one note on a trumpet. This lasts for 2 seconds.Then the vocalists come straight in with the title, while Animal from the Muppets hits the drums and symbols causing irreparable damage, meanwhile someone's blasting the horns like nobody's business, oh and there's a steal from Keith West's Teenage Opera record "She won' t come back no more, oh no no no". Sounds good? No. But it gets better. The verses are quite restrained, with only Tom (or is it Mick) singing and Mick joining in to harmonise on the last line, but then here we go again, that chorus is very very powerful with a pounding piano, loads of brass, wailing girls, the lot mate. This Chris Andrews production has about as much to do with soul as John Major has to do with charisma, but what a mental stomping record. I personally absolutely love this, but that's just me. I actually picked this up blind about 5 years ago because I liked the label, played it and thought ''Er, no way", so I sold it in with a job lot. Last week I found the exact same copy, still with my writing on the sleeve, in a record shop about 15 miles from here! By the way, this is on a few of my tapes as Tommy & Tony, slightly better than the real artists but only just. *** (Actually this isn't a Chris Anfres production) BARBARA MASON - AIN'T GOT NOBODY (Direction 3382) Okay, onto a real soul record this time, this is the flip of Oh How It Hurts which I knew was a ballad but thought I'd pick up for 20p or whatever just because it was a demo. But wow, check out that flip, presumably from the same label as her other goodies such as Bobby Is My Baby, this is classic stuff. Drum roll, horn rift, a tune very similar to Patti Austin's I've Given You All Of My Love, oh, and this little fingersnapper has the same burping sax in the background that adorns her other dancers. Big production, lovely girlie backing singers, a swinging little record that must surely/is surely getting some action, a very worthy addition to your UK collection. **CHARLES MANN - I CAN FEEL IT ( Probe 006-9577 Germany) Now you'll have to excuse my ignorance on the subject of 70's soul, but I'd have thought that you connoisseurs of that particular style of music would be well into this little number as it's prime mid-70's Mecca material, if I had to pick out. it's main feature it would be the very heavy bass drum sound which powers it along. I don't understand this kind of music at all so to my ears it has nil appeal, but if you like the uptempo 70's soul sound, may as well check this one out. Not sure if it got a UK release, this ones on German Probe. By the way, i t was produced by Dave Crawford who's name crops up on many soul sides . CD REVIEWS OUT ON THE FLOOR TONIGHT (GSCD 107) At first glance I thought this was a reissue of an old GM/SS title, Out On The Floor, but no, this is Out On The Floor Tonight. The concept is a little different too - the first CD conatined 24 or so classics, I mean extremely well established sounds, hear them at every oldies night you go to kind of classics like Queen Of Fools, The Snake, What's Wrong With Me Baby and so on. This compilation, doesn't really include any early classics but concentrates on the mid to late 70's biggies. There are also a handful of UK releases thrown in including Kiki Dee's On A Magic Carpet Ride which to these ears is beginning to sound quite nice (after 18 years of it sounding like shit).Other UK's come from John E. Paul, great at the time but sounding like like something from another planet now, can you imagine them laying this at Albrighton or some other 'soul connoisseurs' venue? Ditto Five And A Penny's awful version of Dana Valery and Tony Blackburn's shocking cover of I'll Do Anything. John Drevar's Expression still sounds okay I suppose, as do The Flirtations and Timebox, but the best of the UK recordings is Dusty Springfield's What's It Gonna Be which sounds as authentic as anything else here. But it's not just the UK recordings that provide the shockers here: Otis Leavill's Boomerang sounds like a Gene Chandler/Major Lance recording but is hideous, and is apparently a Twisted Wheel classic, Jeez! One of Levine's old biggies, The Petals - You Can't Close The Windows To Your Heart is bad beyond description, Susan Farrar's The Big Hurt was big for literally two weeks at Wigan before it was pressed then thankfully we never had to suffer it again, and as for Keith, Brian Hyland, Eddie Garrigan and so on, they're records of their own era and just don't fit in today. Strangely enough, Many's The Slip by The Present, although being a semi-psychedelic record, still sounds good but that's probably because of the memories it inspires rather than the quality of the record. Worst of the lot, and perhaps the worst record ever to appear on a GM/SS CD is undoubtedly Marc Copage's Who Can I Turn To, a dire recording by a 6 year old TV star who sounds like he was having his foreskin chopped off while recording this turd. Far and away the best track is He Loves Me by The Chalfontes which is a Detroit sounding dancer I've loved for years but never seems to be remembered with any fondness by anyone else. Oh, and whoever mastered this needs a severe beating around the head with a 3 week old pork chop because, okay, occasionally it's acceptable to miss the first split second of an intro to a track, but there are something like 15 seconds cut from the intro of Jeanette Harper's Put Me In Your Pocket - a small mercy, some may say, but there's just no excuse for it, it actually begins more or less on the vocal when there's a perfectly good and quite exciting intro to the original recording. Remember when they cut off the intro to John & The Weirdest - Can't Get Over These Memories? Why do people have to tamper with things?Let's face it, this is a real mish-mash of sounds and styles and it doesn't come off, and when the likes of Kiki Dee are your saving grace, well perhaps it's time for a bit of a rethink in the quality control department. Having said that, there are probably many, many people who bought the K-Tel Soul Survivors package which was ten times worse than this, so I may be putting on a soul snob hat here to look 'cool' - so, let's end by saying that there's probably something for everybody here, but not too much for me personally. TRACK LISTING OTIS LEAVILL - Boomerang/ PRESENT - Many's the slip/ JOHN E. PAUL - I wanna know/ KIKI DEE - On a magic carpet ride/ SANDY & THE PEBBLES - He's my kind of fellow/ SWEET - Broken heart attack/ DUSTY SPRINGFIELD - What's it gonna be/ JEANETTE HARPER - Put me in your pocket/ JAY & THE TECHNIQUES - Baby make your own sweet music/ JERRY BUTLER - One night affair/ PETALS - (You can't close) the windows of your heart/ BRIAN HYLAND - The joker went wild/ NAT WRIGHT - Mr. Love/ EDDIE GARRIGAN - I wish I was/ NICKY NEWARKERS - Woman/ ARNOLD BRYANT- House in order/ SUSAN FARRAR - The big hurt/ GROOVERS - He will break your heart/ LENNY (TONY BLACKBURN) GAMBLE - I'll do anything/ TIMEBOX - Girl don't make me wait/ FIVE AND A PENNY - You don't know where your interest lies/ JOHN DREVAR'S EXPRESSION - The closer she gets/ FLIRTATIONS - Little darlin'/ KEITH - Daylight saving time/ MARC COPAGE - Who can I turn to (questions and answers) THE GOLDEN TORCH REVISITED (GSCD 92) I think that the mood you're in affects CD reviews - one day you might love to hear a CD of oldies, next day you think "Oh no, how many times I have heard these before?" I'm afraid that today I'm suffering from the symptoms described in the latter scenario and I couldn't wait for this collection to end. Why? Because I first heard Mamie Galore, Lenis Guess, James Bounty et al nearly 25 years ago and I'm just bored with them. Having said that, they're still good, great records, but familiarity breeds contempt. The highlight of this CD is actually an instrumental (hello Andy!), Frantic Escape by The Innocent Bystanders which has no melody at all but is Popcorn Wylie and his session men cooking up an absolute storm on this vibe-laden Detroit crasher. Juxtapose this with the other instrumental selection, Bob Wilson's Suzy's Serenade and you get a chalk and cheese situation where you can't believe something as dreadful as that could ever have been played. Ditto The Dramatics' hideous Inky Dinky Wang Dang Doo, a record everyone went crazy over in 72/73, but the actual record is even worse than it's title, what a mess. Those two plus The Exciters' Number One which is a nothing song, are the only duds on this CD, but I have to say that there are at least 7 previously released on CD tracks here, so check the listing carefully. So apart from Frantic Escape, the other main highlights are Lou Johnson's perrenial Unsatisfied, a record which sounded dated from day one but one that contains a masterful vocal performance and is worth the price of the CD alone; Jimmy (James) Conwell with Too Much, a terrific dancer which has the same backing track as Len Jewel's Bettin' On Love and was pressed many years ago but in such bad quality that it was barely recognisable - here you get it in perfect sound quality. Oh and there's Luther Ingram's vocal version of Exus Trek which isn't a patch on the instrumental but for some crazy reason is preferred by a few people, trouble is it's not a very good song. So basically, this is another superb release, it just caught me at the wrong time I'm afraid. Incidentally, check out the accompanying booklet, centre pages, there's a photo of people dancing at the King's Hall, Stoke at the Togetherness allnighter and bugger me, it's your truly, bottom right of the pic with the blue and purple checked shirt - but wait, I've never noticed that sodding bald patch coming before! TRACK LISTING LENIS GUESS - Just ask me/ VIBRATING VIBRATIONS - Surprise party for baby/ DEE DEE SHARP - What kind of lady/ PHILLIP MITCHELL - Free for all/ MAMIE GALORE -It ain't necessary/ PROPHETS - I got the fever/ VALENTINES - Breakaway/ BOB WILSON - Suzy's serenade/ DRAMATICS - Inky dinky wang dang doo/ SUPERIORS - What would I do/ LOU JOHNSON - Unsatisfied/ ROSCOE SHELTON - Running for my life/ TYMES - What would I do/ SEQUINS - A case of love/ ROYAL JOKERS - Love game a-z/ JIMMY CONWELL - Too much/ OVATIONS - They say/ LUTHER INGRAM - If it's all the same to you babe/ JEANETTE WHITE - Music/ DYNAMICS - Bingo/ INNOCENT BYSTANDERS - Frantic escape/ PARLIAMENTS - Don't be sore at me/ JAMES BOUNTY -Prove yourself a lady/ EXCITERS - Number one/ TONY MICHAELS - I love the life I live.
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Beating Rhythm Fanzine Review Feat Clips of Jan 97 Issue site note originally up in 1999 Tap to view this Soul Source News/Article in full
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From 1971 before Northern was even called northern this account of his trip to the sea side is a fascinating look back to those far off days, cover ups, pillheads etc all feature and to me a tribute to a place which nowadays doesn't get the recognition it deserves.Thanks to Katie and Chris for sending the scanned original in. Read on for a piece of living history and one of the best written articles on site............ site note - article reformated From Blues and Soul - 1971 - Dave Godin Article on Blackpool Mecca GOOD Soul times. like good Soul sounds. are difficult to convey and communicate in words without perhaps risking boring the reader with endless superlatives, and so when I reflect about the great visit I recently made to Blackpool's Mecca. I remember, when I come now to try and set down all my impressions that a golden rule is just to "tell it like it is". So here goes. and fingers crossed I can do it justice! Having planned and talked about visiting Blackpool and seeing the Mecca's Highland Room scene first hand for about four weeks previously, when the actual day came I was excited and full of hopes and keen anticipation.The weather in London was miserable and wet after a week of uninterrupted fine weather but l refused to take this as an omen. Like dreams perhaps omens (if they exist at all) do go by opposites, because prior to setting out. I could never have imagined just how true all the good things I'd heard about the Mecca would turn out to be The previous Thursday at The Fountain a lot of interest had been generated amongst people there to visit the North and see if it is as good (or as bad depending on what letters you read!) as it has been cracked up to be and so travelling with me were Alf Billingham, Terry Davis (The DJ at The Fountain with Paul).his brother Pete. and their mates David and Arnold. I was twenty minutes late. and as we walked the length of the train back and forth vainly trying to find seats (let alone seats all together), we had visions of standing for the entire length of the four hour journey to Blackpool! Luckily, a porter took pity on us, and soon took us to a flrst class compartment which he said we could have to ourselves, and on which was pasted the legend "for the use of second class passengers" Soon we were moving on our way having had some very bad luck with my camera when I went to The Wheel with a faulty and seldom reliable flash, I started taking some photos straight away just to check out that it was working OK. It wasn't. Wasted bulb after wasted picture, so out of the window it went, whilst we were making about 90 an hour. Always throw your bad luck away from you, and that camera had bad luck on it anyway, so, take my tip If something brings you bad luck throw it! We all had some good talks about Soul matters on route. but this was but a mild prelude to what was yet to come! As we went along, through unfamiliar countryside, so the weather suddenly began to change and brighten up! The camera incident was obviously paying dividends already! Some Soul brothers had arranged to meet us at Blackpool station. and when eventually the train pulled into the monstrous Gothic-Victorian enormity that is known as Blackpool station. Within seconds we were all introducing ourselves to all, Alf and Harold Grounds who had come to meet us. along with our old friend Led Cockell (who I had met at The Wheel when he was doing a DJ spot there) Despite the fact that there were six in our party. Harold insisted that we all go to his house for tea and soon we were listening to some of his prize sounds. revived and fortified by tea and sandwiches (Cheese for me. and cooked corpse for the others!) By this time it was getting close to seven, and as the Mecca starts getting Alf, Dave, Led, ]an and Steve by the "Rare SouI '71" sign underway about 730, we decided that we'd have to start moving in order not to miss any part of the evening By this time Led and the others had come back to Harold's place, and started taking us in his car by shuttle service! I had never fully appreciated that The Mecca is such an enormous place. The huge building stands in a wide road, and it seemed from the crowds that were making their way there, that just about every person who likes a good Saturday nlght was converging on the place If you can imagine the crowds going into a football match, then you'll have a pretty good idea of the front of the Mecca on a Saturday night. They came by foot, by bus (unforlunately the remaining trams in Blackpool do not pass the door or I'd have insisted on arriving by that esoteric mode of transport) by coachIoads (apparently some of these coaches are hired by Mecca to give free transport into Blackpool to people from outlying places. and they return at a set time afterwards which struck me as a very good and emerprising ideal, and in cars. The broad front sidewalk was full of young people milling around. and already people were coming up to us and saying 'hi" and introducing themselves Some old friends from Manchester way and some people that I have only known previously through letters, but mostly new readers who I was meeting for the first time The poster on the outside proclaimed the attraction of the Highland Room "Rare Soul '71" and we took some photos in from of this historic legend Little did I realise at that moment in time. that not only was this a true description of fact, but in actual reality was a sublime understatement Not only is the Soul they play there is rare some of it is impossible! But more of that in a minute Mr Pye (who is the manager ) had asked me to make myself known to him upon arrival, and he welcomed us. and not only let me in gratis but was also big enough to let in the dozen or some people who happened to be milling around talking with us. So to him I must give my special thanks for his great generosity The Mecca is divided into two levels. On the lower level they have a live band and singers, and on the Highland Room they have the Soul Sounds By any standard the Highland Room is large, and the decor is modern and clean cut with a long bar at one end (which sells all sorts of drink until about 12 after which you can carry on drinking via waitress waittres service if you want to, and a small rostrum which the djs operate their turntables. On a Saturday night the sounds are selected and played by Tony Jebb with Stuart Freeman, and during the week Billy The Kid is added to the rostor. When we got in Tony was on stage and Denise LaSalle's never to be bettered "lovers reputation" was playing. It was a appropriate choice since the reputation of Blackpool Mecca has been growing and gaining pace all summer, and this is in large part due to the hard work and discriminating selecting that Tony and Stuart put into their work And they certainly work hard, but as they are both dedicated Soul brothers, they have energy and enthusiasm to spare, and it was great to meet them (and later Billy The Kid on the spiral staircase) and talk to them about the Soul scene in Britain. The general layout of the Mecca is a great one, and there must have been something like 5,000 people there the night we went, and I reckoned that a good 2,000 were in the Highland room! And by 1130 it seemed that I'd spoken and and shaken hands with a good 90 per cent of them! If there is one thing we Soul fans like doing next to listening to Soul Sounds it's talking about them! But, even though there were that many people about, the place is so spacious, that it never seemed overcrowded and cramped The highland room has a huge dance floor, dim lights as well as ultra violet (you know the sort that shows up all the dandruff on your shoulders, and the fillings in your teeth),and the music is loud with a predominant bass amplication to hook the dancers.Plenty of chairs and tables to sit around and rap and altogether I would say the classiest soul location discotheque I've yet visited Comparisons are of course fatal, and lots of people asked me if I thought it better than The Wheel, but it is a mistake I think to compare the two.The wheel well, it was The Wheel, and anyone who went there will know what I mean by that. It had an atmosphere and rapport that had slowly grown and developed over the years, and it was unique to that particular location, but now that The Wheel is no more a new and exciting scene is growing at the mecca. To say it is slightly different is not to put it down - in their own ways they are both unique, but never, in my wildest nights of fancy even, did I imagine that I'd see so many people at one time grooving out to such esoteric and way out Soul sounds! And they are known and loved! About 3 or 4 years ago I included in my top 20 for that particular year a record by Barbara Carr called "Don't Knock Love" which at the tlme didn't arouse much interest as an import, and I had merely thought it was another of those odd and funny sounds that do things to me personal]y, (because I am, I know, a bit of an odd and funny person myself at times!), and part, my fatal infatuation with female Soul singers! I can't tell you how thrilled I was when it came on and the dancers really moved to it and obviously loved it as much as I do! I mention this particular item because I think it shows how Soul music has become the only true "underground" music in the country now. 2,000 Soul brothers and sisters grooving out to a record that was never issued here, and which record companies continue to sneer at what we fans try to tell them, and if they issued it would take all the credit and the BBC DJ's would consider themselves way out super cool cats for playing it. Oh and ESMF,s they just don't know when to cut the mustard and each and everyone of the young together, hip young people at the Highland Room that night could tell them just where it's at and put them to shame in the process! Meeting readers of this column is always humbling experience for me, because although one gets a lot of mail, it isn't until you meet a collective mass of the faithful as I did at Blackpool that you realise just how many Soul people there are in Britain. We are far more numerous than we think and perhaps the time is now right for us to capitalize on this fact and seize the time in our own Soulful way! Anyway, it was a great experience to meet so many readers and to know that we are all digging the same things and thinking much the same sort of thoughts. If I were to list all the names of the people who I was privileged to meet, it would cover a whole page of "Blues & Soul", but I must mention a few of the brothers and sisters who you will see in the pictures along side this article. Boogaloo (I never did manage to find out his real name could he really have been baptized that?) is a well known brother from Manchester and a way out character who has really got Soul power to spare and then some. He was trying to get me to start a fund to buy The Wheel to run as a Soul Co-operative (a cool idea that), which he swears is up for sale for a mere £5,000 (say it quick and it seems within the realms of possibility) He was there with his girl Lynn Garrrity who also knows her Soul and has wide knowledge and good taste in Soul Sounds. Boogaloo was sporting a beautiful gold blazer badge which commemorated The Wheel with his name above it.Then there was the loveable Denise (who I remembered from The Wheel once met, how could anyone forget her) She's a great character, and was really having herself a ball. Then there was Tubby from Accrington who as well as being a regular good guy has the distinction of being probably the only person in the whole wide world to have the legend "Ric Tic Records" tattooed on his upper arm. Not only is this his personal tribute to his favourite record label, but the tattoos had managed to copy the type face of the Alf Billingham and Lynn, with brothers and sisters at Blackpool Mecca lettering on the record logo exactly! It really freaked me out and I couldn't get over it all evening! What a splendid way out crazy tribute to a whole attitude which is exemplified by Soul music! I jokingly teased him that he should have 'Keep the Faith - right on now" put on the other arm it'd never surprise me if when next we meet he's done just that. Little Chrissy (who is about exactly the same height as Rob Blackmore, and like him what he lacks in height he makes up for in Soul quotient!) asked me particularly to send his (and mine) greetings to his mates Gedd and Johnny who were unable to be with us that night. Maybe next time eh? 2 a.m.- --- time to go home. Mick Blake and his Iovely wife had come all the way up from Leicester to be with us that evening, and it was really great meeting these two! It's surprising how many Soul brothers are lucky enough to marry Soul sisters! Maybe it's as well though, as I just cant imagine living with anyone who didn't appreciate Soul. Trevor Hall from BBC Radio Blackburn was there and we had a brief discussion about the new Soul show that he will be responsible for in the very near future. And so many others who I remember as people, but whose names are now lost in the sheer, overwhelming complexities of meeting so many Soul people in such a competitively short time, but old, regular friends like Fran Francisco, John Bollen and Jacckie, and Steve Craine and Lynda and their friends were all there too, and I can honestly Say that I felt completely at home Perhaps more so than in many other places I have been to somehow, there was a special Soul magic and atmosphere about the friendliness of their reception. It was(sincerely) too much. FUNNY though how some people mistake what they read someplace else for what they read in my column I was hurt when someone said that I had written (and you can search my every published word and you'll not find it) such insensitive and unfeeling prose as to ever refer to a fellow human being as a "pillhead" Certainly I'll take the can back for what I do write, but that sort of jargon (and all the bigotry of attitude that goes with it)just isn't me. But on the other hand some people reminded me of bits I'd written and records I'd mentioned that I'd forgotten all about - it's a simple fact and truth that they just know and love their soul in the North! Well, with all this rapping to be done, I was hardly in a position to listen deeply to the Sounds that Tony and Stuart were laying down, but I heard enough to realise that this probably was the esoteric and knowledgeable selection of soul sounds being put out anywhere in Britain that night (if not the world). There were well known favorites of course, but there were lots of specials too, and digging up and discovering these neglected sounds and helping and watching them grow in popularity is all part of the fun of the Soul scene There were few secret Sounds but those people who get uptight about special secret sounds should remember that good DJ's need just a few "specials" to get a following, and also, what secret sounds remain secret for long? Eventually we all find out what they are, and there are always more waiting to move on up to take their places! Such is the vastness and complexity of the wealth of richness of Soul music, that no one person could ever know all there is to know about Soul music, and we can all (myself as much as anyone) learn by listening and grooving. BY 11:30 I had just about talked my head off, and Fran, Alf and myself slipped downstairs to the coffee bar for a good strong black coffee, and a five minute breather Just before this I had managed to have a chat with DJ Tony Jebb and his charming young lady He told me how hard he had worked in The Highland Room to present just the sort of programme that Soul people wanted, and I could tell he was dead sincere in what he was saying and in his dedication to Soul and The Faith. When Tony is resting, Stuart takes over with a slightly less esoteric selection, and so a real balance is achieved to please nearly everyone Coming back from coffee, we bumped into Billy The Kid who DJ's there one night during the week and is also a dedicated Soul brother. All too soon we had to split, and I didn't see him again untill we were all leaving, and he told me of the super itinerary he'd planned himself to continue the rest of the weekend in the most Soulful way I know We were now into the final couple of hours, and still there were people I wanted to meet and speak to, and we managed to get some pictures on the camera that Ian had so kindly lent me As the lighting was comparatively dim however, this was very much a hit and miss affair as there was insufficient light to compose the picture through the viewfinder, and so I just took potluck. In the event, I think all things considered they came out pretty well. Everyone was dancing to a superb version of "Angel Baby" by The Dilutes, and all too soon the last and final record was played Not before Tony had given me a great dedication however and played my all time favourite side. If you know Soul people what more could you really want for in the way of friends and acquaintances? Billy the Kid, Stuart Freeman, and Tony Jebb - DJs in the Highland room Soul is more than just music it is a life style I too Not an easily identifiable one since more than in any comparable field there is far less rigid conformity (which is great, and again, typical of the style itself), but the Soul way is a definite way, and I think this is an element of our music that does bring all closer together far more than non Soul people could ever realise or appreciate Outside, the comparative coolness of the two am air was very welcome and the sweet soul soundswere still buzzing through our heads. So many brothers and sisters tp say goodnight to and as Alf, Harold, Elaine and I strolled through the empty streets. I remembered something that Boogaloo had said to me during the course of the evening. He'd said that instead of ending with "Keep the faith", I should say "spread the faith" and I couldnt help but think this made a lot of sense, because people like those we met at Blackpool Mecca are all in their own wayspreading the faith of good soul music, and they know as well as I do that there is something so unique, so magical, and so fantastic about Soul records that somehow all other forms of music seem to fade into insignifigence when you compare them! Maybe there are some who read this in the southern part of Britain who find it hard to understand just why I rave so much about the northern soul scene and oerhaps this because they've never been there and seen it first hand for themselves, because believe me there is no equivelent in the South , and untill you've been there I dont think any mere written word can fully convey to you that special and unique vibration that generates amongst the brother and sisters there. I only wish it was easier for people to get there so that they could expeirence it themselves, but if you do decide to make it to the Blackpool Mecca one weekend then take my word for it that you you'll find a warm welcome there and a nicer crowd of swingers and friends it would be harder to inagine. Untill Aug 21st 1971 I always thought of Blackpool as The Tower but from then on I shall always and forever remember it as the Mecca Soul Heaven here on Earth, and a pious pilgrimage that i would urge all the faithfull to undertake as often as they possibly can. Keep the faith - right on now! Blackpool and the Mecca await you, my deepest thanks to you all Dave Godin 1971- Blues and Soul issue 67 Well there you go, he has a way with words yeah? Thing that strikes me reading this article 28 years on is the passion for the music that stands out, the almost religious feeling about it all change a few words and it could almost be a preachers address. Thanks again to Katie and Chris for scanning original and sending it in, if you yourself have anything knocking around similar that you want to share , let me know and we can get it up here. As he said spread the faith...
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From Blues and Soul - 1971 - Dave Godin Article on his visit to the Blackpool Mecca. A lot has been said and written about the history of northern soul in the UK, normally it mentions the Wheel as the start, the Torch then Wigan and so on Tap to view this Soul Source News/Article in full
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Dome Oct 99 - The First One So along came the night that launched a 1000 flyers, the Matt Jahans along with Capitol Soul Club organised event at the Dome in North London. Tap to view this Soul Source News/Article in full
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Dome Oct 99 - The First One So along came the night that launched a 1000 flyers, the Matt Jahans along with Capitol Soul Club organised event at the Dome in North London. First impressions not as easy as flyers made out to find, getting out of tube was expecting to see a large modern multi entertainment complex shining on the horizon, well just say theres a irish pub on the corner and around the back theres the enterance to the dome club. Once thru doors and up the stairs though any doubts flew away, fairly large dancefloor, decent bar and lots of room allround, first 30 mins and place filled up quickly. DJ line up, well if you're gonna do, do it big - a cracking line up Shifty, Andy Rix, Keb Darge, Dave Rimmer. Irish Greg. Sounds played , well due to my other job as a lager sampler details a bit hazy, usual floor fillers delarks cover, love slave, barbara lynns Im a good woman, man o man, jd bryant, milton parker, stacks more decent new stuff and some decent oldies. Dancefloor was packed almost from kick off to end, the atmosphere was well electric and a good mix of people there as well. Any downers, nah .. can't think of a bad thing, even bar prices were lower than usual london rip off prices. Dave Rimmer and Roger Stewart were flogging their wares also Neil Bently had a stall there with the book cracking up. Overall a great nite, sems this venue has a lot going for it, Matt J (whos one of under 30 gang) is sussing out next dates, reckon if this gets regular could become a massive thing, all I can say on the nite is when the next ones on get down there, if its half as good as first nite still be worthwhile. Other memorable remarks heard on nite and since by others were: "best soul nite this year" from Dave Rimmer "great nite, great venue great music great company..." "another pint of lager" "what a tenner for a bloody taxi to victoria" "do you know what time in morning it is ? and you expect me to pick you up from station" dome playlist how many times have you been to a event and the next day when ears are ringing think.. facking hell what did they play last nite, loads yeah ... same for me, anyway to help you out and for those who were not there to see what you missed here's some info from andy rix who took time and effort to sort I've been computerless since The Dome but now I'm back in action I have to say what a brilliant night it was...those London do's always have a great atmosphere partly because of the young element in attendance...I saw a few questions about a few of the tracks I played as 'exclusives'....well they were... The Commotions - Sock it to me - RCA Custom acetate but recorded for Blue Rock...they did have a 45 on BR and are the same group who cut 'Motown' on La-Ro-Ke. This is a traditional in-your-face Northern stomper Jimmy Radcliffe - The thrill of loving you - another unreleased track...this was actually a demo for the Drifters and is a typical New York beat ballad...wonderful vocals from Jimmy tho Royal Five - Don't stop - this is again unreleased...acetate actually belongs to a group member and mine is simply a copy but it's too good not to play simply because I don't have the real thing...they had one 45 on Tyler which used to get played and they may have done something else...Greg do you know ?...again it's uptempo 4 beats to the bar Northern...one for the traditionalists amongst us I hope there are more Domes to come...certainly one of the better nights I've been to in the last few years Andy andy also laid down playlist of the nite using mark hanson's soulville site and black echoes review as a jogger: Irish Greg Nolan Porter - If I could only be sure - ABC Little Ann - Who are you trying to fool - Kent Vivian Carol - Oh yeah yeah yeah - Merben Hytones - You don't even know my name - Bell JoAnne Courcey - I got the power - Twirl Trends - Thanks for a little loving - ABC Younghearts - A little togetherness - Canterbury Shifty Wade Flemmons - Jeanette - Ramsel Walter & Admirations - Man Oh Man - La Cindy Gwen Owens - Just say you're wanted (and needed) - Velgo Salvadors - Stick by me baby - Wise World Aspirations - You left me - Peaches Mellow Souls - We can make it - Mello Lester Tipton - This Won't change - La Beat Sam Dees - Lonely for you baby - SSS Int Jimmy Burns - I really love you - Erica Al Gardner - Sweet baby - Sepia Patti Austin - You'll always be in style - A&R acetate Clara Hardy & Magictones - It's you - Cover-up Magnetics - I have a girl - Rasel Keb Fortson & Scott - Sweet lover - Pzazz Pat Lewis - No one to love - solid Hit Del Larks - Job opening - Queen City Mayfield Players - Don't start none - Mayfiels unreleased Professionals - That's why I love you - Groove City Nomads - something's bad - Mo-Groov Lou Pride - I'm Coming home in the morning - Suemi Capitals - Can't deny that I love you - Omen Al williams - I am nothing - La Beat John Wesley - Love is such a funny thing - Melic Honey Bees -Let's get back together - Garrison Timeless Legend - I was born to love you - (Keb Darge remix) Milton Parker - Women like it harder - Closet J. Jocko - I'm gettin over - Kama Sutra Detroit Sounds of Friction - I'm leaving you - Heavy Sound Irish Greg Sandra Stephens - I really love you - Daran Tony Clarke - Wrong man - MS Herb Ward - Honest to goodness - RCA Tomangoe's - i really love you - washpan George Blackwell - Can't lose my head - Smoke Dynamics - I need your love - RCA New Wanderers - Let me render my service - Ready Gary Dean - you can say - Young Tyn-Tynes - Baby I love you - Music Box Andy Rix Jimmy Radcliffe - The thrill of loving you - Jaysina acetate - unissued Herman Lewis - Wh's kissing you tonight ? - Bell Sound acetate Chris Bartley - I go out of my mind - T.M. acetate - unissued Gloria Edwards - My love keeps getting stronger - UK Edsel CD track EDCD 611 Phonetics - Just a boy's dream - Trudel master tape Wallie Hawkins & Rose Marie McCoy - Switch around - Beltone acetate - unissued Masquaders - That's the same thing - Soultown Appointments - I saw you there - De-Lite Fascinators - In other words - Bombay Dynamic Three - You said yeah - Del Val Jean Wells Band - With my love & what you've got (inst.) - Select Sound acetate unissued Jesse James - Love is all right - Virtue acetate - unissued Royal Five - Don't stop - unissued Tyler Bobby Reed - Baby don't leave me - Shrine unissued Commotions - Sock it to me - RCA Custom acetate - unissued Harthon Band - She's wanted (inst.) - Virtue acetate - unissued Cashmeres - Don't let the door hit your back - Edgewood acetate - unissued version Cindy Scott - I wish you the world of happiness - Virtue acetate - unissued J. D. Bryant - I won't be coming back - Shrine Dave Rimmer Patience Valentine - If you don't come - SAR Bud Harper - Wherever you were - Peacock Cody Black - I'm slowly moulding - King Barbara Lynn - I'm a good woman - Tribe Enchanters - I'm in love with your daughter - Faro Major Harris - Call me tomorrow - Okeh Seven Souls - I still love you - Okeh Falcons - good good feeling - Big Wheel Doni Burdick - Bari track - Sound Impression Fiestas - Think smart - Old Town Lillian Dupree - hide and seek - D-Town Vashonettes - Mighty good lover - Checker Kenny Wells - Isn't it just a shame - New Voice Sparkels - Try love - Old Town September Jones - I'm coming home - Kapp Jimmy Wallace - I'll be back - Alpha Reggie Alexander - It's better - Boss Sam Fletcher - I'd think it over - Tollie Bobby Hutton - Come see what's left of me - Philips Johnnie Mae Mathews - I have no choice - Big Hit Jimmy Ricks - Oh what a feeling - Festival first up in 1999
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Article: Shades Of Soul July 1999 Review And Clips
Mike posted a topic in Front Page News & Articles
Shades of Soul July 1999 - Recently had the good fortune for this to fall through my letterbox, yet again another excellent mag authored by Derek Pearson. 60 pages jammed full of stuff. Highlights in the Jul 99 issue are 5 pages on parkers in manchest... Tap to view this Soul Source News/Article in full -
Shades of Soul July 1999 Recently had the good fortune for this to fall through my letterbox, yet again another excellent mag authored by Derek Pearson. 60 pages jammed full of stuff. Highlights in the Jul 99 issue are 5 pages on parkers in manchester, a excellent article on life after wigan, loads of vinyl reviews, label listings,interview with Andy Rix ,willie t thing, and loads more. Has a wide spectrum of coverage on all things soulful, with many contributors, mark hanson, john pugh and one I'm sure I've heard of before a pete smath from st rossiters or somewhere, my view on "Shades of Soul" is its one that you keep picking up and picking at it, know what I mean a few minutes there and a few there, and always find something new each time, full of info. Enough of my words here's some clips to give you better idea of content: Interview with Richard Searling, vinyl reviews and info clips 'Derek Pearson interviewing Richard Searling 5th May 1999 DP 'What was early nineties background to why you started Parker's ? RS 'Well the Expansions shop had opened in Manchester through John Anderson's inspiration in 1987 and we had a couple of fairly rough years but none the less we survived. Dean Johnson become Shop Manager in October 1989 and around that time someone had pointed out that there was an hotel in central Manchester available for functions so I popped up to have a look as it happened to be close to the shop anyway. I felt I could work there, you usually get a feeling in these places whether you can work with the management or not straight away. I encouraged Dean to have a look at it with me and I remember the first night we went down there into basically what was a cellar, albeit a large one. The first night I think I remember it was about January 1990 we played Jelf Redd "Love High" and got a good response. There were about 160 people in for a first night, although a lot of it had to do with the fact that Manchester had heard nothing like this before, it was that we were supplying the right kind of music, easy listening lounge music I call it and getting a very nice up-market mixed race crowd in there. Apart from numbers growing the profile of the crowd did not change over the next four years apart from when we did a northern night or when we had an artist on. It was amazing really the crowd that were attending were just the kind of people we were looking for, we were not haunted by any of the trouble makers getting in. The reason a lot of people liked the place was for the atmosphere and the music, you don't find many people going somewhere just for the music alone its got to be a bit of both really. I do know people that have tried other places just for the music, but I reckon if you can have both then you have cracked it. DP 'As I've pointed out before you've got to have the music, the venue, the DJs willing to play plus importantly the crowd have to be willing to listen. "what would you say was the reason for your success at Parkers? " RS 'Well Dean and i have always worked well together because basically we play different stuff, there is nothing worse than working with a DJ that you feel all the time wants to be you and attempt to spoil what you are doing. Dean would play things that I would think 'Christ that's brave' and he would drive me on, we work well off each other, the chemistry was very good- I think with DJs there's an element of envy and if they see someone who is successful they think he's successful because of what he plays when in fact its not what you play it's the way you play them. It also boils down to what type of a crowd are in, if they're difficult you can end up playing what you consider a very ordinary set. With the right people in the right room and the right music and you can go onto another level". DP Where as Parkers was only once a month it saddens me that there no where else you can go to nowadays once a month RS "If i was getting more people in at The Howard then I would probably run it once a month, but as it is I've got two rooms going which I think is right and we attract about 250 people, If I was getting 400 1 would probably run it once a month". DP "Is it a case of we're all getting older and money's tighter ? RS 'No i don't think it is that, Its very difficult to say really because on the face of it there are still as many people chasing the records and talking about it. But they do seem to be more selective about the venues they go to, I've still not done the night that 1 really want to do do. I've got so many fantastic records which just never ever touch in the box.I just think if I could ever get a scene going at the Half Way House again where we played nothing but ballad's all night but they were up dancing, there's still a wealth of that kind of music being recorded today, but to get away with that in clubs is very difficult and even at the Southport weekender although I still play them, I always have to have the Futures "Ain't got time for nothing" lined up, great record that it is I don't want to be playing it when there's other quality record from an album to play". DP I suppose with dJing you never know when you are going to stop and if you're still buying, you've got all that great material and you'd cry if you never got the chance to air it. RS "I know I'm very lucky, I've got the radio show for that, I think I've played most things on it, but first of all its got to be the radio its got continuity and basically it gives me a lot of satisfaction doing it. But there must be a time to get a club going playing radio music and attracting 2 or 3 hundred in on a weekly or monthly basis. DP "Going back to Parker's many people went to hear your exclusives ? " R8 "I recall The Affair's 'New Life" remix which i don't ever think came out in the end but that was a lucky streak that we were going through which happened to coincide with having the club, at that time I used to spend alot of time chasing the record companies, because i had the time to do it, I worked in an office where I could spend a couple of hours a day ringing EMI, MCA and all these people or going to London. Right now I don't have that time so yes I was.. continued in issue JOE & MACK - DON'T YOU WORRY (One-Derful 3099) One of the more elusive sounds on a label which is fairly easy to collect - there must be millions of One-derful imports in the UK, seemingly not many of them are this duet from a Sam & Dave type pairing. At first listen, it's in one ear and out the other, but the more you hear it, the better you get, mainly due to the insistent horn riffs throughout. Listed at £100earlier in the year, did Anglo American ever sell that 1 wonder, as I've had this listed for half that amount for 6 months and it hasn't moved. $ BRAD LUNDY - (I'M AT) THE BREAKING POINT (Julmar 2647) An absolutely stunning beat ballad, perfection in fact, but marred by the fact that every pressing I've heard of this - and I've had three this year - are appalling quality. I'm told that the blue label copies are second issues, if that's the case, they must have dubbed it from a scratchy original, because even mint copies have surface noise and are recorded at too low a volume. As for the record, it's a big voiced vocalist backed by a full orchestra and some wailing girlie back-ups, great song (written by Brad himself and a real kitchen sink production. If you like the beat ballad sound, 1 can't recommend this highly enough, it's stunning. Label was based in New York. Price from £30 to £45. $$ (Additions: even before the mags out - Karl Mitchell writes: It first came out on Lundy which presumably was Brad Lundy's own label, the sound quality on this is superb but on the Julmar release it's very Lo-fi, don1 forget Denna Johnson's version on Wild Deuce.) LONNIE LESTER & CHUCK DANZY - AIN'T THAT A SHAME (Nu-Tone 209) One of a pair of Lonnie Lester singles on Nu-Tone doing the rounds at the moment, this one's a minimal r & b stomper with a driving guitar backing, ifs uptempo and repetitive and, apart from a messy middle section, is just right for a scene currently dominated by r & b dancers. miminal production values, this is obviously a five take but nonetheless, this is how music is meant to sound, raw and alive. Was on a certain dealers fist for £5 fast year but price is now £30 to £40 and that can only increase as it picks up spins. DELLA REESE - BLOW OUT THE SUN (RCA 8070) An early dancer circa 1963 I'd say, similar in style to something like Ketty Lester's "Some things are better left unsaid". Echo laden production, nagging but effective backing vocals, some great timpani and a fair song - and Della Reese always had a strong voice. Typical of today's type of newie, this is well above average and a very enjoyable couple of minutes listening. As with the aforementioned Ketty Lester disc, all copies seem to be issues, which is strange for RCA- $ UPTONES - TAKEN FOR A RIDE (Watt's 901) Well 1 thought this sounded a bit familiar, and lo and behold, ifs The Saints"I've been taken for a ride" - and when 1 say it IS The Saints, that's exactly what I mean. This must have been the local label issue before it came out on Kent, but why the group name was changed I've no idea. A very slick production, a catchy tune and a great arrangement with chimes, brass and a nagging guitar lick throughout, plus great vocals too, this is an excellent midtempo dancer which really is excellent. $ CHARLES BERRY - NEIGHBOUR NEIGHBOUR (Jet Stream 708) From Huey P. Meau3Cs Jet Stream label comes this - possibly original - version of the well known Jimmy Hughes/Ad Libs number, and it's a rollicking r & b dancer with a throaty vocal and excellent brass and organ backing. It's all a bit minimatistic but the guy's got a great voice and this is tailor made for today's scene. Pretty hard to come by, seen listed for £40 recently. $ JOE DOUGLAS - CRAZY THINGS. (Playhouse 10008) Onto a bit of real class now, and this is a number thats been reactivated over recent months and has consequently doubles in price from the £25 it was selling for last year. Playhouse is a Philadelphia label - note the Swan-style checks on the label - but the Detroit credits (Jack Ashford and Mike Terry) assure it's collectability. Not only that, there are two cracking sides here. Originally spun for the uptempo "Something to brag about, connoisseurs will now appreciate the dreamy midtempo sounds of 'Crazy Things", with it's chugging backbeat and stylish brass interjections. Nice vocals and an excellent production, with some clever lyrical couplets to boot. There are two different pressings of this, differing only in that one is a darker shade of blue than the other and the typeface is slightly different. $$ DRAKE & THE EN-SOLIDS - PLEASE LEAVE ME (Alteen 8662) An old-school style stompalong from a group who sound years behind the times; hard to believe that people were still making records such as this as late as 1968. That's not to say it's bad record mind, far from it - ifs one of those 'instant' records which propels you to the dance floor the second you hear that drumroll intro and it charges along at breakneck speed, propelled by an insistent rhythm guitar. Superb harmonies abound, often drowning out the lead singer, and do my ears deceive me or does the whole thing actually accelerate towards the end? Brilliant stuff.$$ more 45 reviews VALA-QUONS - WINDOW SHOPPING ON GIRLS AVENUE (Tangerine 951) This lovely mid-60's dancer begins a la "Expressway to your hearC with various traffic sound effects added, before turning into a catchy clip-clop dancer. Strong lyrical hook in the chorus "Go window shopping on girls avenue, til you find one who's good for you". Can't tell if this is a black group or a white one, but whatever, this has had a few spins on and off over the years but never really risen to any great heights - it deserves more exposure. Note that this song was published by Jobete Music so there's probably a Motown version of this rotting away in the vaults somewhere. $ ROSE ST.JOHN & THE WONDERETTES - MEND MY BROKEN HEART (U.A. 997) Detroit magic from the group that bought us "I feel strange", though this major label release has no Detroit credits whatsoever, which I find strange, especially as Mike Terry's trademark baritone sax is way to the fore. Both sides are very strong, "Mend" being the preferred side but the flip, "And if I had my way" is also awesome, slightly slower pace but equally as good. Two perfect examples of Detroit Northern Soul of the female variety. Add to this their Veep 45, and you have a handy little C.V. for Rose and the girls. Price-wise, anything from £50 to £75 for a white demo. SKYLINERS - EVERYTHING IS FINE (Jubilee 6606) Surely one of the most underrated records around at the moment, this first came to light on the Soul Underground 2 CD, since when several people have picked up on it, though ifs yet to make a big breakthrough. A truly majestic performance from this legendary doo-wop group in the twilight of their career, and this is a real feel good record, midtempo and mellow, with handclaps and fabulous harmonies to give it an extra something. Absolutely brilliant, buy it if you see it, should only cost around £15. $$ THERESA LINDSAY - IT'S LOVE (Correc-Tone 1053) Here's a gem among gems, what a record this is, and how fortunate I consider myself to have managed to pick up a copy. Last seen for the extraordinary price of £ 140, 1 picked this up in a job-lot for a couple of quid where it was listed as the other side, "Good idea", which is very similar to her "Gotta find a way'. However, my eyes nearly popped out of their sockets when 1 saw what was on the flip; sounding poles apart from the messy upternpo A side, this one is a Van McCoy composition and is notable for a very sympathetic, string laden Dale Warren arrangement, and those violins soar in and out as Theresa finds true love for the first time and sounds well pleased about it. "Say it, say it over and over and over' she pleads in a heartbreaking voice towards the end of the record, reducing the listener to a quivering wreck with her intensity. What a record this is! Never will this one ever leave my collection! MARVELOUS RAY - WHIRLPOOL (Abner 1004) Richards old Baby Washington cover up, Ray is a female, albeit deep voiced, and this track turned up on the Thelma cd by Pat Smith as "Going through a whirlpool". Midterapo stomper with a Detroit feel to it, this never lets up from the off, and should never have been dropped from the playlists so quickly because it's got just about anything you could ever ask for in a Northern dancer. All copies seem to carry a "Chips" sticker (presumably the record plugger), peel off to your peril - that's why there are so many "tear on label" copies about. Price, £30 to £40, worth every penny. BARBARA LYNN - THIS IS THE THANKS I GET (Atlantic 2450) No apologies if I've reviewed this before, and I think I did, many years ago, but now it seems that people are finally sitting up and taking notice of fins magnificent beat ballad item. It goes from a whisper to a scream m mere seconds, with ifs seemingly innocuous intro suddenly becoming a heartfelt plea from Barbara telling her man to treat her right. It builds and builds, instruments being added every few bars, until the kitchen sink is in there at the end, along with girl backing and Barbara m fine form. heard this spuri at the 100 Club in November, apparently it was also spun there in December, so nows the time to buy it while it's still relatively cheap. The $ signs are ratings out of 5. Hope you enjoy these. Cheers. Pete Smith Sydney Joe Qualls I don't do this" (20th Century LP) reviewed: Issue 1 (Jan'84) Darren Harden Not as instantly memorable as records such as the Four Tops*, but this mid tempo floater is certainly picking up much interest. Taken from his 1979 album 'So Sexy', under the guidance of Carl Davies, this track may take a while to sink in, but is well worth the inclusion in any 70's spot. * let me set you free" Casablanca LP Jimmy Cobb "So that nobody else can hear" (Contempo Vibrato LP) reviewed: Issue 2 (July '84) StuartRaith As Jimmy is a jazz session drummer, this late 1983 album is as one would expect jazz orientated, but wait! The title track on side one is brilliant soul, the slow shuffly intro reminds me of Nina Simone's "My baby cares". Greg Hines and Marilyn Redfield are the two singers and the overall structure of the song is in the classic Marvin & Tammi boy loves girl mould! "Speak softly darling, whisper gently in my ear.... so that nobody else can hear". Greg and Marilyn's mellow voices blend into each other so skilfully they tend to distract the listener from the distinguished backing musicians, who include Freddie Hubbard and Pee Wee Ellis. 1 hope you all get to hear this, it could just have easily come from 1963 instead of '83. Mandrill "Love Song" (Polydor album 5059) From the album 'Just Outside of Town' which provided the northern side Never Die', comes a quite brilliant deepie which stands out like a beacon, in an album full of so many different styles from this Multi-Racial group. Well, what's it like? if you can imagine the best 70s ballad's from groups like the Dells, Bloodstone, or the Dramatics, then you're pretty close to guessing the pedigree of this epic track. The cut starts quietly enough, just tinkling piano, then horns, flutes and strings are added to the 'Melting Pot', before the stunning 'lived in' vocals appear, 'If the world was to end tomorrow would we have reason to live, no flowers or trees, just a sad lonely breeze'. Cool harmonies, and imaginative strings abound throughout, together with a great drawn out sax break, I can't recommend this outing highly enough, thankfully the album has never been that scarce, so check it out now!! Eddie Hubbard (March'99) Greg Tormo (New Jersey,USA) writes: Lynn Vernado lives in Oklahoma where she is an ordained minister. She still sings and records, but it's all gospel stuff. She sent me her latest CD about a year ago, along with a load of her Jesus literature with her photo m the pamphlets. She couldn't remember much about "Wash and wear love" or "Second hand love", except to say that Miles Grayson was the guy to talk to about them. She had no copies of either record- And believe it or not, her nephew is none other than Snoop Doggy Dog. Mel Brit is a really great guy, very friendly and Ul of interesting info, and he currently works in a "Chicken & Rib restaurant in Michigan. I gave Ian Levine his phone number so that he could be filmed singing " She'll come running back" for his movie. Did you all know that the group The Exciters who had a hit in 1963 with "Tell Him", well two members of that group got married and became parents of a son, known to the world as songwriter producer L.A. Reid. For those that need to know, when you hear of the swingbeat and R&B producers LA and Babyface he's the LA bit. They've produced Bobby Brown, Blackstreet, R Kelly, Michael Jackson and many many others. Herb from Peaches & Herb: A recent interview with Herb revealed he is now working as a security guard in a court house protecting judges. He says he has found another Peaches and is now looking for a record company to sign them. He wants to get back into performing and recording. Heard that the Rev. O.C.Smith is doing well in California and has been a full time minister for over 25 years. He performed the marriage of MarilIyn McCoo & Billy Davies Jr (5th Dimension) and then renewed their vows for them 25 years later. "Wade Flemmons, who was on Vee Jay Records in the 50's and early 60's passed away approximately 4 years ago, his funeral which was held in Battle Creek, Michigan (Wade's home), was financed by the Rhythm & Blues Foundation. Wade Flemmons was also an original member of Earth, Wind and Fire. He and Maurice White formed the group m Chicago, there was also a female member of the group Sherry Scott who is still singing jazz today. She and Wade were married, however wade left the group with a broken heart. He never recovered". mmdells DP adds: Maurice White learned his trade as session drummer at Okeh during the 60's playing on all the Radiants recordings and on Ramsey Lewis's 1966 hit "Wade in the water". source: R Pruter 'Chicago Soul' book. Ron Kersey is a keyboard player and original member of the Trarrimps. He wrote and produced their smash, "Disco Inferno. " He also arranged for the likes of the O'Jays, Norman Harris, Love Committee, the Temptations, Billy Paul, First Choice, Major Harris, Dee Dee Sharp and others. He moved to the West Coast in the early'80s and produced a number of acts including Stephanie Mills. Norman Harris died in April of 1987. He had heart problems. He, incidentally was a cousin to Major Harris. Details for ordering are : Derek Pearson 30 henry st thornton bradford w.yorks UK BD 13 3 JE email d.pearson@bradford.ac.uk subs £10-3 issues UK,overseas contact at email address
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Soul Galore - Dave McCadden - Review with clips, please note this was posted in1999 Soul Galore If vinyl is your thing this is a mag for you, all it contains is vinyl reviews vinyl reviews and vinyl reviews. But heres the sting it is well entertaining and a good reference. Reviews range from a sharp few liners to a full page. A good reference guide and interesting read. Edited by Dave McCadden highly recommended. Find out yourself, here's some clips of reviews taken from a back issue No 8. Note don't think its still going as still awaiting issues, still a good read below though! Details of mag at end: MISS D D PHILIPS Hey little girl (Evolution) Forgotten pop stomper with few redeeming feature. Entertained the ugly ones for a few months in 77 until the pirate jumped ship to deliver boxes of boots to Russs stall on the balcony at Wigan. Ironic really - it was Russ who was responsible for making it a biggie in the first place. Remains hard to find an original for under £20, but the pasty looking boots have all been sold to clay pigeon shooters. Click click boom! TRADITIONS *** My llife with you (Bar Clay) Steamy uptempo chugger doing the rounds at a tenner. Good for a workout before the serious dancing starts, but the sparse production work leaves you feeling theres less to this than meets the ear. Had spins in the eighties at around the same time as the next one... GORDON KEITH *** Look ahead (Calumet) A rousing Metal Mickey of a stomper, with some serious horn blowing on a riff which has you nodding your head like Bill Clinton interviewing an au pair. 80s spins, initially for Keb, made it de rigeur for up and coming jocks before its untimely demise as the flip to a boot of Lee Bates Oh, why dont you write on Dragon. Those are easy to find at £5, and the original will only set you back £25. Hard core Northern uproar. JAY + AMERICANS Got hung up along the way (United Artists) Innocuous pop ditty which had a following of sorts in the seventies. Imports still command £25, while the 1967 UK issue (UP 1191) is hard at £30. No soul - so no chance! LAVERN BAKER *** Im the one to do it (Brunswick) Currently enjoying a renewed bout of interest amongst the more selective clobbers. For those bored with Jackie Wilsons original, its worth noting this one has the same backing track but with added pzazz. By the 60s her voice was magnificent and Im perfectly happy to have shelled out £75 for this piece of soul perfection. BLUE JAYS *** Point of View (Jay) Still a much sought after rarity, but nowhere near as exclusive as we once thought. In 1982 I saw somebody swap their mint copy of Al Williams on Palmer for this. Theyll look back on that deal with a heavy heart, as its now down to a mere £150 while the Al Williams disc just continues to rise and rise. Fabulous dancer. The vocals sound like theyve been fed through some kind of megaphone, but its as catchy as hell. CARL DOUGLAS ** Marble and iron (Buddah) Easy listening black pop. Recorded a few years before producer Biddu would make the big time with Tina Charles and others, but when you listen to this alongside his later productions such as Jimmy James A man like me and Johnny Johnsons Honey Bee you can see the man had a real feeling for soul music. He was never going to make the genuine article but at least he gave it a real good shot. For me, this is his best thing he ever did. Its still a hard item at £20, and would probably fetch more but for a competent version by Jimmy James on EMI. Carl Douglas - what can you say about him? He was all over the place. Which other artist can claim to have records released on Okeh, toured with a young Elton John, and sang bare chested on Top Of The Pops! Rare sound - but still pop. JEWEL AKENS *** Sukiyaki (My first lonely night) (Era) Superb strolling midtempo number had a few collectors going slightly moist before a premature Goldmine release made them lose interest. Pity for you when he leaves you behind: this will be massive in about ten years. The original song Sukiyah (Ueo Muite Aruko) - "Walk with your chin up" was A 1962 hit for Kyu Sakamoto. An instrumental version by Kenny Ball made it a US and UK smash in 63. Despite the fact that it had sold a million on two separate occasions Jewel was straight in the studio to record his version. It appeared on his Birds arid the Bees album - BEWARE!! - its not the same recording as his Era 45; its much slower and consequently far less danceable. Goldmine issues still carry their retail ceiling price and only time will tell which ones start to go for money in the future. One thing the history of our scene has taught us about reissue labels - from MCA to Grapevine -there are always some releases which will turn out to be worth far more than the others. An original Era issue will set you back a hundred nicker and, as mad as this may sound, it probably represents a good investment. EARNESTINE EADY *** The change (scepter) Another one likely to go up in price. Staple diet down south and caught on in a big way for a few years before finding its way into my box. Gotcha sister! Great tune and a sexy, swinging beat - £30 to hep cats. STRIDES ** I can get along (Without your love) M-S Old Wigan sound, now changing hands for fifty bars, and not turning up in any great quantity. Never took off in the seventies, but we appreciate this kind of sound far more today. There are far better Detroit records which only sell for half the price, but deserves its following. Flipside carries the backing track instrumental. The group mutated into CJ + Co and recorded the dreadful Devils Gun for Atlantic. That was a fave at Blackpool Mecca at about the same time as this Strides record was being ignored at Wigan. Aint life spooky, folks?! KELLY ST. CLAIR ** Hear that beat (AMM) Former seventies spin, originally covered up as Ian St John. Or was it Holly St James? Quite atmospheric in places, with all that stopping and starting, but it'll never make anyones Top Ten. Prices vary on this one- from £10 - £25. Almost makes you think somebody might be playing it in some remote corner of England. Stop it now! It may seem like a bad dream when we look back at the atmosphere which prevailed when we played all those terrible pop records, but I personally hope that we may one day feel the same way about some of the early 60s dancers weve decided to include under the banner of Northern Soul. GENE CHANDLER I can take care of myself (Constellation) Sprightly thumping Chicago beat, Genes usual impeccable vocals, lyrics courtesy of Van the Man. A real soul cocktail to drown those blues and get your feet jumping. Surprisingly issued here in 69 - many years after it was recorded -on Action (ACT 4551), as the flip to the frenetic I can save it. Despite its lack of rarity it was a popular sound in the mid 70s. It still only sells for £20 on issue, but the white demos are proving hard to get hold of. That UK issue is no great prize and shouldn't fetch more than £25. Not his best effort, but somehow they all sound like they were recorded in the summertime. FANTAISIONS Unnecessary tears (Satellite) From the same city comes this under-rated double eider. Although its more liked to be found on somebody's tape than heard at a venue, it has to be good value for money at £15. I'm more impressed by the sound of the go-go flipside That's where the action is, which conjures up images of girls dancing in cages and people wearing polo-necked sweaters and doing ridiculous dances. FIVE AND A PENNY * You dont, know where your interest lies (UK Polydor) Lacklustre British version of the Simon and Garfunkd song. If we hadnt found Dana Valerys excellent rendition we might find a little more pity in our hearts for it, but only collectors of UK releases will have a gleam in their eye when this one pops up for sale. Used to be pricey but the marginalised market means its only a £15 yester-groove, for this 68 recording on Polydor (56282) SPINDLES ** Ten shades of blue (Abe) Average uptempo soul sound which has perched on the edge of the swimming pool of collectibility for too many years. Unlikely to make much of a splash now with anyone but local midweek DJs w ho lack either the finances or the commitment to buy the more expensive sounds which will launch them on to the national circuit. Anything from £5- £10 and easily double that for the demo. LOU EDWARDS TALKIN BOUT POOR FOLKS /THINKIN BOUT MY FOLKS Is it just me, or do you also think that's too long a title? Why, its the whole damn chorus, Lou! But I digress. A rarity in the history of the Northern Soul scene of the early 70s, as it was one of the very few to be played as a new release. Surprisingly it never attracted the animosity directed at later new releases gaining turntable action. The stompers took it under their bags and made it one of their own. By the mid 70s the scene had wearied of the sound, replacing it with Baby boy and Mommas gone, but it was still a good seller when US Columbia got their fingers out of their arses to launch their Special Products logo. (Hey Columbia were still waiting for your next release Its been twenty years since the last one you dont want to lose arty momentum) The recent Goldmine CD Soul Time has mopped up much of the more popular material on this label, but there are still loads of good 45s knocking about to choose from e.g. Beverly + Del Capris, Bonnie Herman, Ray Jimenez etc. Those reissues of Lou Edwards can be had for a snip, while the rare issues pop up for £30. White demos may look more appealing but they're to be found everywhere for an easy £25. Thumping soul music with a social commentary. Oh yes! HOT TAMALES Loves Invention (Detroit) You must be joking! Far too frenetic for me to even consider a leg-shake. Crikey, Id have struggled to dance to this when I was only 17. Having said that its a cracking piece of soul music with a party atmosphere and a good time feel. The only copy Ive seen recently was owned by Ray Saunders in Coventry; and if youre telling me you can dance to this Ray, then 1 suggest you get yourself over to Highfield Road. Theyre desperate for a speedy winger with two good feet. Last seen for sale for £45. HAL MILLER *** On my own two feet (Amy) Typical you wait years for a Hal Miller record, then loads come all at once. This was the one that started the ball rolling though, as it leapfrogged its way from venue to venue in the 80s, winning new friends in every town and city. Early 60s New York feel, with beat ballad overtones, and a simple pop score from Bob Crewe and Charlie Calello. A recent auction saw it go for £150. Truth be told its a bit dated and lacks the sophistication of many of the beat ballads were turned our attention to. Despite the presence of a UK cover version by kipper Lynch, it has remained stubbornly elusive. There are even those poor souls whove told me they prefer the British version - and they don't all live in Hastings! HIGH KEYS**** Living a lie (Verve) Another early victim on the Northern Soul hit parade. Considered too cheap, too common, too available for mass exposure in the 70s. It was starting to command a hefty £8 in 77 when Pep found a load of waterdamaged Verve demos and flooded the market with them. I cant believe I just said that. Lead singer Troy Keyes named the group after himself but decided they should drop an E. Then he found them at rehearsals, dancing on the tables and swigging bottles of Evian, and wished hed never bothered. More George Kerr magic where is he now? Id love to see his face when I tell him one of his old productions is going for a ton. Records like this should not even be soiled with something as sordid as monetary value. Its priceless. MONGO SANTAMARIA * The Now generation (Columbia) Old Mecca instrumental which would kill off any clever-arse contestants on Name That Tune - there isnt one! Had a minor following in the squid 70s, but would attract little interest now, unless it was sampled by some youth wearing a baseball cap back to front and in need of a good wash. £5-ish. CARSTAIRS *** He who picks a rose (Okeh) Proof positive of the pulling power of Blackpool Mecca in the very early 70s. This thundering stomper was ruined only be their insistence on keeping that awful guitar lead, an instrument that has no place on a soul record! (I blame the original arranger Norman Whitfield. He was getting ideas above his station by now and trying to mix it with the psychedelic rock fraternity.) Quite why the normally smooth and groovy Calello and Sandy Linzer kept the intro I cannot think. But it spoils the record for me. (yeah, well we like it Dave, so shut the Duck up and tell us how much its worth Disgruntled Reader). Oh. its like that is it? Fair enough. Issues are mere working girls at £15, while the white DJs are saucy little numbers at f30. The popularity of this particular foot tapper led to the Whispersman on your hands being covered up as The Carstairs. JAY LYLE ** How good can it get (Angel City) Unattractive and aggressive West Coast soul. Its surly attitude makes it ultra danceable but there's no emotion to make it tug at your heartstrings. Finds itself collectable at last and goes for about £30. CHRIS BARTLEY *** Sweetest thing this side of heaven (Vando) More sophisticated production work from the Coy Boy. Chris doesn't have the best soul voice but its such a cracking song that even l could have sung it and it would have sounded good! Er, well - maybe not. US copies have tucked their feet under the tables of the poor house for more years than I care to remember Domar once made a nice coffee table out of his stock copies - and you shouldnt be asked for more than a bluey. For some unknown reason it was given a UK release circa 65. (Take no notice of the UK dates for this label in the Record Collector Price Guide - theyre hopeless). That Cameo Parkway (P101) issue is far rarer than its price tag of £50 suggests. Ive only had one copy in the last 25 years. PAT LUNDY ** You hit me where it hurts (Leopard) Early 60s roller from a lady who has always been of interest to soul collectors. Turns up on tapes quite often but rarely goes out to play in the clubs. These dated sounds have a following all of their own so £30 doesnt seem unreasonable. Shall we speed up? SHIRELLES * March (You I// be sorry) (Scepter) Not half as sorry as l am for hearing it. Has to be one of the most grotesque numbers Ive ever danced to. Dave Evison played it at Wigan one night when I was so off-my-box I would have danced to anything. This sure tested me - I failed miserably. Luckily, noone noticed (I hope) so l may have got away with it. Apparently, some people consider it worth buying so I should tell you its market value is a stunning £4. It is some time since my heart was broken by the sale of my Disco Demand collection but I seem to recall it was also on the flip of the DDS 115 Last minute miracle-a more realistic £2. ERNIE ANDREWS** Fine young girl (Capitol) Had this been an 80s discovery, collectors would have been doing cartwheels all the way to the record bar. Instead it had the misfortune to wake up one morning and find the mid-70s Northern scene shining a torch in its face - and pouting. Sure, there was quite a few mid tempo records being spun, but they were a damn sight classier than this one. Made a UK issue alongside Reggie Garner in 76 on Capitol (CL 15873) - both records received the same promotion despite one being a national monster and the other a virtual unknown in many parts of the country. That reissue was a poor seller and may catch us out one day if some cheeky saucepot gets behind it, but for now its virtually worthless and only goes for a couple of pounds. Originals can still be found for a bargain £15. LORRAINE CHANDLER * Love you baby (UK Black Magic) Tee hee! You Nottingham wags, what will you think of next! As you sat in your dream little pubs thinking of ways - any ways - to make money, who came up with this one? Lets take a copy of Love you baby to a recording studio and get some woman to sing over the flipside backing track. Hey, well call it Lomine Chandler! Selectadisc will chuck it out on Black Magic. And to make it seem more authentic well stick her authentic recording of What can I do on the Beside. Chortle, chortle! Grow up, saddos. This technique was used a few times in the eighties, which is why you'll never be able to find a Ric Tic release for the supposed Little Ann version of The way you're been acting lately. And there are even worse examples than that. (Cassietta George "Theres nothing else to sat" - get real, Kev! She was a trained gospel singer. That woman you got to sing for you sounded like she worked in the local cake shop.) The travesty of a record, which Lomine Chandler swore she never recorded, may be worth £4 simply on the strength of What can I do Obviously there are no US originals of Lomine Chandler singing love you baby, so save up your money and buy one of her original records. After all - you only live twice! 5 STAIRSTEPS + CUBIE .** Stay, close to me (Windy C.) Exhilarating foot-tapper. As our taste broadens and we move on up to rarer records, and we tend to dump things like this. We shouldn't. We should remember how GOOD it is before we remember how CHEAP it is. Otherwise well fall into the trap of spending hundreds of pounds with dealers on records that are designed to impress other collectors, rather than continuing to do the Vega thing that brought us onto the scene in the first place -buying great soul dance records. Period! Its probably become something of a cliche to you readers out there by now, but this one hovers at a bluey. First UK issue in 69 on Buddah (201 026) is less common than the 1971 issue of the US Curtom release (Buddah 2011 092) credited simply to the Stairsteps (without the Rubik Cubie) Neither issue b rare, so don't be a Burke if you see it under a fiver. JAYNETTS ** Peeping in and out the windows (Tvff) Late eighties spin which seems to be a forgotten tune these days. Sparse, moody and slightly fretful, but it must have had something if it got me on the dancenoor. The longer it goes on the more powerful it becomes - youre hooked by the end. A mere £15 and its yours governor. Sorb, we dont take fifty pound notes, got any less? MILLIE JACKSON *** A house for sale (Spring) Many months before its belated UK issue this was a surprise floorpacker in Mr Ms. For a 1976 release that was a unique achievement, and it remains something of a soft classic even today. In the early 70s she took up where Laura Lee left off and released several love triangle concept albums. An x-rated stage show filled houses wherever she went, but sales never passed beyond her R+B audiences. (I'm still filled with a sense of wonderment whenever I hear her version of Loving arms) Whereas the roots of My malt a sweet man lie with Motown, A house for sale is a pleasant Philly inspired disco sound which is well worth the fiver you're likely to be asked for it. JOHNNY WILLIAMS *** You're something kinda mellow (Babylon) Deceptively hard to find now. There was a time when this was all the rage, and sold for two pounds. Early 70s soulful thumper and a cut above the disco sounds of the time. Picked up by the sirloin for a chance at the big time, circa 76. Had its seven minutes and promptly said, Ill get my coat. Aches for another chance. Still got your copy. Pull it Out and listen again -its better than we thought. I met Searling through this record. In a whim of juvenile fancy I suggested in my column in Hot Buttered Soul that hed waited for the UK issue to be deleted before playing it. In those days it was insulting to accuse a man of un-soulful behaviour, and on my next visit to the home of the ugly ones I was summoned behind the stage to have my legs slapped. I muttered my apologies and left with my tail between my legs. (Quite right too McCadden you ve got for too much to say for yourself ) Both US copies and UK issues on Polydor should be bought on sight at anything between £5 - £10. TIM TAM &TURN ONS * Wait a minute (Palmer) Utter rubbish. With my hand on my heart I can say I never danced to this, even when it w as a Wigan floorpacker. Its astonishing to think that it came from a label with we associate with such soul excellence as Jimmy Mack, Al Williams and the Peoples Choice. They made at least three singles for the label - all pop nonsense of course - and (tears out hair in frustration) of all the great records on Palmer this was the only one given a UK release by the British bootleg company Island Records. (Surely you mean totally legitimate record company who like their forerunners Sue records released US recordings from labels that were so small they couldn't find them again to pay any royalties t) Er yeah, I probably do. That UK release from 67 (W16007) can be found (but don't look too hard please) on the pink label design and sells for about £15. The US issues once fetched money at the height of Wigan Britpop, but now sulks moodily at £3. Such was the mood of the times it was even bootlegged - 50p please and Ill throw in a packet of Revels. SHARON SMITH *** I m Waiting (Venus) A difference of musical opinion amongst the musical maestros of Chicago saw the deepthroated Miss Smith walk away from a contract with One-Der-Ful. She'd been employed as a session singer and sang back up on many of the great Otis Clay sessions. This organ-drum-and-bass stroller has all of the guts and glory we associate with the label. A clumsy sensual dance beat and that superb bluesy guitar break that has becoming something of a hallmark of Chicagoan R+B. Copies are starting to stand up and be counted as collectors get wise to its enigmatic appeal, so anything under £30 should be considered a bargain. Its a One-der-Ful life! ADAMS APPLES **** Dont take it out on this world (Brunswick) A friend of mine in Oakland who is part of the 60s garage psych collecting fraternity tells me this is a hot potato for his gang. It made me wonder if they're white? Are there any white artists on Brunswick? Quite simply a phenomenally popular stepper which is so contagious you have to listen to it from the next street. A big mid 70s sound, and potential bootleggers were given a bloody nose when it was issued here in 77 on UK Brunswick (BR 42). That demands to be bought at £5, or you may prefer to pay £40 for a US copy. It's up to you. Petula! There you go and that was just from 4 pages as each issue is over 30 plus you can imagine how many reviews packed in. Contact details : note: originally posted in late 90s since this was published sadly Dave the author has since passed away
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FALLING INTO THE SOUL NET - Soulful Kinda Music Article Looking back bit dated but guess thats expected as it is a bit dated FALLING INTO THE SOUL NET - From Soulful Kinda Music Mag Hey here's an article in latest soulful kinda music on soul on the internet thought it might be interesting to errrrr soul fans who are on the internet.... Looks like more and more soul people out there are finding themselves on the internet, at moment it seems to be booming with all kinds of soul content on there for soul fans. For those who have resisted the march of new technology, thrown together here’s a bit of a insight to let you know what you’re missing, Myself, I first came across soul side of internet about 4 years ago, then there were just a couple of sites concerned with northern soul, stumbled across one, Glyn Williams I think, and was inspired to start my own up, started it and was amazed at how many soul fans where on online then, and since then the numbers have just kept growing, with more and more soul fans turning up on there every week, hard to tell how many but I know a few sites get around a 1000 visitors a month, also another indicator of growth is about a year ago it was hard to find a well know name online, nowadays its not whose on but who isn’t, with top DJs, promoters, record sellers, collectors etc all there online. WEBSITES Have found there’s three main areas of the internet that get my soul attention, first up is the websites. On the web at moment there’s stacks of northern/rare soul related sites, majority UK based but a few in world wide places such as USA, Germany, Canada, Sweden and so on. If you never seen a website, they’re a bit like an electric fanzines, but with a bit more. Main thing about these sites is the variety and content, ok you can’t take em into the bath with you for a relaxing read, but if I list some of the stuff you can find, it will give you a idea of it all, start off with normal stuff like reviews of events, vinyl and even videos! label and artist info and listings, then there’s articles ranging from thoughts on current scene to interviews with various soul people, on vinyl side theres reviews, records for sale records wanted, ok not much difference from your local soulmag, but hang on as we get up the high tech ladder, can get scans of record labels you only dream about, sound clips some in near CD quality of current top sounds, cover ups, rarities, little known, classic decent oldies and so on, there’s video clips of northern TV stuff and radio shows knocking round as well. So as you can see there’s a fair bit of stuff there, and the best thing is that its all free and more likely than not, bang up to date. This is where these soul sites are going to come into their own as more users get on, fancy going out, don’t know where or what soul event is to you, check one of the sites out, it all be there, where, timings, costs and so on instant info. How did last nite event go, yeah could be up there, what sounds did soul sausage play last nite, chances are could be up there as well, no more trekking to newsagents to see what echoes hasn’t put in this week. Who runs these sites then? Well that’s another good thing, ok have well known names such as John Manship, Pat Brady, Dave Rimmer, Bernie OBrien, and others, but majority of them are done by ordinary Joe’s, which has gotta be a good thing Ok hopefully got your appetite going, so you’re likely thinking yeah where do I start, where to go, well you could visit a search site and enter a search for northern soul, may find some but that’s a bit like going to woollies and asking for a northern soul CD, you may get a couple but won’t get em all. Suggest try this link out, as it’s a collection (35+ at moment) of northern sites all linked up, plus a lot of sites have links to others, http://www.ringsurf.com/netring?ring=nsoul;action=list Ok overdosed there, yeah? Well as said there’s something for everyone’s taste from latest 60/70s rare stuff to memories from Wigan, plus the dirty vixens when need a break! And haven’t even mentioned the US mainstream soul sites covering every thing from 50-90s VINYL SIDE 30 year old scratched vinyl and shiny hi-tech machines don’t seem to go together, but tell you what, they were made for each other. Remember those old days when only a few people with money could get to USA to dig out the gems, or waiting for those lists with funny stamps on to arrive and then after sending the order in and waiting a couple of weeks for the reply and finding all the stuff you wanted has gone. Well lets just say nowadays, you can now browse through that far away record seller from the comfort of your home, read his latest list as soon as it comes out, pick what you want and even pay for it there and then, he’s got nought worthwhile? Ok check out that Los Angeles one. Though might be a bit hard nowadays to find the bargains cause a lot of record sites have been plundered, and also a lot of us dealers are sussing out 60s soul = big bucks, but there’s still a few good deals to be had and lots of unheard stuff, if you fancy building up your “title sounded good but the tracks shite” pile. If the thrill of record hunting doesn’t do anything for you, can always check out UK dealers online as in john manship, pat brady and loads of others out there, again quick instant buying is the thing. One new thing that’s exploded on vinyl side online is the Ebay record auctions, this is a site where dealers put up a record for 7 days or so, visitors bid on them with the highest bidder getting the record. A while ago many bargains could be grabbed, but as with all good things more and more people found out about and more bids started coming in. So if any well known rarity comes up, the guys with the big wallets move in and the one with biggest wins, nowadays you can find stuff like imperial C’s going for 1800 dollars, (the seller who I think first listed it at $5 was a bit surprised but then come out and said, due to the bids I gave it another spin and realised what a great doo wop record it was, finger on the pulse springs to mind) and obviously a lot of us dealers are getting wise to what a “northern” soul record means cashwise. Can be enjoyable and expensive, great when you get a bargain, shite when someone bids 50 cents more1 minute before auction ends and gets the record. Ok spent all your time visiting sites and all your money on vinyl, better half giving you a hard time cause of phone bill and you haven’t spent any “quality” time with them, just check your email before you go… fatal mistake. Email lists, way they work is there’s a group of mail all on a list anything that is sent to the list is read by everyone else, don’t sound much, but in practice works well, got a vinyl query just ask, if anyone knows they give reply, someone from York reckons answers wrong sends his bit, someone from Australia used to go the same club as guy from York, gets in touch with him, someone wants to know what’s going on in area visiting, guy answers him and tells him of a warm up and pub to meet in and so on. There’s quite a few lists on there, ranging from biggest one ktf to more specialised soul ones like raresoul and soulnorthern, plus some by invite ones as well. Highly recommended on both soul and social side if you can put up with 100~+ emails a day, though one of entertaining bits is when two members have online argument, been some memorable ones. All right just giving you a quick idea of what you can find once you get online loads more than mentioned here. Never beat getting down to a local event, but for that Wednesday night when corries is on or you’re too skint (cause had to pay phone bill) to get anywhere, you’ll find a thriving group of soul fans from all over the place, hear some great sounds, and can discuuss all things soulful so can’t be bad eh. But just to let you know that the internet soul side has started being taking seriously, two well known people on UK scene have recently been slagging it off, as you know nothing on northern scene is worthwhile till its been slagged off must be a seal of approval. Though both the two main critics of it though aren’t online yet which tells you something. Mike h Soul Source – a site for soul
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FALLING INTO THE SOUL NET - Soulful Kinda Music Article Looking back bit dated but guess thats expected Tap to view this Soul Source News/Article in full
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Top Dog Label The label was based at 9430 Woodward Ave. Detroit and owned by Artie Fields. 101 DON RONDO JUST BEFORE THE BATTLE ??? 102 KRIS PETERSON JUST AS MUCH (G.Terry & M.Terry) (2:25) Producer:Artie Fields Artie Fields Pub. & Le... Tap to view this Soul Source News/Article in full
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Top Dog Label The label was based at 9430 Woodward Ave. Detroit and owned by Artie Fields. 101 DON RONDO JUST BEFORE THE BATTLE ??? 102 KRIS PETERSON JUST AS MUCH (G.Terry & M.Terry) (2:25) Producer:Artie Fields Artie Fields Pub. & LeBaron Music. UNBELIEVABLE (G.Terry & M.Terry) (2:32) Other credits same 103 THE CAMEL DRIVERS SUNDAY MORNING 6 OCLOCK (John Rhys-Don Dominguez) (2:40) Producer:Artie Fields.Rocking Chair Music Pub. GIVE IT A TRY (Gec.Saul) (2:15) Producer: Artie Fields. Artie Fields Pub. Note:Also issued on BUDDAH #61 and U.K.PYE INT. 7N 25471. 104 THE CAMEL DRIVERS FORGIVE US (A.Fields,R.Phillips,N.Schneider) (2:45) Producer:Artie Fields.Pelikan Pub. 105 J0E TOWNS TOGETHER WE CAN MAKF SUCH SWEET MUSIC (R.Drapkin & M.Coleman) (2:55) Producer: Arty Fields.Arranged by:Dale Warren. Artie Fields Pub. Note: This was later covered by THE SPINNERS and SUPREMES. DOWN AND CUT WORLD (R.Drapkin & M.Coleman) (2:45) Other credits same as A 106 JOE TOWNS TAKE THAT WOMAN OUT THAT SHACK DOWN AND OUT WORLD 107 JOE TOWNS YOU CANT HOLD ME BACK (R.Drapkin-M.Coleman) (2:45) Producer: Artie Fields.Arranged by Marty Coleman. Artie Fields Pub. BUSY SIGNAL (R.Drapk~n-M.Coleman) (2:05) Arranged by Dale Warren. Other credits same as A 108 JOE TOWNS LOOK AROUND AND YOUlL FIND ME (R.Drapkin & M.Ccleman3 (2.55) Producer :Artie Fields . Arranged by :M.Coleman . Artie Fields Pub. DOWN AND CUT WORLD A1l credits same as on #105 109 THE PUSHCART IVE GOT A TICKET TO THE WORLD [bUT I DONT LIKE THE SHOW] (R.Drapkin & M.Valvano) (2:43) Producer:Artie Fields.Arranged by The Pushcart & Mike V~lvano.Artie Fields Pub. YO-TE-AMO (D.Kovarik & D.Kovarick) (3:26) arranged by The Pushcart.All other credits same as A 200 THE CAMEL DRIVERS YOU MADE A BELIEVER OUT OF ME GIVE IT A TRY 201 THE CAMEL DRIVERS THE GRASS LOOKS GREENER IM GONNA MAKE YOU MINE This article was ripped from Detroit City Limits Magazine by Graham Anthony (who also does a good record list) who can be contacted at: 103 Buxton Road Chaddesden Derby DE 21 4 JN
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nick gilbert takes us on a trip through the last decade right up to the present day with a look at the last ten years of the scene Tap to view this Soul Source News/Article in full
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Published Date: 1999/5/28 18:30:00 nick gilbert takes us on a trip through the last decade right up to the present day with a look at the last ten years of the scene the turning point before I was relocated to green belt suburbia, Herts. I had been attending the 100 Club since Ady had first started there with a Friday night evening do. Anyway Sean came along with me expecting a good night. I was embarrassed, there was probably less than 100 people in that night, and it was a disaster, there was nothing wrong with the music, it was the lack of people, a main ingredient for a good atmosphere and therefore a good night. As I sat at home later on that weekend I realised the northern scene had reached it's nadir, it was either sink or swim from here. the turn around I carried on attending the 100 club and soon noticed more younger faces attending, I heard about successful all-nighters at Keele and the Ritz; although it was really noticeable at these two venues it was more of the old crowd. Come 1992 and Ady , via his Kent records label released his first rehash CD of his successful LP formula, something was stirring, attendance's were still on the up, more and more youngsters; pissed off with what was on offer at other types of dance venues, were attending the 100 club, and with that, not carrying excess baggage of old, so more receptive to fresh new sounds, none of this oldies v newies etc. Ady held his first weekender on the wettest October weekend on record (in my opinion !!) It was only attended by about 250 hardy souls but everyone thoroughly enjoyed it, a couple of points that stand out in my mind about that weekend; Willie Tee pulled out at the last moment; Ady personally gave everyone a fiver back in cash as compensation, now ask yourself why people attend his dances. I came across my first overseas northern soul fans, I believe it was Spanish & German in attendance that weekend. So what was the catalyst that caused this upsurge in interest ??? I don't think there is one simple answer, was it the advent of the compilation CD ? It has certainly made the job of listening to your favourite sounds at home a lot easier, I personally know a lot of people, particularly females, who don't have the confidence/knowledge to go trawling through records boxes looking for there favourite tunes, buying a ten quid CD and getting 24 tracks is a whole lot easier. I don't think the mod scene, especially in London, ever died, I think it went on the back burner just waiting to be turned up. Then there was the media, we went through a phase when you couldn't pick up any "style" magazine without a picture of a lad or lass giving it all on the dance floor and an article about northern soul, this obviously awoke more interest. Even the fashion companies joined in, Levis introduced the "Northern Soul" range at a lavish party in West London (free beer all night !! God there was some sore heads the following day !!!) A lot of old faces began to re-appear at venues, kids had grown up, few quid in their pockets, good night out. One medium I believe has caused a lot of people to become more involved in the scene has been the advent of the internet, people buying new PC's, putting the term "Northern Soul" in to a search engine and hey presto.. no end to read and hear about. I personally have been on line for about 3 years now and I have certainly noticed the increase in web sites & message boards dedicated to our favourite type of music. Added to all this there is regular fanzines/magazines dedicated to the scene, a twelve hour film extravaganza (some people loved it, some hated it) 3 to 4 books all tracing the history of the northern soul scene, all including some excellent anecdotes and brilliant photos. And last but not least, dozens of CD releases making our favourite type of music easily accessible to all. the present At this stage I could say the scene has gone from strength to strength, which it has, but I will give an overview of my favourite clubs today. As far as I am concerned the 100 club always ploughed a furrow as far as introducing new sounds, with it's younger, more receptive audience it was probably easier, but another venue with an upfront music policy was the Wilton Ballroom in Normanton West Yorkshire, and along with the 100 club came to be one of my most visited venues, along with odd visit here and there to the Ritz and maybe Keele. Due to a change of job and relocation back to Peterborough I hadn't attended a Wilton since last November so I really looked forward to attending last month, to my horror it was one of the worst nights I had had in ages, apart from Roger Banks (who actually played a couple of duds as well) the music was dire, one couple played what was supposedly R&B for an hour, well I'm sorry, to my ears that was nothing more than rock'n'roll/doo-wop for an hour, I went away very disappointed. I hope that was a minor blip, the Wilton has been running for around 7 years and has always adopted an up front music policy and I would hate to see it's high standards slip. Back in the south, the Capitol Soul Club, based at The Dome in Tufnell Park North London regularly attracts crowds of 350/400, playing a cross section of class oldies and the odd new discovery thrown in, and is a brilliant night out, any event run by the Uptown Down South Soul Club on the south coast can be more or less guaranteed to be a favourable night out. The Cleethorpes weekender is always sold out now well in advance of it's June date, with a 1000+ people immersed in northern soul for the weekend (the only problem with that is, you need a week off to recover afterwards !!) with some top drawer live acts. conclusion I love northern soul, and the northern soul scene it has been a major part of my life, and I still believe there is a lot of legs left in the Northern Soul scene, my only concern is the scene ends up like the rock 'n' roll scene, where it is the same 500 or so records played so effectively becoming a retro northern soul scene, I have heard stories from friends who have attended the bigger venues and come away complaining about "same old records as usual". I believe this would be the death of the scene. The scene has got to become more adventurous in it's music policy, I'm sure there are a lot of unplayed 70's 80's & 90's and to some extent 60's tracks sitting there waiting to be played, in my opinion, that is the only way forward. We must also try to attract more younger faces to the scene, how I don't know, over to you people !!! thanks go out to nick for taking the time in sharing his outlook on the scene, as always stuff like this appreciated, always good to get points of views up here from soul fans, lots of good points in there, especially with some of the current talking points, oldies, R+B, 70-90s spins, the way forward, young blood etc etc what do you think ? agree ? disagree ? well don't just sit there pass your thoughts on and let people
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Article: Southern Soul State Togetherness Mag 1999
Mike posted a topic in Front Page News & Articles
This was originally wrote for the Togetherness Mag a few years ago -1999, after criticism of the mag by myself as it did not feature any events "south of brum" I was invited to do something about it. The below was the first one, think were anot... Tap to view this Soul Source News/Article in full -
This was originally wrote for the Togetherness Mag a few years ago -1999, after criticism of the mag by myself as it did not feature any events "south of brum" I was invited to do something about it. The below was the first one, think were another 3 before a move back up north, meant no more. ( Which was a good thing as .... edited as out of date... Excuse the few odd glitches in article, combination of word, frontpage and life Southern State of Soul - Togetherness Mag 1999 By Mike H, Keith Woon and Winston Heath Welcome to the first of "Southern State of Soul", hopefully this will be a regular thing, designed to let you know what's happened, what's gonna happen and also a bit of a southern view on current topics. Quite a lot to get over to you, so no hanging around, straight into it It seems that one of the main subjects knocking around recently has been the discussion of how the rare scene should "move on", it seems that everyone is searching for the "holy grail" of a scene which features a great selection of soul played, well attended venues, a mixed crowd of young and not so young, no politics, or no infighting, just a great enjoyable soulful scene in the best traditions of northern soul, .... Well what I say to this, is simply if you want experience a thriving northern soul scene as just stated ... get your arse down south!!! Moved down here only about a year and a half ago but what a eye opener, have found events of a top class nature, happening nearly every fortnight, being attended by some of the most friendly and atmospheric crowds, and no matter what soulful mood you're in, you can get it down here, hardcore 60s, modern, top current rare sounds, r+b, classy low play revivals, across the board, classic oldies, left field stuff, live acts, radio shows etc its all down here, and have found the hardest thing is not to find a event to get to but to actually decide which one to go to! As said seeing as it's the first one, going to give you a quick view of what's been happening, and hopefully prove that living down here isn't all about choosing between Old Trafford and Caister at weekends. Kicking off, the first stop has got to be into the capitol London, recently claimed by some down here to be the current capitol of Northern Soul, such is the confidence and the upbeat mood down here, and tell you what, it puts up a pretty strong claim at the present moment. If the first stop is the capitol, then first stop here has got to be the top allniter in the UK, the 100 club which recently celebrated its status as the UK's longest running niter and what a way it celebrated with an anniversary that was, if you're idea of heaven is great soul music in a hot packed club with a great atmosphere and crowd, as close as you can get to it, a tremendous night which was the climax of a great summer of soul down here. There's been quite a few other highlights earlier over the last six months at the 100 club, mainly due to Ady C's willingness to try new ideas out or do the suprising thing. One nite which fits one of these categories happened around May time with a appearance for the first time of Ian Levine on the decks at this venue, now no matter what was said before or after this nite (and a fair bit was), the end result was Mr Levine packed the floor. The "normal" nites continued as always with some great guest spots through out this term, from the likes of Saus, Terry Davies, Mike Wilkes and others, mention must also be made of Russ Vickers appearance who took my ears to soul Valhalla with his mix of great soul regardless of the ÃÆ’£ date. Again showing that who dares...... the 100 in August put on what has got to be a first for a major venue, a nite with an all-girl line DJs wise apart from your man Ady, some might say a bit of a risky decision, but the girls pulled it off big style with a excellent nite of soul of all sorts assaulting your ears, credit to Jo Wallace, Jodi, Nicola, Christina, Heather and Maxine for delivering the goods on a great nite and could say that it proves that you don't need balls to play fresh rare soul. Mustn't forget though, that the main reason the 100 is so strong, is due to their backbone of the strong regular dj line up. With the top Northern DJ Butch still doing the business and giving us top quality fresh rare soul, Shifty and Mick Smith giving us more good stuff and of course Ady C still surprising us with an ever ending amount of quality unheards, another 21 years? Well wouldn't bet against it. Also proving the current high, the warms ups before the niter also reflect the pace of the scene down here with often more than one warmer being put on, and the events being packed, or even sold out, and many of them being quality worthwhile soul nites on their own standing. Sticking in the capitol with a new venue that has quickly made its mark, the Dome at Tufnall Park, North London. Matt J and the Capitol Soul Club over the last few months have built on its cracking start last year, going from strength to strength, with some great nites with their own unique style of rare sounds, quality new discoveries and one offs mixed in with quality fresh revivals and a great "up for it" crowd, (one of few events where I feel old!) To me a great example of how to take hardcore 60s northern forward, credit goes out to CSC DJs Irish Greg, Dave Flynn, Carl F, Alan H and all the guest DJs who have kept the floor busy, and the place buzzing, Andy Rix - what a set he delivered at the last one, one of best ever to my ears, Dave Rimmer, Shifty and all the other guests great stuff and well worth checking out. Well that's the two well known events, in the capitol would mention the vast amount of other events that have happened, from small local nites, new venues, live acts, events mixing northern with deep funk and more space and word count won't allow. Though gotta find space to mention "These Old Shoes", London's biggest little soul club with it's midweek event that every month seemed to get better and better. Not just the big city boys doing great things, the Uptown Down South Crew are still keeping the soul flag flying high and proud in the south west area, provided quality nites and events at Newbury, Gosport, and more, they've delivered their trademark of a great mix of soul from all eras, across the board at its finest, the night at Miss M's at Newbury in July was the perfect example of true masters of the art of combining all era soul in a great style (that a few others could take lessons off) with Maxine and Keith Woon, Lloyd, and Russ Vickers being the masters. Moving upwards a bit the Bedford area is yet another hotbed that is thriving, more quality nites have been happening there with "soul on the real side" nites at the Blue Lagoon getting a big name and interest amongst modern fans through out the country, while "Kempston Rovers" in the same town has been doing the business for northern fans and has been attracting some of the biggest DJs knocking around, both from north and south, another in area which has picked up a reputation is Kettering leisure village with a 500+ capacity Heading for the finish via a quick visit to the seaside to see what's been going on down the beach, with good reports coming in from Bournemouth with the nites at Cagneys going strong and a new nite at Mayfair hotel recently started, a recent dayer at Brighton went down well, so well in fact that two more happened within 7 days of each other! Mention must also go to the loads of other events that have happened through out the South from East Coast all the way to Cornwall and South Wales, must be hundreds of top quality soul nites, all doing the pyramid thing and keeping the scene and the soul fresh and ever moving, would like to mention all but space has run out, hopefully in the future be able to give fuller coverage and credit Onwards and upwards. Well there you go, as said just a quick look back at some of the main events that have gone down, check out Keith's Woons guide for some of the main down south events happening in the near future. Hopefully this quick trip will give you an idea of just how strong and soulful the scene down south is at the moment. And believe me it is just the tip of iceberg, let's just say if Richard Searlings radio show was picked up further south than Birmingham they would have to extend it by 3 hours just to fit all the southern events in the "What's on" bit. Final word by me on it all is; if you're idea of utopia is a soul nite with atmosphere, a great friendly mixed crowd, and most of all a great choice of soul sounds, that follow the best of northern soul traditions, well do yourself a favour, hang up your hang-ups, jump on that train, get in that car, hop on that tram climb on that bike, and get your self down south and give today's thriving scene a go, Mike h email: credit goes out to all organisers, DJs, soul fans, etc By no means exhaustive, here's a round up of some of the more major soul events happening south of the Watford gap). If you run a regular Soul event south of the Watford Gap, and would like to be included in this listing, send all the relevant details to London 6T's Rhythm 'n' Soul Society (aka 100 Club) The longest running regular monthly all-nighter in the country (or perhaps the world). For those who don't know, the venue is the 100 Club, 100 Oxford St, London W1, and is promoted by Ady "Harboro Horace" Croasdell. The regular jocks are: Butch, Shifty, Mick Smith and Ady himself, however, about 1 in every 3 or 4 Ady rests the regulars and programmes an all guest line-up. The next one, on 12th August, is an eclectic, all girl line-up (ooooh). It helps if you are a member, and membership is freely obtainable by tel: 0171 636 2622, fax: 01858 468020 or by sending SAE to: Flat 9, 61 Riding House St, London W1W 7EQ. It's not hard to imagine why this club has been successful for so long, Ady has always tried to stick as close as possible to the 6t's roots of Soul and R&B whilst including crossover and northern classics and unissued rarities. Quite rightly, the 100 Club is widely regarded as the country's number one venue for 60's newies. Capitol Soul Club Regular and, by all accounts, successful events held at the Dome in London's Tufnell Park, N19. The regular DJ's are Carl Frotnum, Irish Greg, Alan H and Dave Flynn, normally with one top name guest. Dates are: 28th July, 29th September, 7th October (@ Togetherness weekender), 24th November (1st anniversary) and 8th December (Xmas party). 9:30 to 3am, Adm £5 otd members only but you can send SAE to MJ Promotions, 5 Mount Pleasant, Reading, Berks, RG1 2TF for membership applications. For more info tel Matt Jahans on 0118 9541 314 or mailto: To preview photos, directions and real audio sound bites visit: These Old Shoes An event making a good name for itself is These Old Shoes, downstairs at the River Bar, Tower Bridge Road (nearest tube: London Bridge on Northern Line or Tower Hill on the district & circle line). For a mere £3 regulars Jo Wallace, Martin Thomson and Paul T-P, plus a guest DJ, will keep you entertained with an imaginative mix of 6t's Soul, Motown and Northern Soul. The next date is Thursday 10th August, 8pm to midnight, and the guest for this one is Benji Schlamp from Germany. For more details check their new web site at xxx their email address is: xxx tel: 07881 626210. Terry's Chocolate Soul The inimitable Terry Jones makes a welcome return to his old stamping ground on the last Friday of every month at the Orange Bar 22 Kingsland Road, Shoreditch. You can find Terry and his guests upstairs, while downstairs the entertainment is supplied courtesy of the Sourmash collective. Dates for your diary's are: 25th August - guest dj: Andy Davies and 29th September - guest dj: Gavin Page. Doors open at 8pm to 2am, admission £5/£3 concessions. More information at: xxx Da Doo Ron Ron Upstairs @ The Garage, 20-22 Highbury Corner, London N1 (nearest tube Highbury & Islington) every third Friday playing girl group sounds including (but certainly not exclusively) northern. For more info telephone: 0171 607 1818. 9pm - 3am. DJ's are Chris D King and Declan Allen. Purple Pussycat RnB Club At the Cask & Glass Cellar Bar, Orchard St (Off Oxford St), London W1 (Nearest tube Marble Arch or Bond St). 9.30-2.30am Adm £5. DJ's Dr Robert & Vic Ranger spin 1st class Club Soul, RnB, Beat. More info. Contact Rob Bailey at: new.untouchables@virgin.net or check out their web site at xxx Soul Traders Hold regular events in London, approx. every 2 months. The next one is set for 12th August at the Jay Cubed Wine Bar, White Lion Street, Islington, London. Music Policy is a mixture of northern soul and sixties & seventies soul. They are currently updating their mailing list so anyone who wishes to be informed of their next event should mailto: soulmusic@essents.demon.co.uk. DJ's: Jim O'Reilly, Chris Corbett, Bill Shannon and guests. For a small (£2.50) cover charge on the door, the minimum running times are 8 - 12.30 with regular lock-ins until 2am. For more info, contact Jim Oreilly on 0208 299 4989. On the Rocks 25 Kingsland Road, London E2. Nearest tube: Old Street or Liverpool Street Top drawer 6T's and Northern Soul from Irish Greg (Capitol Soul Club, 100 Club), Rob Messer (Rhythm & Soul Set), Jo Wallace (These Old Shoes) and Yann (Million Tears). The next do happens on 12th August 8pm-1am and amazingly, admission is FREE! There is no better way to warm up for the 100 Club (and Jo will be on the decks there later on as well). Can't Be Still @ The Standard music venue, 1 Blackhorse Lane, London E17. The music policy is Northern and Rare Soul, including newies, oldies, and some class crossover type sounds. DJ's: Adrian, Dizzy, Jan, plus special guests. 3 quid gets you into this event, which runs from 8pm till 1am with strictly no entry after 11pm (this stops the drunks from ruining your night!). The venue has a car park at the rear, or if you prefer public transport Black Horse Rd Tube (Victoria Line) is located directly opposite the venue. Their next event takes place on Saturday 19th August Contact information: 07946-0851534. Future dates are Sunday 22nd October (6pm-12am) and Sunday 26th November. All Shapes & Forms, For All Shapes & Sizes!!! The appropriately named Can't Be Still crew pop up again on Friday 25th August at the Alice Rooms, above the Princess Alice pub, on the corner of Romford Road & Woodgrange Road, Forest Gate, London E7. The music policy here is pure northern soul, newies, oldies plus some classy crossover. DJ's: Adrian, Dizzy, Jan, plus a host of guests. Only 3 quid in all night at the door from 8pm till 2am. Contact information: 07946-085154. The venue will be undergoing some repairs in September so they should be back some time in October. Newbury AFC Faraday Road, Newbury, Berks Two events are run at the AFC to cater for the diverse range of taste in Soul music in the Newbury area. Miss M's features Soul from then to now (6t's to Y2k compliant) rare and current biggies with a dash of northern for good measure. The next event is scheduled for 11th November when the guest DJ's will be none other than the Soul Heaven crew (see Portsmouth below). Northern Soul Specials featuring 6t's & 7t's northern and rare classics and current biggies. The next event is set to take place on Friday 29th September, and the DJ's for this one will be none other than 100 Club regular Shifty, ex Yater Shay, John Browne (Cardiff), Simon Green (Swindon), Simon Preston (Newbury), Maxine and Keith Woon. 8pm to 1:30am, £5 otd Future dates: 29th September (Northern Soul Special) 11th November (Miss M's) and 1st December (Xmas special) Info 01273 833394 or 01635 30633 or mailto: kwoon@publiconline.co.uk Brighton Soul Citizens soul all-dayer Sunday 30th july @ the Volks, Madeira Drive, Brighton Seafront. soul music on 2 floors 2pm to 11pm FREE admittance all day Downstairs: "Soul Citizens" Modern Soul from 70's to Y2k with Gavin Paige, Stevie Cee, Ian Spittle, plus Soul Citizens: Paul Sutton, Derek Jack. Upstairs: "Keeping The Faith" Northern Soul and RnB with Dave Flynn, Pete Smith, Jo Wallace, Paul Peter-Thomas, Mark Freeman, Kim Styles, Simon Bridger plus guests. info: Modern Room Paul on 01273 389504 or soulcitizen@yahoo,co.uk Northern Room Simon on 01273 731466 or si.soul@virgin.net If this goes well it will become a regular free monthly all dayer, the Volks is on the seafront 2 minutes walk east of the palace pier. Also Paul and Derek host a weekly Thursday night soul session at Brighton's Ricky Tick club. Bournemouth On The Soul Side @ Cagney's (under the Hilton Hotel), Westover Rd, Bournemouth. 8:00pm to 2:00am (no adm after 12:30), £5 members, £6 non-members. An adventurous across the board northern soul policy is being pursued at these regular monthly events run by promoters Jason Desmond and Nick Churchill and regular DJ Steve Lyons (who we will be hearing more of later on). The music policy is play what you consider worthy, no matter how well known (or not) it is, so be ready to hear some quite wonderful fresh stuff. Reviews of OTSS events so far, can be seen on www.northernsoulman.com The next 3 events shape up as follows: 19th August, DJ's: Russ Vickers, Gary Todd, Matt, Johnny Clark & Steve Lyons. 30th Sept, DJ's: Ben Summers, Simon Bridger, Mike Lefkon & Steve Lyons. 21st October, DJ's: Keith Woon, Colin Baldock, Rik Collins & Steve Lyons. 18th November, DJ's tba. More info on: 07967 833585 or mailto: Jason.desmond@virgin.net InCrowd Soul Society @ The Mayfair Hotel, 27 Bath Rd, Bournemouth. 8:00pm to late. £5 otd. Now in its 8th year is this Steve Lyons promotion. Steve is from somewhere up north, so it is not surprising to find out that the InCrowd soul nights focus primarily on classic northern soul, and as Steve says "now that's what I call music". The next event is 12th August and for this one the DJ's will be: Steve Lyons, Rik Collins, Dave Morris, Ian Spittle and special guest Shay. More info on: 01202 743536. Bedford Soul "On The Real Side" An across the board Soul music policy is pursued by Mark Turner with the help of Dave Fleming and Sid "Tank" Clayton at the Club Blue Lagoon on the first Friday of every month. The regular DJ's are supplemented by Brian Goucher and Steve Jackson, and guest DJ's have included Cliff Steele, Gavin Page, Terry Jones, Andy Davies and the Woons' (Maxine & Keith). The Club Blue Lagoon is in Tavestock Street, which can be found by heading north out of Bedford, following signs for (A6) Kettering. The soul starts at 8pm to 2am and admission is £5 otd. More information, including directions, guest DJ's and play lists can be viewed at www.Soul-Net.co.uk or you can phone 01234 626478 or 07771 690482. Soul at the Rovers At the Kempston Rovers Football Club, Hillgrounds Road, Kempston, Bedford. 8pm till late. Admission of £4 on the door gets you into this small venue with lots of atmosphere and bags of soul. Cheap bar, and record dealers welcome. Resident DJ's Hamie, Pete Hulatt, Steve Cooper and Geoff Ware. Guests for September are Mick Smith and Simon Hunt. Future guests TBA and dates include; 29th September 17th November and 15th December. Further info from 01234 340408 or 01234 841654. Burgess Hill In Orbit Soul Club @ Checkers Club, The Martlets, Burgess Hill, West Sussex which is 5 minutes from BR station with its regular service from London and Brighton. The In Orbit events are run by, southern stalwart Andy Crane as Sunday all-dayers from 3/4pm until 11pm and feature northern and rare soul from across the years. Admission is £5 and memberships are available at the door. The next event is tba, but likely to take place either September or October and feature the BeeCool team of Mike Ritson and Stewart Russell. For more info, contact Andy on 01444 245232. Portsmouth The Blue Lagoon South coast rhythm and soul society promotions (aka Johnny Rolfe) have been holding regular monthly events for nearly 9 years, which is a pretty impressive record for the transient south to quote the late Roger Eagle. Always on the 3rd Friday of the month, from 8pm to 1am, £5 otd, the regular jocks are: Johnny Rolfe, Keith 'n' Maxine Woon, Shay and Barry Willmore plus guests. The music policy has gone through several changes over the years, and is now moving from fairly straight ahead northern toward across the board. For more info, contact Johnny on: 01974 821644 or mailto: johnnyrolfe@supanet.com Uptown Down South Promotions Back in the mid nineties the Uptown Down South events at the Abshot country club (near Portsmouth) were tremendously influential. Pursuing an across the board music policy similar to Soul Essence at the time, but on a regular monthly basis. After a year these events relocated to Newbury where it was possible to run regular all-nighters along with the soul nights. As far as I am aware, prior to this, there had never been a single dance floor, all-nighter programming 4 decades of Soul. Owing to the number of other events in the area Uptown Down South events are now run as Bank Holiday Sunday all-dayers under the banner of Soulicious. The next one is scheduled for 5pm to midnight on 27th August at the Sidewalk club 111-112 High St Gosport, Hants, when the regulars Russ Vickers, Keith & Maxine Woon, Ben Summers and Lloyd Attrill are joined by guest DJ's Shifty and Shay. Soul Heaven With 2 very successful events under their belts, the first, was a warm-up to the Uptown Down South event on 30th April, and the second, a charity fund raising all-dayer held at the Swordfish in Lee-on-Solent on 2nd July. Clive and Suzie look set to consolidate their position on 27th August, when they once again provide the official warm up for the Uptown Down South event later on that day. Details for this one are: 12pm to 5pm, entrance is free, DJ's Mark Gentry, Suzie, Ray New, Terry "Tee" Davies and Clive Portious who will be spinning an eclectic mix of 70's, 80's & 90's soulful vibes, classic modern and Y2k compliant grooves. The venue for this one is the Budweiser Beach Bar, Pier St, Lee-on-Solent, which can be reached from M27 J11 travelling south and then follow signs for Lee-on-Solent. Solent Soul Club The next event @ the Thorngate in Gosport is set for 2nd December. Promotion is undertaken by Steve Csordas and Molly, guest DJ's tba. Molly writes that he and Steve have decided to put this year's Soul-Nites on hold until Steve's return in November (he's away serving Queen and Country). The only date they have planned this year is the 2nd Anniversary on Saturday 2nd December. Molly should have the final DJ line-up in a couple of weeks, and at the time of writing Russ Vickers is guesting with one other TBA. The night will run from 8 till 2, Admission will be £6.00 for Members and £7.00 for Non Members. For this one Molly and Steve have decided to use the smaller Thorngate Theatre to try and generate a bit more atmosphere. The full address is The Thorngate Halls, Bury House, Bury Road, Gosport, Hampshire. They are hoping to have three more dates booked for next year, prior to this years Anniversary, I will let you know the dates as soon as I have them. Guest Dj's in the past have included Dave "soulful kinda music" Rimmer, Saus, Tony Warot, Rob Messer, Gavin Page, Al Kent, Gary Todd, Rik Collins, John Mills, Barry Wilmore and Maxine. Contact details: Molly: 07836-705877, email or Steve: 0410-246652, email SOUL@csordas.freeserve.co.uk Farnborough/Aldershot Soul Clan Following the SouthSide recess, The Soul Clan, namely Mick Reynolds and friends Moody Woman, Martin C, Dave D, Tom Powers and Mouldie have picked up the baton. There is a large pocket of northern fans in this area, so attendance is always good. Two venues are used, depending upon availability: The Leisure Centre, Junction of Fernhill Rd & Hawley Lane, Farnborough, Hants. The Victoria Club, Victoria Road, Aldershot, Hants. The next soul night is at the Leisure Centre, Farnborough on 12th August, and the guest DJ for this one is Barry Willmore. Other information is: 7:30 to midnight, entry is £3 otd, or £1 if you can show your entry stub from the Aldershot soul night. Further info on: 01420 479613 or 01252 663806. Strings a Go Go Who's 1st anniversary will take place on Sat 23rd September at the Victoria Club, Victoria Rd, Aldershot, Hants. Music Policy is across the board. The DJ's for this one will be Matt (Blue Lagoon), Rids (SouthSide) and Moldie plus more TBA. The first 50 people through the door will receive a free CD and patch. Doors open at 7.30pm until 1am, drinks are cheap and there is ample car parking around the back of the club. For more information contact 01252 663806 or email moldie@ntlworld.com. Fleet The Nightshift Club Just down the road from Farnborough/Aldershot is Fleet with its 300+ capacity Harlington centre. Here regulars: Pete Kelross, Derek Mead, Dunk and Brian Lee play host to well respected guest national and local DJ's such as Roger Stewart, Brian Rae, Barry Willmore, Keith Woon and Dave Evison to name a few. The venue has a huge wooden dance floor, perfect for the music policy of Northern, R'n'B and Motown. £5 will get you safely through the doors, which open at 8pm until 1am (bar until midnight). More info is available on 01932 402667 or 01252 319768. Southampton Soul Shoes Gary Todd's Soul Shoes is another long running promotion. Now located at the Unity Club, Eastleigh. For more info contact Gary on: 01703 325938. Swindon Soul Club 11 @ Swindon Town Football Club, Executive Suite. From 7pm to 12:30am regulars' Vod, Speed and Baz together with their special guests will be spinning the best in Northern and rare Soul from the 6t's to 9t's. At £4 otd be sure to get there early, as there is no admission after 10pm. For more info phone Keith on (01793) 723320 or email Baz at: Barry.Davies@epsrc.ac.uk. Contacted Simon Green (2k0802) ... waiting for reply. Abingdon COME GET TO THIS At the Peachcroft Community Centre, Abingdon, Oxon, these regular bi-monthly events are promoted by Steve Farthers and Graham Hilsdon. The next event is set to take place on September 8th, and features 5 hours of Northern, Motown, 60-70s soul. Doors open at 8pm to a 1am finish and the regular DJ's are Steve Farthers, Graham Hilsdon, Rusty, Trevor Jones, and Simon Preston. Current power plays are: Steve - Carstairs - It Really Hurts Me Girl - Red Coach Graham - Jan Jones - Independant Women - Day Wood Rusty - James fountain- Seven Day Lover - Peachtree Trevor - Velveleites - Lonely Lonely Girl Am I - VIP Simon - Vangaurds - Gotta Have Love - Lamp Contact Steve Fathers on 01235 534048 for more info. Cardiff M4 Soul Club At the Riverbank Hotel, Despenser Street, Cardiff (on the River Taff, opp the Millenium Stadium). Regular DJs include Mark White, Mike Wilkes (Lea Manor, 100 Club), Edwin, John Browne, Tony Voyce, Eddie (Porthcawl Northern Nights) - local collectors have DJ'd and they have had Simon Preston guesting and hope to have Jerry "Hippo" Hipkiss in October. The event runs from 9pm to 1am, 1st Saturday on alternate months - next date is 5th August, followed by 1st Saturday in October, December, February and so on. Entrance is £3 before 10pm, £5 after 10pm. Music policy at this superb little venue - a bit like a mini-100 Club, is primarily 60s with a dash of 70s and X-Over - quality and imaginative oldies and current big niter spins. Mark White is the main contact on 01446 746893 or email Mark@white498.fsnet.co.uk. Gloucester Soul Night Now on the last Friday of the month at Crackers Night Club, Bruton Way, Gloucester (beneath NCP, opp railwat station) from 9pm to 4am. Yes, 7 full hours of quality Soul music from 3 decades comprising the best in Tamla Motown, Northern & Modern Soul, and all for £4 otd before 11pm or £5 after. Regular DJ's are Ian 'Polly' Palmer, Leon and Meg plus a special guest. For more info, contact 01452 545523 or 07977 459403. Plymouth Northern Soul Ark Happening on the first Friday of every month at Noah's Ark, Courtenay St, Plymouth, Devon. Music policy: sixties, crossover and seventies. The DJ's are various local lads. £4 gets you through the doors, which open at 7.30pm until midnight. Contact: Simon and Jo, via soulmates@eurobell.com. If success continues in the future the dates may change to first Saturday of every month. Ipswich Northern Soul - Revisited East Anglian Daily Times Social Club, Lower Brook Street, Ipswich, where the music policy is mostly oldies. DJ's are the Suffolk Souls Crew, plus guests. The next event is set for Friday 6th October, when the doors swing open at 8:30pm until 1:00am (bar till 1:00). 3ukp on the door (sorry - cost of venue has risen!!). For further details visit the web site at http://www.geocities...ouls/index.html or email suffolk_souls@yahoo.com or phone 01394 670404. (KW 082k) ------------------------------------------------------------------------------------------------------ "STARTING THE HURT ALL OVER AGAIN" by winston Many years ago when Dave Godin coined the phrase Northern Soul, it wasn't without good reason. The north at that time was in the middle of a revolution. New rare soul records were being discovered at an amazing rate of knots, they were quickly finding their way into the hands of the influential DJs who were playing them to the eager dancers. This epitomised the soul scene throughout the early 7Ts and quite rightly the term "Northern Soul" was adopted and universally accepted as the correct way to describe this type of music. If this was your chosen genre of music, you had to make the trip up north to hear it, in all its glory. Whilst the major DJs of the time would play tunes that you were familiar with, they would always be prepared to throw in new sounds. This for me worked perfectly, the DJs would discover something new and the jury (the dancers) would pass sentence. Using this format the scene was never in danger of stagnating, this however isn't the case now in my honest opinion. For many years now, a lot of the DJs in the north have sat on their laurels, nothing new seems to be filtering down from what was traditionally the home of Northern Soul. A menu of oldies is normally the fare on offer nowadays, there are obviously exceptions to the rule, but I'm making a general observation. Let me make it clear at this stage that I still love oldies, but because I visit a lot of venues I get a little bored hearing them over and over again. I like to hear fresh sounds or indeed have my memory pricked by records that I haven't heard in ages and are not currently on the playlists of the North's finest. On the plus side, a lot of the bigger venues up north have included modern rooms (not my personal cup of tea) but at least it is a form of progression. What I really enjoy are new 6Ts s there were a lot of records overlooked in the "Glory Years", probably due to the fact that that they didn't fit the perfect description required by the dancers and DJs alike, of that particular era. Nowadays things have changed greatly. The soul scene is a much broader church now, gone are the days when you shouldn't dance to a record because it was discovered at a rival venue. Whilst most of us retain some allegiance to our favourite venues of yesteryear, most of us have grown up and refuse to get involved in the petty politics that still infest our scene, at the highest levels. Bearing all this in mind I would like to draw your attention to the 100 Club, which has already reached legendary status, and to the Dome, which is well on its way. Both play predominately 6Ts music, which is very often new to even the most regular of all nighter goers, they still play classic oldies, but not to the extent that tedium sets in. Over the years different styles of music have crept into the "Rare soul" scene and all are encompassed at these two venues. The regular DJs are still working on the premise that their audience are an intelligent soul loving crowd, who still want to hear something that will stimulate their senses. Consequently the 100 club and Dome goers are regularly treated to undiscovered new 6Ts sounds and rediscovered oldies that perhaps didn't get the reception that they deserved first time around. Surely above all else this was the very essence of the "Rare Soul" scene in days gone by, and an edict that both the aforementioned clubs proudly adhere to. You may have become aware that my terminology, describing the soul scene has changed over the last paragraph. This is because I feel that describing the scene as a "Northern Soul" scene is no longer correct. Without doubt it's a useful handle to describe a soul night, and will usually have the desired effect of bringing in the kind of punter that the promoter requires and of course its traditional, but it's just not accurate. Over the last few years soul nights and nighters have sprung up all over the country, mainly because we no longer have a weekly central meeting point, (such as Wigan) and the desire to travel has lessened. It's nice to have soul on your doorstep, and local collectors and promoters have become increasingly aware of this and have catered to our needs. Indeed in my local town of Bedford there are three soul nights every six weeks (one a modern) and it would be an outrageous presumption (on anybody's part) to assume that local collectors, when they get together cannot produce the goods. As an example one of the local promoters/collectors in Bedford currently numbers amongst his personal collection, between 10 and 15 sounds, that are all featured on the current Goldmine "For millionaires only" series. I'm sure that instances of this sort are not confined to my home town, but are repeated country wide. This upsurge in the fortunes of local soul nights could also go some way to explaining the current down trend in attendances at certain all nighters in the north which I have witnessed first hand. As well as regularly going north to visit Keele, The Ritz, Alfreton, Derby, Winsford and Stoke based nighters, I've also been to quality events in Ipswich, Lowestoft, Bournemouth, Brighton and of course the London area. The 100 Club and the Dome are always well attended, with rarely an inch of space on the dance floor, just how it used to be and in my opinion exactly how it should be. Recently I even had the joy of discovering a mid-week event, held on a monthly basis. It's called "These Old Shoes", a couple of minutes walk from London Bridge, on a Thursday night and you're back in the land of soul. What more could you ask for, and apart from seeing one midweek night advertised in Scotland, exclusive to the London area. I arrived at These Old Shoes, to find once again a packed venue, with an enthusiastic crowd, something so indicative of the London soul scene. The credit for setting up a thriving mid-week scene must surely go to the promoters, but could it survive anywhere else.? But the big question is why is the "Rare soul" scene so excellently supported down south. A major factor has to be that the scene down south is still attracting new blood, a younger generation, willing to treat sounds old and new with the same reverence. There are no preconceived ideas of what is the right or wrong sort of sound that should be played, fresh ears making fresh choices, a direct comparison to us "older types" in our long forgotten youth. This younger generation, whilst still appreciating our "Anthems" are busy creating their own, and quite rightly so. So what if the new favourites are not all in the "Traditional" mould, over the years things change, it's natural progression. The constant desire for exclusive records led to more R&B and mid-tempo sounds finding their way into the DJs and collectors boxes, and has only gone to improve our scene. This youthful element so prevalent in the London area, has that secret ingredient that we all had in our younger days. They are massively enthusiastic, it's not a fad, you can see that by looking into their faces as they dance, that same intensity that once consumed me, for example, is there for all to see. Personally I thrive off their fierce love, of what I'd long considered to be my generations musical legacy to the world and am once again inspired. I can't believe that the North and South of the country are unique in their love for the "Rare Soul" scene, but unfortunately as yet I haven't been to enough places in other parts of the country to make an informed judgement. What I am sure of however, is that the soul scene is no longer the exclusive property of the north, and shouldn't be perceived as such. Everyone involved in the resurrection of the "Rare Soul" scene, should be given the same amount of credit, from the promoters of small soul nights, to the major players, currently promoting the massive all nighters and weekenders. All have had an active role to play in the rebirth of the soul scene and their efforts should be similarly lauded. The alternative is to recreate the "Us and Them" situation which was so instrumental in dismantling the soul scene in its previous incarnation. We must try not to alienate anyone because I for one am not convinced that our beloved scene could survive another civil war. If you have read this and it's left you feeling angry, please don't be, I'm only trying to redress the balance. Read it again and try to accept that I'm really not trying to start a war, rather prevent one. KTF Winston site note out of date weblinks removed
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Interview with the author of "Too Darn Soulful " - Dave Nowell Dave nowell has been busy over the last year, collecting information and details for his new book, Too Darn Soulful, with books final release date now sorted, he has took time to give this interview. Dave has been on soul scene since early days and recently was involved with another book. Anyway enough of my stuff ...read on Q. Allright dave, for any new visitors can you give us a quick run down on your soul background so everyone knows where you're coming from... DAVE.......I'm orginally from Burnley, Lancs, and more latterly Chorley and Blackpool. I got into the northern scene when I was 16/17 in 1975. I went to Wigan Casino in April 1975 and stayed the course until its closure. After another couple of years trying other venues like Rotherham, Stafford, etc I gave up and got married and raised a family and concentrated on my career as a journalist. I was astonished in 1992 to find something like the Keele all-nighter still going. That was the start of my second childhood and I have been a regular on the scene ever since. Q. As most people may be aware you have a new book on the northern scene called -Too Darn Soulful, its coming out in December, whats it all about? DAVE.........It's called Too Darn Soulful and is published by Robson Books in hardback at £17.95 (tel 0171 700 7444). As many people will know, I co-wrote Soul Survivors with Russ Winstanley in 1996. Doing that project made me realise what a rich heritage of music and clubs we have on the northern scene, so I set about doing a follow-up. The result is Too Darn Soulful - four decades of clubs, music and people from the Twisted Wheel in the 1960's to the present day. It's informative, gritty, realistic, funny and enlightening. It's the first ever in-depth look at OUR scene and incorporates all views and opinions on the state of the scene. Q. ok dave obviously main thing you and visitors be interested in is the book so a few questions on it, research is always a main thing, where did you get all info from and how hard was gathering that? DAVE..............Having a long soul background myself, a lot of it was second nature. I used the usual routes of newspaper and magazine articles, searchin g out archive material all over the country and copying pictures etc. I have also interviewed dozens of DJ's past and present and loads of regulars from home and abroad. Many of them are on the internet so it has been a godsend in that respect. I also got access to artists like Brenda Holloway, Edwin Starr and Fatboy Slim to ask them about their perspective on the northern scene. (Norman Cook is chuffed to bits that most soul fans seem to like what he did with Sliced Tomatoes). Some people proved very elusive, but many were very happy to co-operate. Q. recently there have been a couple of books out already what would you say to soul fans out there is a good reason for buying yours DAVE.......................As I have already said, this is the first in-depth book covering EVERY aspect of our scene right up to the present day. Modern soul, jazz-funk and the disco fodder of Blackpool Mecca are all covered as well as every northern venue of the last four decades. If you only ever bought one book on the northern scene, Too Darn Soulful has it all, and at a very reasonable price I might add!!! |(End of plug) Q. what was the highlight of writing this book. DAVE.......Finishing it! I'm knackered. It has taken about two years of hard slog. Seriously, though, the highlights came when soul gurus like Richard Searling, Ian Levine ,and Colin Curtis took the time out to let me grill them on their vast knowledge of the scene. They were all very informative, good company and entertaining. Q and any low points DAVE........Being mucked about and stood up by people who make and break appointments. Chasing around the country in my spare time at night and at weekends for pictures that might or might not exist. Q any chance dave of a few clips or photos to give soul fans idea of what its all about DAVE............A review copy is on its way to you, Mike. Q. you were involved with russ winstanly's book a couple of years ago, which was criticised in some quarters as painting a false picture, what would you say to those criticisms? DAVE.......Criticised by who? I have only ever seen one negative review, and that was on a web site. The vast majority loved it, and it has been responsible for bringing a lot of people back onto the scene. No-one has ever told me to my face that they hated it, (apart from Ian Levine!) and believe me they would. Q. looking back would you do it different if you had the chance? DAVE........Yes, I accept that it was a slightly biased and rose-tinted view of things, but I was working with Russ, so what would you expect? Levine's film has been accused of being Mecca biased. We maybe did concentrate too much on some things to the detriment of others, hence my decision to do a follow-up on the wider picture. Q. onto other things dave whats your favourite current tracks being played at moment DAVE...........The Tangeers, the Gladys Knight motown tracks, Herman Hitson, the Spinners I Just Want To Fall In Love. Q what are your views on current v oldies debate DAVE ......I get sick and tired of hearing the same oldies at virtually every venue. Let's keep it fresh. We've all been back into the scene for a while now, let's move on from reliving the Wigan days. Q would you agree that there are still new soul sounds being discovered today which are at least as good as any played in past ? DAVE............They aren't there in quantity, but the quality is still there. As I said above, stuff like Herman HItson, Jesse James, the Gladys Knight and Jimmy Ruffin stuff get the adrenaline going. There is, however, a lot of mediocre crap being sold for £1,000 and £2,000. Q lots and lots of politics going round at moment , how would you cure all the problems? DAVE........I would get all the soul promoters of the UK together in one room and force them to listen to Steps records or something equally horrible for eight hours. Then perhaps they would stop bickering and realise what a great and unique scene we have going and work together without cutting each other's throats. Q favourite venue at moment dave and why? DAVE................The Ritz all-nighters in Manchester. The venue, the crowd and the music is always bob on. Q things that jack you off? DAVE..........Guys who stand around pulling faces whenever a DJ strays away from the tried and tested oldies. Let's be more open minded, like we were in the 70's. A lot of the modern soul stuff is brilliant, too. Q heres a cheesy one dave, all time favourite northern sound DAVE......Yvonne Baker- You Didn't Say A Word. It has just about everything. Q back to the forthcoming book, whats the price and where can i get my hands on it?? £17.95 from Robson Books of London (0171 700 7444). It should be in most good book shops. Q, ok dave thanks for that, last one any future similar projects or is it back to your south sea island to chill with jackie collins and rest of gang of writers? DAVE.............Absolutely not. I'm having a nervous breakdown, I've earned it! The next book I write will be a fiction bestseller that Hollywood will pick up and turn into a film and make me very rich. Q Cheers dave for that and thanks for time. ok there you go, sounds like its going to be a good thing, doesn't it. Once get my hands on a copy will post a full review, but for now it looks like one for the list to santa The book is called Too Darn Soulful and is published by Robson Books of London on December 10 price £17.95. Tel 0171 700 7444.
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Dave nowell has , collecting information and details for... Tap to view this Soul Source News/Article in full
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Mary Love Discography by Paul Dunn Tap to view this Soul Source News/Article in full
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Off top of head not 100% sure of orgin - please shout if know so can add credits etc Mary Love Discography by Paul Dunn MODERN 1006 You turned My Bitter Into Sweet I’m In You Hands 1010 Ive Got To Get You Back Hey Stoney Face 1020 Let Me Know Move A Little Closer 1029 Lay This Burden Down Think It Over Babv 1033 Baby Ill Come Satisfied Feeling 1039 Talking About My Man Dance Children Dance 1042 Is That You (Duet by Arthur Adams & Mary Love) Lets Get Together (Duet by Arthur Adams & Mary Sandy Wynns) JOSIE 630 The Hurt Is Just Bcginning 631 If You Change Your Mind ELCO 444 Born To Live With A Heartache Theres Someone For Me MAGIC DISC 215 Joy (Solo by Mary Love) Santa Claus Is Coming To Town Disco (by Santas Disco Band) INPHASION 7204 Turn Me, Turn Me, Turn Me Dance To My Music JAPANESE ADVERTISEMENT SINGLE Sweet Taste Bamboo Inn (Unknown Label) U-TONE 2. Liquid Fire Tit For Tat MIRAGE 7-99720 Save Me (Demos double-sided. Issues probably had instrumental flip as Mary only recorded the one track for Mirage) MARY LOVE COMER CO LOVE RECORDS 100 1 Come Out Of The SandboX Instrumental 1002 (12") Caught Up - Caught Up Instrumental Standing On The Edge Of Time — Instrumental 1004 (12") Understanding - In My Life ( Mary Loves Comer solo) More Than Enough Love - More than Enough Love (Rap Added) Mary Love Comer with her son Derek Versev LPS Peady Wheatstraw Soundtrack Album Various Artists in. 5 Tracks bv Mary Love (Label Unknown) Mary Love Comer - His Servant Am I - Co Love Marv Love Comer - Sin No More - Co Love