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Mike

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  1. Cleethorpes - Aftermath First from Pilar who along with Elena was on the decks, and a view from Heikki from Finland who must have visited every venue going in that week Just to help some of you who were there to refresh your braincells, (or for those like me who couldnt make it ) aware of what we missed, here,s a couple of reports on the weekender from the halls of Soul-Talk Pilars bit A bit late I know but all though I arrived to Valencia on Monday I just really landed yesterday! Here it is the playlist Elena and me played on our set, we played together in the Spanish hour, do you remember two girls with the same t-shirt? those were us!! H.B. Barnum - It hurts too much to cry - RCA Joan Baker - Everybody´s talking - Diamond Patti Austin - You´re too much a part of me - Coral Priscilla Page - I´m pretending - Topper Freda Payne - Sad September - MGM Anna King - Mama´s got a bag of her own Susan Rewis - They say you have found a new baby - Columbia Martha Starr - No part time love for me - Thelma Ojay´s - I´ll never forget you - Imperial Jo Ann Garrett - A whole new plan - Chess Ruby Winters - Better - Diamond Jackie Wilson - Because of you - Brunswick Patti Austin - I´ve given all my love to you Billy Eckstine - I wonder why - Motown Vernon Green - Look at me, look at me - Minit Tommy Frontera - You are my leading lady - Hi- Lite Big Joe Turner - Two loves have I - Philips John Bowie - You are gonna miss a good thing baby - Merben Ruby Andrews - Just loving you - Zodiac Marv Johnson - With all that´s in me - UA Patrice Holloway - Stolen hours - Capitol Tony Clarke - A wrong man - M-S Esther Philips - Just say goodbye - Atlantic Carolyn Crawford - Forget about me - Motown Betty Swan - Kiss my love goodbye - Atlantic A strange mixture but it worked! We were really scared as the Irish guy who was playing before us made an incredible set (I don´t know his name) and we weren´t on time to hear Greg Tormo, sorry. Thanks to everybody who gave us their support and congratulations, we were very happy to make it and couldn´t believe that we could pack the dancefloor at 2 p.m.!!!! See you next time! Best! Pilar Heikki there to the finish Back to normal again after a great Weekender, my daily rhythm was a right mess on Tesday and Wednesday, kept waking up in the middle of the night and falling asleep during the day... The live acts were both a lot better at Cleethorpes than at the 100 Club, Hoagys mike technique was still poor. Sidney barnes really is THE MAN, a top performer with a very professional touch. The crowd especially liked the bits when he told us how much he appreciates the northern scene & keeping the music alive even if many of the artists are long gone. Cant really remembe what was being played on Friday, Roger Banks was good with a very different style to others as usual, Andy the feet Rix was goodalso, I was supposed to go to get some sleep after his set but Dave Rimmer kept me on the dance floor for quite a while with some of my favourites incl. Cody Black - Slowly Molding. Saturday afternoon session was brilliant, I agree that the djs can be a bit more adventurous because theres no pressure of filling the floor. I walked in during Gregs set (didnt know it was you though), really top tunes I must say! All of the international sets were good so I cant name the best one, it was weird dancing in the daylight, but it was nice to have plenty of room. Sunday day session was about as good as the Saturday one, Dave Rimmer was great, Irish Greg was brilliant but my vote goes to Jo Wallace, she played a set with balls! 8-) It was great to hear The Poets - She Blew a Good Thing, group soul doesnt get much better now does it? Sunday night was something special of course, I dont think you can get that atmosphere anywhere else, it was even better than I remembered from last year. I could just stand and watch the mass of bodies dancing to the music with a big smile on my face. The record bar was very busy all the time, it was difficult to move around! Spent more money on a single record that I have ever done, got a nice copy of Bobby Williams - Ive Only Got Myself to Blame, Manship had it for a surprisingly reasonable price. All the best to everyone out there Heikki
  2. A few word on fridays event from promoter Mike L Tap to view this Soul Source News/Article in full
  3. LIFE & SOUL IV FRIDAY 15 JUNE 2001 - ROZEL HOTEL WESTON SUPER MARE A few words on fridays event from promoter Mike L. Mike L says... As usual quality sounds were played all night from the popular, to the rare and some just a little bit different All DJs did excellent and varied sets and maybe they will send me there playlists for me to post. Thanks to Dave Farrell for his debut set standing in for Simon Green at late notice, Ross with his usual expertise for hitting the right spot, John Nightingale for his brand of 70s Northern, a surprise (and sadly short - due to time) set by Phil Merrell - who actually djed at the Twisted Wheel -and Mark for a stonking ending. Big thanks to all who came - (and Im bound to miss people here, my apologies) - especiallyPaul OBrien from deepest Devon, and his mates from Cheltenham and elsewhere, Neil Selffrom Cheltenham, Phil and Dawn from Barnstable, All those from Cornwall - Falmouth and Newquay - good on ya for travelling so far, it is much appreciated.. My two short sets included:- Ballads - I cant see your love Bobbie Brown - I gotta have you OV Wright - Love the way you love Three Karats - Yes I Will Variations - Yesterday is gone Geraldine Hunt - Just believe in me Inez&Charlie Foxx - No stranger to love Third Guitar - Sad Girl Johnny Sayles - I cant get enough Temptations - I gotta find a way Smokey&Miracles - Soulful Shack Soul Children - Were getting too close Johnny Copeland - Suffering City TSU Toronados - What Good am I Patrice Holloway - Thats all you got to do Buckner Brothers - A change is gonna come Al Greene - Dont leave me Johnny Taylor&Carla Thomas - Just keep on loving me Second set:- Irma Thomas - What are you trying to do Kitty Clark - Big Wheel Moses Smith - Girl across the street Jesse Boone - I got to love you Billy Butler - Cant live without her Barbara Mercer - Hey Capreez - Soulsation Bobo Mr Soul - Hitch hike to heartbreak road Otis Redding - Demonstration Despite our biggest promotion exercise numbers were unfortunately a bit down, although there were sufficient through the door to have a good time -thanks to them. We posted details on about 8 web sites, were on 2 Northern chat groups, we dropped flyers at Cheltenham, Cardiff, Gloucester, Barnstable, 100 Club, we advertised in local press, and put posters up all around town, plus Blues and Soul. We also spread the word by talking to people, emailing and telephone - feedback received was promising generally. We had good reviews on several websites and Soul Up North magazine. We didnt clash with anything nearby, we co-operated with local promoters but hey, we all had a good time. Weve set up this venue on the basis of what people have told us they want. However, if Weston is wrong or the venue is wrong or the format please let me know. Were taking a break now until the Autumn because venues are difficult through the summer, and then well be back. Our residences at Brannigans in Bristol and Neptunes Nook will continue, as will our Summer Soul event in Bordeaux in August. Mike www.lifeandsoulpromotions.co.uk
  4. More new stuff - Here is quick report inc playlists on last Fridays soul nite at the Ritz in Brighouse, thanks go out to Dave M Dave M just dashed a quick report on last nites Brighouse, so here you go Yes - I went to Brighouse Carl Willing... Tap to view this Soul Source News/Article in full
  5. More new stuff - Here is quick report inc playlists on last Fridays soul nite at the Ritz in Brighouse, thanks go out to Dave M Dave M just dashed a quick report on last nites Brighouse, so here you go Yes - I went to Brighouse Carl Willingham and Soul Sam were the guest DJs and it was a typical oldies session although Soul Sam can still clear the dancefloor with some of his plays!. Carl W played things like; Spiral Staircase - More Today Than Yesterday - Columbia Eddie Bishop - Call Me - Abc Soul Bros Six -Ill Be Loving You - Atlantic Ramsey Lewis - Wade In The Water - Cadet Checkerboard Squares - Double Cookin - Villa Invitations - Whats Wrong With Me Baby - Dynovoice Love,Love,Love - Bobby Hebb - Phillips Landslide - Tony Clarke - Chess Rose Batiste - I Miss My Baby - Revilot (Have you listened to the Revilot story on href="http://www.wfmu.org/Playlists/Finewine/">http://www.wfmu.org/Playlists/Finewine/ ? - brilliant!) Duke Browner - Crying Over You - Impact Velvelettes - These Things Will Keep Me Loving You - Soul Patti&The Emblems - Im Gonna Love You A Long Long Time - Kapp Johnny Caswell - You Dont Love Me Anymore - Decca Major Lance - You Dont Want Me Anymore - Okeh Marvelettes - Ill Keep Holdin On - Tamla Supremes - Back In My Arms Again - Motown Jackie Wilson - Because Of You - Brunswick Jimmy Burns - I Really Love You - Erica The Du-Ettes - Every Beat Of My Heart - Mar-V-Lus Carstairs - It Really Hurts me Girl - Red Coach Soul Sam tends to play a strange mix of classic oldies and more modern stuff in batches of three records. He played things like; Dells - Run For Cover - Cadet (Opened with this - he knows how to get the Brighouse crowd on side!) The Ringleaders - Baby What Happened To Our Love - MPac The Group - I Dont Like To Lose - Prophonics Bobby Hutton - Lend A Hand - Abc Willie Hutch - Love Runs Out - Dunhill (You dont think he played these two off the same 70s reissue on ABC do you?) Christine Cooper - Heartaches Away My Boy - Parkway Bobby Hutton - Come See, Whats Left Of Me - Phillips (One of my current home listening faves!) Al Williams - I Am Nothing - La Beat Eddie Foster - I Never Knew - IN Mr Soul - What Happened To Yesterday - Genuine Temptations - Truly Yours - Motown Jimmy Ruffin - I Got To Let You Go - Motown Jimmy Ruffin - He Who Picks A Rose - Motown Jimmie Bo Horne - I Cant Speak - Dade Bernie Williams - Ever Again - Bell Ann Sexton - Youve Been Gone Too Long - Impel (A BIG Brighouse fave) Terry Callier - Look At Me Now - Cadet Wade Flemons - Jeanette - Ramsel (Play this if you want a Ritz instant floor filler!) Betty Wright - Man Of Mine - Alston Im not that au fait with a lot of the modern stuff that Soul Sam plays. He did play - Bull - Let Bygones Be Bygones - which was a first airing supposedly, after being played by Tim Brown on Jazz FM Tony Banks is the resident DJ and host and usually plays stuff from his current playlist; A C Reed - My Babys Been Cheatin (I Know) - Cool The Vibrations - Cause Youre Mine - Epic Gloria Jones - Come Go With Me - Uptown Millie Jackson - A House For Sale - Spring Junior Walker - Tune Up - Soul Junior Walker - Aint That The Truth - Soul (Believe it or not - a couple actually line danced to this - and they didnt look as stupid as you might have expected!) Tommy Navarro - I Cried My Life Away - Dejac Etta James - Seven Day Fool - Argo Ace Spectrum - Dont Send Nobody Else - Atlantic David Ruffin&Eddie Kendricks - I Couldnt Believe It - RCA I think Ive credited most of the tracks to the relevant DJ, but one or two may be mixed up and perhaps I imagined I heard some - I didnt take notes! Just listening to Kev Roberts on the Big AM - we dont get much feedback on this show do we? - its a good 2 hour soul show . Hes just playing Channel 3 -The Sweetest Thing This Side Of Heaven - Dakar Whilst Ive been typing hes moved on to Ernest Moseley - Stuborn Heart - La-Cindy Not bad eh! David M
  6. Friday 15th June, just been to one of the best Northern Soul nights ever. Its funny but having been out of the (scene) for more years than I care to remember, I was overwhelmed at the East Midlands Soul Club abillity to find a venue that has everythi... Tap to view this Soul Source News/Article in full
  7. Friday 15th June, just been to one of the best Northern Soul nights ever. Its funny but having been out of the (scene) for more years than I care to remember, I was overwhelmed at the East Midlands Soul Club abillity to find a venue that has everything perfectly suited for a stomping night. The place was easy to find with a large lit car park, a warm welcome on the door and drinks at 1/2 what I normally pay. The music started with a mixture of r&b, old soul and crossover which was a pleasant mixture and started the feet tapping. After about 9 the music really started having an effect, the quality of the sound system is one of the best I have heard and I made my way to the floor. Here I found a not only polished wood, but sprung floor, I was going to enjoy this. The music variation for the rest of the night was mainly requests and the people voted with their feet as to the acceptance of the sounds, I can honestly say that for the next 4 hours I only heard one duff 45. Although at midnight I stifled a yawn, I was on the floor till 1 with almost all of the crowd who were so friendly, held every month, guess where youll find me on 20th July.
  8. Ive just come across a copy of Wheelsville 104. Has anyone ever seen this before - Debora Healy - "I Cant Erase My Old Loves Face"? The other side is "Dont Do Nothing I Wouldnt Do" Its the same as the issue on Chrysler,... Tap to view this Soul Source News/Article in full
  9. Ive just come across a copy of Wheelsville 104. Has anyone ever seen this before - Debora Healy - "I Cant Erase My Old Loves Face"? The other side is "Dont Do Nothing I Wouldnt Do" Its the same as the issue on Chrysler, but with a different spelling for Debora and no credit to The Magic Tones. The master numbers are MW 618 and MW 617. Any info on Wheelsville 105? posted via Irish Greg (I think) updated 2019
  10. A review from 2001 by Katrina Dixon about souling it in Oslo and Berlin and Scotland - Katrina 2001 Tap to view this Soul Source News/Article in full
  11. Dug this out when revamping content, reckon worth yet a other "bump" up as enjoyed re-reading it Trivia of a vinyl kind Posted on Wednesday, April 25 2001@ GMT Standard Time by mike h Vinyl trivia as you may have spotted get quite a bit of vinyl trivia and info, most of it was thrown up on main page and as it gets updated a lot may get missed, so have thrown all bits up here, not going for a well smart layout just a online scrapbook of fascinating facts!! info on jimmy radcliffe acetate once featured on sounds page from chris That Is Indeed A Very Cool Jimmy Radcliffe Track. I Beleive It Was Recorded In 1966. In fact The Producers Of The 1997 Film "Eves Bayou" Starring Samuel L. Jackson And Lynn Whitfield Liked The Song So Much The Included It The Film And On The Films Soundtrack Album The Featured Tracks From: Erykah Badu, Bobby "Blue" Bland, Ray Charles, Johnny Ace, Sugar Boy Crawford, Geno Delafose, Etta James, Louis Armstrong With Velma Middleton and A Score From Terence Blanchard. Eves Bayou Movie/Soundtrack Actually The Film Had Two Of Jimmys Recordings The Other One Was A Song Called "Sit Down Sunshine" But The Producers Of The Album Thought That It Was To Close In Feeling To Ray Charles "Dont Let The Sun Catch You Crying" so It Was Left Off The Album. Info from andy rix on the robbie lawson acetate featured on site its a 7" acetate that simply says "Mr Misery"...when Pat played it at Stafford he called it Robbie Lawson as nobody knew what/who it was.....the copies that surfaced by the Padded Cell are the same vocalist etc...but its the finished track, slightly different vocal take, with strings which ruins it for me cos it makes it real girly and as its a record of despair the sparce backing on the acetate is spot on.... I still call it Robbie Lawson to differentiate the acetate from the vinyl but in reality it is Padded Cell dave flynn gives the gen on current floorfiller "Baby Yes I Do" recorded at the Virtue Studios at 1618 N.Broad St, Philadelphia on Dec 7th 1966. produced by Jimmy Bishop. band members were Barry Glazer, Ken Halpern, Brian Utain and Daryl Hall. (note John Oates was not in the group at that point). Ive got a few takes of it, but the one I play is the most complete - shame they never got around to adding brass or vibes. Ive always thought that the piano in it is very reminiscent of Damon Foxs classic "Packing up". Ive also got an earlier "bar bones" take both as an instrumental and vocal, of one of their released Arctic discs, "Girl I Love you", which I might play at the next Dome. Other sleepers from the same source include alternate takes of house hold favourites by Moses Smith, Kenny Gamble and The Kayettes! Hope that was of interest, and Im glad you like it. However, you wait till you hear the unissued September Jones Kapp tracks - ouch theyre hot!!! more from andy rixs keyboard..... bit of info on andys current spin, Jimmy Radcliffe - The thrill of loving you - Jaysina its a 10" Jaysina Publishing acetate and as far as Im aware its the only known copy...I found this on my USA trip last year in Rose Marie McCoys basement...when I took it upstairs for its first play I instantly thought "this is ace..lovely mid-tempo New York production...and that voice". The voice was so familiar (no label credit) but I just couldnt place it....Rose couldnt remember either but it was a guy that used to cut lots of demos for people....this track was a demo for the Drifters but I dont think they ever recorded it. I get back to the UK and ring a friend of mine in London who is a long-time New York collector...before the first line is finished he says Jimmy Radcliffe...so obvious really. (new 2003 bit since then Colin Wood found another version of "The Thrill is Gone" on Smash that was unknown even to Rose M) Just as a point of interest anybody who has a copy of Chubby Checker You cant lose something you never had on Kent given out at one of the 100 Club Anniversaries should note that this is also Jimmy...listen to it again and youll see mikes bit on subject of jimmy radcliffe, have a great track by him called Ill pretend Im loving you - Jimmy Radcliffe - acetate its up on site hit play to hear it, anyone any info as does a lot for me email me please if you have ought on it back to andys overheated keyboard When in New York in 98 i met up with Edward Lewis who co-wrote Love slipped through my fingers....he told me that he wrote this song whilst in a jungle in Vietnam and sent the lyrics over to his brother and Marion Farmer to finish off the music and tidy up. I asked him about Sam Williams and the name meant nothing at all to him...as far as he was concerned the version he knew was the one they did on Nate Adams...he had no idea that Sam recorded it, nor the Ohio Players, and had never heard the songs until I sent him a tape...he did tell me they recut the song for Brite-Lite Records in the early 80s on that group who did If you cant tell me something good...my mind has gone a complete blank on the group name...I think that version remains unreleased...was it Major IV... Talking of sam there is a long held belief that Tony Williams of the Platters is Sam Williams but there was another NY based singer called Sam Williams who moved to the West Coast in the ?early 70s so there may be room for confusion here...anybody have any thoughts on this...Ive listened to their voices and Im not that convinced that Sam & Tony are one and the same....anybody ever seen an issue of Sam Williams ? yet another snip of info from your man I was thrilled to get the new Marvelettes CD that has just come out on Spectrum..compiled by our cuddly friend Chris King and ably supported by a Motown trainspotter mate of mine called Chris Jenner this is a CD that I strongly suggest you all purchase...details from where later. From a Northern point of view it has some crackers.....I just cant let him down..On the other side of town (a Lowrie spin)...Because I love him ( big for Ginger)....Sugars never been as sweet as you (in stereo)...Boy from Crosstown (Brill)...and my fave Finders Keepers Losers weepers. There are other previously unreleased tracks of a more melodic, as opposed to four-beats-to-the-bar driven, which are great plus some standard stuff like Reaching for something...Danger heartbreak...I need someone etc... I can recommend this CD and the best bit is it only costs £5.50...you can order i tfrom Jim Stewart at jim@soulsearchingplus.co.uk my bill including P&P using VIsa came to £6.69...bloody bargain Andy first bit to start off is a brief history of all those unreleased motown tracks, then a bit on vala reegan, from andy rix The first batch was from the acetates Tom DePierro got when researching the From the Vaults LP...following his death a tape of part of this find arrived in the UK...this was the first significant collection of unreleased Motown to surface...top tunes from those tapes were Marvin Gaye - This loved starved heart & Lonely lover Originals - Suspicion Gladys Knight - Its too late Temptations - Forever in my heart & Angel doll Martha/Vandellas - Spellbound Marvelettes - Boy from crosstown & Sugars never been as sweet as you Kim Weston - Absent minded lover ....the following were part of that batch but didnt make anthem status Stevie Wonder - I gave up quality for quantity Holland & Dozier - In the neighborhood a.k.a On the avenue Velvelettes - Love is good & Let love live & Beating around the bush Kim Weston - Build up my baby & Any girl in love & After the rain & Look my way Eddie Holland - Twin brother & Welcome back Creations - In the dark ...another tape arrived a little while later...sounds on this were Downbeats - You say you love me Hattie Littles - You got me worried Creations - Say say baby Martha / Vandellas - Keep stepping & Im willing to pay the price Kim Weston - I got a weak heart Shorty Long - A woman just wont do right Velvelettes - Somethings happening & Thats a funny way & Twilight time ... I think I got the order right but it was a long time ago Then Pete Lowrie scored in Detroit but he wasnt the only one I have to say...these acetates were apparently from out of the Woodward building which had been closed down and had found there way to a local record dealer...in addition there were tapes and that is where the biggest of all came from.. Brenda Holloway - Think it over (before you break my heart)...the original working title of this was Ill meet you halfway...Pete called it Reconsider ..over a period of time Pete got more stuff so the goodies were...note that other people got some of these titles as well, there appeared to be multiples of some tracks... Jimmy Ruffin - I know how to love her Ivy Hunter - Where were you Tommy Good - I gotta get away Sidney Barnes - safety zone Marvelettes - Because I love him & The other side of town Brenda Holloway - Lonely boy & My world is crumbling & Im on the right track Norma Jenkins - Try love (one more time) Liz Lands - Midnight Johnny...alt take Jimmy Ruffin - I gotta let you go Saundra Edwards - True fine boy ..inst ... the next good batch were first played by me..these were Monitors - Crying in the night Kim Weston - You hit me where it hurt me & Gonna make it up to you baby Brenda Holloway - Ill be alright Marvin Gaye - Lucky lucky me Brenda Holloway - Dont turn your back on me Miracles - My business your pleasure Monitors - I cant get along without you that was it until Chris King hit the vaults and as much of that stuff are monster plays at the moment I wont bother to list them Andy next bit was a reply by andy to a message claiming barbara banks and vala reegan are the same person, as "living in past" was b side of fireman and river of tears I talked to Herb Bernstein about this a while ago and he said that living in the past was one of his fave tunes/compositions...he said something like "when we put that record out we decided to use LITP again cos it was such a good tune". Id always assumed he meant they re-recorded the song with Barbara.. Ive never compared the two versions...he was obviously being literal meaning they used the track again. Vala was actually lead vocalist with a group called the Hi-Fashions and was spotted by Herb at a Laura Nyro recording session...Im fairly confident that they are not the same person as Herb talked about Vala and Barbara as seperate individuals and never said/suggested they were one and the same. Andy pat brady just gave me some info on one of the sounds that made my "jaw drop": Regarding The Chandlers, I was always credited as the guy who "discovered" it & it was me who first played it at an all-nighter but in fact, a guy called Andy Riding played it at The Irish League in Nelson for a couple of months before I prized it out of him for 20 quid! (quite a lot of money then in 1976...)
  12. A soul article of info, facts and info from 2001 Tap to view this Soul Source News/Article in full
  13. A review from 2001 by Katrina Dixon about souling it in Oslo and Berlin Oslo, Berlin and Scotland - Katrina 2001 A short, few words (NOT) about souling it in Oslo and Berlin last week, of interest to few probably but Ill witter on anyhow, so hit delete now if you dont want to scroll thru an essay Friends in Oslo took me along to a club with the cool name of the Beat Basement held in the small back room of a very fine bar called Mono. Even tho theyre not into the garage punk, soul sounds played, they knew itd be right up my street, so they kindly put up with me going on about every single garage punk sound played during the first hour or so when there was only us, a few other bemused Oslo scenesters and about five mods huddled near the elevated djing area (who, when I got talking to them later, turned out to be almost the entire local mod scene) and then me diving off to dance to the unexpected avalanche of northern soul, including the Metros and Charles Sheffield (later discovered from the guy spinning Charles Sheffield that hed bought it from Irish Greg - small world ) - and that the guy spinning the Metros had a picture cover version issued in Germany that he got for about £20 - swine ). The place got pretty packed out, mainly, in fact almost all normal punters just out to dance, but it was a really friendly atmosphere, even if there were drinks on the dancefloor (no talc needed, just slipping around in the puddles ) and the sounds moved between northern 6ts, 7ts (but some nice 7ts have to admit) and funk) till 3am. A solid nights dancing basically. On to Berlin, after a 17 hour train journey (soul all the way thanks to tapes by AlanH - thanks loads) through slabs of Swedish countryside (counting the red barns) via Gothenburg and Malmo (time for a swift taste of the Swedish national schnapps in a bar and a chat with a local about the Swedish drinking culture - ie drinking to get drunk and no other reason). Thanks to my mighty hosts, Max (huge thanks too...) and Franz, I got a solid taste of Berlin soul, from watching them djing (and pulling faces at each other ) a couple of nights at the Dom De Lion bar (wall-attached lava lamps, leopard print bar stools, soul albums on the walls, cone-shaped dj box in the centre of the bar, again decked in leopard print). I nbetween getting quizzed by Marc Forrest (pleasure to meet you, sir) about my top 5 rnb and current fave sounds - arrrgh, failed anorak, my mind goes blank and Ive just remembered another I didnt mention - The Phonetics: Just a Boys Dream! - and chastised by Max for not remembering labels (good grief ) there were hours of great sounds: Barbara Mason: Aint Got Nobody, Irene & the Scotts: Im Stuck On You Baby, Some Other Guy by, ah, you wouldnt believe it if I told ya , Tony Middleton: Till The Ends of the Earth, Nancy Wilcox: My Baby, Tommy Navarro: I Cried My Life Away (aaaaah, soooo good), Del-Chontays (up the DCDL!), Thee Midnighters - Evil Love. More Berlin soul at Marc Forrests Hip City Soul Club on Saturday via a strange night at Ankerklause on Thursday with Max, where we came in to Charles Sheffield (a track that seemed to trail me across northern europe) and left to the strains of MC Hammer. Huh? Hip City has a dancefloor about the size of TOS, and usually just as busy, but that night numbers were down - we all reckoned because of the disaster in America. Im not sure if it was the same over here or in other countries but it seemed like, fewer people were out or up for dancing - understandably. Still, those that turned up made the most of it and both Franz and Marc played cracking sounds from 10 till just before 5 (Marc "just two more and then Ill finish"... yeh sure ) Marc, Id forgotten Dr Truelove is such a great tune (real cha-cha-cha...) and that Curly Moore is truly el magnifico, as is the Four Tops: Cant Seem To Get You Out of My Mind (right title?). Hopefully I can get back to Hip City at a time when life is a bit more normal, and experience it at its more typical busy best but I had an excellent time - fantastic rare soul sounds all the way (plenty of rnb, and plenty I hadnt heard before), lovely wall-hangings of soul stars, Marc singing along to records like a karaoke pro (if they come out, the pictures are going up online ;)). Lots of chat (only a little in German tho - apologies for my pathetic school standard German-speaking), laughs and dancing, all with great people. Cant ask for more, really. Katrina Dixon The place to be if you wanna talk about soul!
  14. It was a very bad time for the conservative anarchist but nevertheless, Martin, Aubrey and I (and a few occasional 'also rans') formed into a gang of nocturnal amphetamine road-beasts. As the WSF (Wagnerian Soul Fraternity)... Reverbstorm: Savoy, Soul and Suicide b y P a u l T e m p l e A clip of an article from Headpress mag issue 7, can read in full on Savoy website (link at end) Headpress magazine, No 7, 1993 It was a very bad time for the conservative anarchist but nevertheless, Martin, Aubrey and I (and a few occasional 'also rans') formed into a gang of nocturnal amphetamine road-beasts. As the WSF (Wagnerian Soul Fraternity), we spent months and months travelling to Northern niters in a beat-up car, with Bruckners IVth, or the Solti version of Die Walküre blasting out of the windows. Faster faster, louder louder. With the north winds blowing through our scurf at 120mph, reeking of chemicals and Juicy Fruit, hitting Niters and living furiously. We developed our own language, and we all spoke in this thick Edinburgh-ese (five years on and I still can't shake it off). For two years I never read a paper or saw a television. We became aesthetites and energy obsessives, but would pursue any old head-fuck for a laugh. Our heroes were Wilhelm Reich, Franz Antoine Mesmer, G.I. Gurdjieff (who, legend has it, could suck enough energy out of a room to kill a yak at a hundred paces. Though I didn't know it at the time, Martin's brother was part of a Gurdjieff group in California). The fetish for mass-free primordial energy was also reflected in our taste in music: total amphetamine Northern, Mighty Phil Spector and 19th Century classical God-head bangers. We hated house-music and referred to ravers as acid- cripples. The niter scene was for toxic avengers only. The newies scene was past its prime due to the ritual slaying of its chief exponent DJ Keb Darge, but it was still very vicious and intense. An outsider could be kicked in the face if he danced like an on-location rare groover. Or he could be spat at, or worse, laughed off the floor. Quite right too. We could be in some God-forsaken place like Chesterfield Conservative Club, or a barn somewhere in Scotland, and the atmosphere would be formidable, Nothing short of Total Commitment was the thing. Total Commitment and Total Human Electricity. A normal person didn't stand a chance, it was too intimidating. The dance floor was more like a damn bull-ring than anything. You'd see the most beautifully elegant dancer, and he'd be a steel-worker or something. With a complete empathy for the music. I remember watching this stocky brick ####house going through his paces to Ends Of The Earth by Tony Middleton. When the record was just about to peak, he mimed a noose going round his neck. When the almighty climax was delivered, he gave the invisible rope a sharp yank and hung himself The WSF invariably turned up like a trio of quarter-tipped tornadoes. We were the absolute best dancers. Martin used to do this slow drag number across the floor, like a rabbit with mixamatosis. Approaching the middle-eight, he'd generally lean back on his worn heels, go quick as a whip into a 360 degree spin then WAP! He'd clap so hard his hands would bleed. Aubrey was the very model of a human jack-hammer, his bug-eyes trembling with the paranoia of future busts, but deep down not caring too much. His stomp-favour generally leaned toward an On Broadway chord sequence which would ejaculate over Orangemen drums and hysterical Psycho soundtrack strings. Myself, I favoured a shifty, shifty side thing, one hand on hip, followed by a hi-kick on a peak, a jenny-like spin on a drum-roll, a side WAP on a beat-drop, plenty of flambé hand-gestures and orange squash between very violent numbers like With These Eyes by The Fabulous Peps on Wee Records, Take It Baby by the Showmen on Swan, If You Ask Me, Jerry Williams on Calla, and Where Can She Run To by the Jammers on Loma. The more unrestrained the music, the wilder the life. AFTER MONTHS OF MOTORWAY MAYHEM, I fell into an extreme state of love with a girl called .......... visit savoy website out for full article, background and more http://www.savoy.abel.co.uk/HTML/recart.html
  15. Sidney Barnes + Hoagy Lands live at the 100 07 Jun 01 As Thursday saw weekender live guest act stars Sidney Barnes and Hoagy Lands make a pre-weekender appearance at the 100 club. read more for brief details......and then write down somewhere "order next years tickets asp" Yeah well last Thursday everyone's mind may have been focused on the big vote....which going by figures seems was the choice between the teacher or the hairdresser and not the other two. But come Thursday night the chance was to forget it all and catch soul legends Sidney Barnes and Hoagy Lands live. For those who weren't doing Cleethorpes it was a great opportunity to catch these two names from yesteryear. Dj prior to the acts, apologies but have lost the name but he had a t-shirt with Chancer on, so undoubtedly someone can put me right, put down a good mix from opening time to the live acts starting, anyone who plays OC Smiths version of Color Me Father, automatically gets a tick in the box from me. Come around 1030 the place had filled up and Hoagy Lands took to the stage, joining the 5 piece and 2 backing singers band, he delivered a strong set, (memory and lack of familiarity stops me giving a full blow by blow listing), starting with a couple of 60s tracks, then slowing it down to a ballad which included a well loud drop to the knees. Onto a couple of 70s tracks and then finishing with the classic that's been played since the days of the wheel - Next in Line. He gave a well "from the soul" performance, the sweat pouring off testimonial to the effort put in, unfortunately there seemed a few sound probs from where I was standing, which took the edge of it a bit with the band seeming just a bit too loud. After that a few minutes break and then the return to London to Sidney Barnes, now those who caught him at Dome were expecting a great show and what did we get.... yep a fantastic set. On stage he come with a bit of change in is outfit from the last time we saw him, with a Stetson, a shiny suit, and trendy vest, looking the part he launched into his set, which as said was fantastic, every track was something he had an involvement in, as in writing, performing etc and this was the real McCoy, he knew what the audience wanted and he delivered it big style, tracks delivered included Talkin Bout A Shindig Youll always be in style Great Version of Billy Prophets - What Can I do I'll Bet you I'll Hurt On the Other Side Think about the good times Well after a couple of encores, that was that, two legendary names from the past in the year 2001 performing in the heart of London, from a Mr Soul type performance to a Mr Performer type performance, great stuff, and as writing this envy starts to creep in of those catching the acts at Cleethorpes right at this moment. Top stuff. Night continued with Ady C underlining the nite with a great selection. of 45s. Also available on the nite was a great Sidney Barnes CD - titled "Then And Now" it features 15 tracks from your man from 1960- 1999, haven't had time to catch up with all tracks but a quick skip through sounds good. Not sure if plans are in place to sell it online or mail order but once find out and listen more will pass on. And also don't forget the Jazz FM clips up on site featuring Richard Searling and Sidney Barnes with great tracks and great background info
  16. It was a very bad time for the conservative anarchist but nevertheless, Martin, Aubrey and I (and a few occasional 'also rans') formed into a gang of nocturnal amphetamine road-beasts. Tap to view this Soul Source News/Article in full
  17. Sidney Barnes + Hoagy Lands live at the 100 07 Jun 01 Tap to view this Soul Source News/Article in full
  18. Keb Darge Words So I started a scene going there, and eventually it got to the point where we had all-nighters in Aberdeen, around 77, with about 800 people. And they wanted to hear what theyd been hearing at Wigan. So I had to get the tunes tha... Tap to view this Soul Source News/Article in full
  19. Mike

    Keb Darge Words

    Keb Darge Words So I started a scene going there, and eventually it got to the point where we had all-nighters in Aberdeen, around 77, with about 800 people. And they wanted to hear what theyd been hearing at Wigan. So I had to get the tunes that were played there so you know, I remember going to The Mecca. And there was this record, Ron Holden, in this guys box for 7 pounds. And I remember thinking Shite! Thats a weeks wages for christs sake! And it was then! - I must have it. So I walked away, then I saw some other cunt going up and pulling it out, so ran back - 7 pounds. So on the way back, I thought my motherll kill me. But when I went to this club in Aberdeen and I played the fuckin thing, and the response was like Fucking hell, hes got Ron Holden! I thought hmmm, I like this feeling. So from then on I was going to Wigan and I got to meet all the big dealers and Right, I want all the big tunes, and that was after I was into it for about three years. And then I sussed that if you really want to get noticed, youve got to find tunes of your own, youve got to find new discoveries, ken. And I started talking to folk, and finding out Oh, we go to Detroit, and theres this guy called the Coachman, who used to be a gangster in the sixties, a fucking drug dealer and pimp and all that, and he knows all the fuckin folk whove got all the records. So I thought Ill go to Detroit and meet this Coachman, ken, so I got all the numbers and I went out there, and I found records, and I did Chicago, all the fuckin places, ken, and then I was playing stuff from there." "All Northern, aye. Funk, when I went out I didnt know much when I started. And you would look at labels, and the fuckin title, and the artist, and think yeah, cos there were no Soundburgers, no portable record players in them days, which makes it so much easier because otherwise youre just buying blind. But everything was 50-75 cents. So anything that looked good, youd buy it. And youd get home and listen to the fuckin thing: Shite. Shite, shite, funk, shite, shite, funk, shite, Ooh, Northern! And I got a great buzz when I played my first discovery, you know, boom. First time out in Britain for this thing. And it was the Scottish crowd that heard it first, I just got the buzz. Im making this big, this is my tune! And that was it, whoom, I must find new discoveries, ken." "And the DJs, Winstanley and the likes at Wigan were playing absolute shite, there was only a few playing good stuff. But because Wigan had such a hold, every club started playing shite cos of the Mods, and so the shite was played. About 1980, I met this guy Guy Hennigan, and we said Fuck it, no ones doing anything about this, wed better do something. So me and him made this decision. We said Look, were going to play nothing but new discoveries, sixties and that, and if people dont like it were gonna tell them to fuck off, get out the fuckin scene." "So wheres your rare stuff? That is my rare stuff. No, you know, the obscure ones. I thought What the fuck are you on about? I was limbing over these things trying to get to the good stuff in America. Whatre you on about, son? So I said look, whats the biggest tune on this Rare Groove scene. And this was like at the start of it, 1982. He says Oh, you wont know it. Just tell me what it is. Oh no, Ive got the only copy. He says its a tune called "Gwan". I said Oh, on Wingate, number 106 He pulls it out the back of the shop, and he was like Fuck Me! I says how many copys do you want? And it was a bit of a fluke cos my mate had been over in Detroit with fuckin Popcorn Wylie and his mates who had owned this label, and they had about 800 copies that they didnt know what the fuck to do with. So I gave the number to fuckin Roy the Roach, and he was like Oh my Fuck! So from then, he was coming round here every week, and Norman Jay used to come round here, ken, and I didnt care, I was just looking for Northern. All this funk, seventies soul, I didnt care for it at the time, because I didnt listen to it properly, so I was A pound; fifty pence and they were going fuck, whats this, Leroy and the Drivers, fucking hell. And away they went.
  20. An old article from the late 70s. Originally in a fanzine called North Wales Soul Review in late 70s and republished in Soul Notes Fanzine 20 or so years later on North Wales Soul Review The following are extracts taken from issue No. 1 of the North Wales Soul Review which dates from January 1979. We think that this is the only issue that was produced, but if anyone has any other issues or can give us some background information on this fanzine please let us know. Thanks to Brian Rae for bringing this publication to our attention. What Happened In 78 (Author Unknown) 1978 was both a good and bad year for Soul Music in North Wales. After a long period of non-activity, Bob Brady started the Colwyn Bay all-nighters at the Dixieland Showbar. After a slow start these became very popular. Being held on Friday - Saturday they began to pull many from outside the North Wales area. Both the atmosphere and the music were appreciated and though both Soul Sam and Siz provided great times, much of the success can be put down to the local jocks - Benny, Pete Morgan, Mike Stoko and Gaz Jones. Although not as well known, they spun some great sounds. Alas, as things began to take off, the all-nighters were stopped. The official reason was a change of management, I wonder if we will ever find out the truth? 1978 also saw the birth of Bangor Soul Club. Started in August, nobody could have anticipated how quickly it would grow. By the end of 1978 its membership was just over the 600 mark. From the humble beginnings at the Library Hall, Bangor, it now has regular all-dayers at both Bangor and Llangefni plus regular weekly Northern nights at the Town Hall, Llangefni. The success of the club really became apparent at their second all-dayer when they brought together, for the first time in North Wales, a DJ line up that included Russ Winstanley, Dave Evison, Soul Sam and Siz. Apart from the music side, the club also runs weekly coach trips to Wigan Casino and there are plans for trips to Yate and Cleethorpes. During the latter part of '78, the scene was given another boost with the emergence of SNOB promotions. Putting on a Northern night at Rhyl Town Hall they brought, for the first time to North Wales, Wigan's top DJ, Richard Searling. Also they provided all-dayers at Prestatyn and Connahs Quay. Things are certainly looking up for the Northern scene in North Wales and, after such a long time of inactivity, that can only be good news. 2nd Bangor All-Dayer - December 7th 1978. (Author Unknown) The second all-dayer, held at the Bangor Technical College, proved to be a great success both in terms of attendance, which reached the 500 mark, and the atmosphere, which was missing at the first all-dayer. This could probably be put down to two things - the influx of Northern fans from far afield and the line up of DJs, which surely must have been the best ever assembled in North Wales. The local jocks, Les, John, Mike, Royston, Pete and Benny provided some good sounds ranging from Bunny Sigler to the Newbeats and in general the dance floor was kept full. Around 3 o'clock saw the arrival of Russ Winstanley who continued to pack the floor with all his big sounds. Russ was followed by Soul Sam who made an immediate impact by playing Bobby Paris - 'I Walked Away'. He continued to turn out his usual high standard of well knowns and newies. Eight o'clock arrived, and on went Siz to play his usual good sounds, including his No. 1 cover-up Suzie Stevens. The dance floor was really in full swing, and the biggest cheer of the day greeted the arrival on the decks of the one and only Mr Evison. Dave carried on through to the close with all the top class oldies such as Don Covay, L.J. Johnson, Eddie Foster etc. All in all quite a memorable day and I'm quite sure that the B.S.C. all-dayers are now firmly established. Rhyl Town Hall, 8th December, 1978 by Pete Morgan This was the first venue which had been arranged by Siz and Tony Just. Unfortunately this evening was poorly attended, therefore the nostalgic atmosphere which could have been achieved was lacking, although all those who attended thoroughly had a good time (I think). The evening started off with the Colwyn Bay all-nighter (ex) jocks Mick and yours truly. The music was quite well accepted even though the crowd was limited. Mick's playlist was a mixture suiting the fast stompers and the not so energetic dancers (like me!). The best records to his credit that night were John Bowie, Gerri Thomas, Chapter 5 and Stemmons Express apart from the more 'poppy' records e.g. Sue Lynne and Casino Classic crap (which were requested). 1 followed playing some Soul and then came Wigan's top DJ, Richard Searling. Up to this time the atmosphere was thin but when Richard started off with Betty Boo the atmosphere started to flourish and it became a great evening with Richard playing some brilliant Soul records, which are very much lacking in the present scene. His most popular records of the night were Joe Matthews, Velvelettes, Construction (alias Del Capris), Bobby Franklin, Delites, Randolph Walker, Vicki Baines etc. His spot was very much appreciated by everybody present and proved that Soul thrives in North Wales. Connahs Quay Civic Hall, 15th December 1978 by Pete Morgan After the coach drive, we dived straight in and got pissed and were followed by 60 others who all had the same idea! The hall was brilliant, (reminiscent of the Ritz), really SNOBBY. It was the type of place that you felt relaxed in. Siz started off playing his top records which packed the floor, then Benny, myself and Stoko had a spot which went down quite well. Then Soul Sam (alias Martin Barnfather) came on and played some incredibly soulful sounds, which were very much appreciated by the crowd. The best records of the evening, which Sam played, were Jay Traynor, Jackie Forrest (love it), Delites, Jimmy Burns, Larry Clinton, Tina Mason and the Bell Boys (c/u). Then, after Sam's great spot, Siz returned playing classics like Donna King and J.J. Calvier and usuals like Suzi Stevens, John Drevas (c/u) and Sue Lynne etc. After Siz came Tony Just who ended the evening by playing some great oldies e.g. Major Lance, Johnny Caswell, Tempos, Robby Lawson. 1 reckon that this venue was much more appreciated than Rhyl and had a better atmosphere (probably coz we were all pissed, especially Chigley!) Anyway that's the end of the reviews for now and don't forget that the most important thing in Northern is the word SOUL.
  21. Recently being hearing good thing about a event up in Bradford, called the Beehive. As with a lot of similar events, they look after the soul fan well, one feature is the free regular publication of a newletter, featuring news, playlists and so on. T... Tap to view this Soul Source News/Article in full
  22. Mike

    Buzz At The Beehive

    Recently being hearing good thing about a event up in Bradford, called the Beehive. As with a lot of similar events, they look after the soul fan well, one feature is the free regular publication of a newletter, featuring news, playlists and so on. Thank to Derek P have three from events this year, which give a far better idea of why the nite is getting good reviews " The Beehive could be called Son Of Wilton as our music policies are in line with theirs, a mixture of rarities, semi knowns from the 60s & 70s, some R&B, a dash of crossover and some class oldie" As with a lot of similar events, they look after the soul fan well, one feature is the free regular publication of a newletter, featuring news, playlists and so on. Thank to Derek P have three from events this year, which give a far better idea of why the nite is getting good reviews Next Beehive is on Saturday 28 July with guests Ronnie Pedley from York and Mick Howard from Heywood To the organisers and DeeJays - you know who you are -a great big thank you for providing another buzzing night at the Beehive - Great music, great people, great atmosphere . :-) Cant wait for the next one. Shirley Bradford Beehive - Saturday 26 May 2001 - Newsletter Three Once again welcome to another soul session down here at the Beehive, once again we have guests who know what soul is and arent afraid to play it. We hope were attracting the kind of people that want a bit more from their music than regular played out stuff. We could go really obscure and alienate all but the hard core chin strokers but where would that get us. Wed like this club to have longevity to be able to expose a wide range of tracks from the rare oldies to the up n coming next biggie. If you always do what youve always done - you always get what youve always got Tonights DJs "Intended Ten" - records theyd like to play but as all DJs know - what youd like to play and what you actually play are often 2 worlds apart. Roger Banks: Charmaine "Standing in need of love" (unissued); Kim Weston "Look my way" (unissued); Denita James "Wild side" (Flip); Paulette "Love you babe" (Contact); Jackie Wilson "Stop lying" (Brunswick LP); Jesse Johnson "Left out you bastard" (Old Town); Persians "Why you said lets get married" (Gold Dust); Mary Johnson "These tears" (Queen); Maxine Brown "In my entire life" (Epic LP); Leon Haywood "Consider the source" (Capitol). Dave Box: Paul Thompson "Special kind of woman" (Volt); Natural Four "Hanging onto a lie" (Boola Boola); Houston Outlaws "Aint no telling" (Westbound); Icemen "Its time you knew" (Ole 9); Otis Brown "Southside Chicago" (Ole); Patti & Emblems "Its the little things" (Congress); John Wesley "Love is such a." (Melic); Chubby & Turnpikes "I didnt try" (Capitol); King Diamond "Black woman" (Powerhouse); Johnny Moore "Cant live without you" (Jadan). Chris Shepherd: Whispers "Cant see myself leaving you" (Soul Clock); Ebonies "Im so glad Im me" (Phil Int LP); James Lately "Love friends and money" (Temple); Billy Kent "Take it all the time" (Expo); Sonny Till "I gave it all up" (Clown); David Dee "Message to you" (ICA); Minnie Jones "You get to me" (Sugar); Jimmie Ellis "Happy to be me" (Century City); Ann Bogus "Dont ask me to love again" (Statue); Nate Adams "Why is it taking so long" (Atlantic). Derek Pearson: International GTOs "I love my baby" (Rojac); Mill Evans "Why why why" (King); Gloria Scott "What am I gonna do" (Casablanca); Bobby Reed "Time is right for love" (Bell); Keni Lewis "Whats her name" (Buddah); Kenny Carlton "Lost and found" (Blue Rock); Enticers "Calling for your love" (Cotillion); Originals "Dont stop now" (Soul LP); Toni Basil "Breakaway" (A&M); The Caressors "I cant stay away" (Ru-Jac) on loan. Dave Guiry: Disciples Of Soul "Together" (Phantom); Syl Johnson "Ive got to get over" (TMP-ting); Vanguards "Gotta have love" (Lamp); Rosebuds "Say youll be mine" (Tower); Ray & Belaires "Blames on you" (ARV); Sonny Bryant "Grapevine" (Roulette); The Mark Five "Gone" (Sagport); Talmedge Armstrong "Gi Gi" (Spindle Top); Claude Huey "Drifting" (MIOB); Soul Notes "How long will it last" (Way Out). Tony Coleby: Irma Thomas "Good things dont come easy" (Chess); Jimmy Hughes "Neighbour neighbour" (Fame); Ben E.King "Dont drive me away" (Atco); Ron Holden "I tried" (Challenge); Bobby Womack "Tried and convicted" (Minit); Charmaine "Send my baby back" (Temple); Joe Simon "The girls alright with me" (SS7); Sensations "Lonely world" (Way Out); Clarence Carter "What was I suppoused to do" (Ronn); Juanita Williams "Baby boy" (Golden World). -------------------------------------------------------------------------------------------- ---------------- Potential Monster waiting to Explode. Last night I went to the New Beehive do in Bradford. Typical old style Northern venue in a cellar under a pub. Nice low roof and a sort of grubby feel that always works for Northern. The place is quite reminiscent of the Cats or LAmbassador. Spinners were Bob Hinsley, Derek Pearson, Dave Guiry and Roger Banks. I have to say that the overall quality of records played was very very good, and despite the line up hardly any out and out RnB stuff. For pure music content its the best night Ive been to for ages. Description of the March 24ths Beehive Session by Kevin Schofield aka Kegsy ----------------------------------------------------------------------------------------- -------------------- Bradford Beehive - Saturday 24 March 2001 - Newsletter Two Welcome to this fourth session of rare soul here at the Beehive in Bradford. Due to landlord Williams instillation of a new sound system (two brand new Technics 1210s and a sound system specially designed for the room no less) it will be like Woodstock without the hair. Thanks to the Wilton chaps for their previous loan of their equipment. I imagine this Cellar Bar to be just like the soul clubs in the sixties which originally kicked off this scene of ours. Dark, underground and reeking of that thing we call atmosphere. Small intimate clubs like this can warm up and reach boiling point quite quickly. The DJs are so close to the dancers we can smell them. So lets go for it. Lets dance like crazy and remember those days when we first started going out. Drink, dance and be merry. Enjoy yourself thats why youve left the house. Tonight youll see some real vinyl heavy weights behind the decks - once again we put the DJs under pressure and ask them to name records they intend to play. This evidence has been documented for future use. Bob Hinsley: Skull Snaps "Didnt I do it to you" (GSF); Psychodelic Frankie "Putting you out of my life" (Hi Speed); Betty Everett "My love to lean on" (Sound Stage 7); Richard Caiton "Take a hold brother and sister" (Up Tight); Bobby Rich "Theres a girl somewhere (for me)" (Sambea); Gladys Tyler "A little bitty girl" (Decca); Tommy Turner "Lazy" (El Bam); Ree Flores "Look into my heart" (M&H); T.C.Lee & Bricklayers "Up and down the hill" (King); Wayne Anthony "Blow me a kiss" (Walana). Roger Banks: Bradford Beehive Basement Biggies Mill Evans "Aint you glad" (King unissued); Vernon Garrett "Im guilty" (Kent unissued); The Dells "You belong to someone else" (Cadet); Mack Starr & Mellows "Drifting apart" (Cub); Jimmy Ellis "Putting it on your mind" (Salem); Beverley McKay "Say it with feeling" (Old Town); Milton Grayson "Your old standby" (Derby); Gene McDaniels "Hang on a little bit longer" (Liberty); Billy Barnes "Until" (Liberty); Larry Laster "Thats just what you did" (Duo Virgo). Andy Dyson: David Rhodes "Hung up in mid air" (Chi City); Doc Oliver "Going through a change of love" (Lucky); Jackson Brothers "Ive got to hear it from you" (Providence); Bobby Patton "Keep calling me" (Hilton); Winfield Parker "I love you just the same" (Rujac blue); Bobby Montgomery "Make me yours" (Generation); Mathew Brown "Love me just a little bit" (Sew City); Mary Wheeler & Knights "I feel in my heart" (Atom); Turbines "We got to start over" (Cenco); Homer Banks "Sweetie pie" (Genie); Exceptionals "Baby you know I need you" (Groovey Grooves) Derek Pearson: Moses Dillard "Ill pay the price" (Mark V); Little Dooley "If ever I needed you" (Ko Ko); Jackie Edwards "I feel so bad" (French Vogue EP); Johnny Gilliam "Roomfull of tears" (Cancer); Jack Montgomery "Take a chance on me" (Revue); Soulful Twins "I cant let you go" (Sable); Irma & Larks "Without you baby" (Priority); Tommie Young "Hit and run lover" (Soul Power); Willie Hobbs "Till I get it right" (SS&); Otis Leavill "Keep on loving" (Columbia); Duke Turner "Babysitter" (Spinning Top); Shirley Lawson "One more chance" (Backbeat). Chuddy: Detroit Spinners "I just want to fall in love" (Atlantic); Elvin Spencer "Lift this hurt" (E.S.Cozy); Little Dooley "Its got to be now or never" (North Bay); Exsaveyons "I dont love you no more" (Smoke); Modulations "Your love has me locked up" (Buddah); Ruby "Decieved" (Gold Token); J.J.Barnes "Got to get rid of you" (Volt); Major IV "This little girl of mine" (Venture); Creations "Footsteps" (Zodiac); Ella Woods "I need your love" (Margin). Tony Coleby: Sylvie Varton "Ive made my choice" (RCA) courtesy of Ron Ped; Rosetta Johnson "That hurts" (Atlantic); Charmaine "Send my baby back to me" (Temple); Vicky Anderson "Wide awake in a dream" (Deluxe); Joanne Garrett "One woman" (Duo); Jimmy Ruffin "Boy from Mississippi" (Chess); Barbara Lynn "Dont spread it around" (Jamie); Bobby McLure "Dont get your signals crossed" (Checker); Billy & Essentials "Baby go away" (Smash); Margo Thunder "Mama youre alright with me" (Haven). Next session at the Beehive will be on Saturday 26 May - DJs so far confirmed include Frobishers finest Dave Box and Chris Shepherd the man with a Rochdale FC season ticket. ----------------------------------------------------------------------------------------- Beehive Saturday 27 January 2001 Newsletter One Thanks for coming tonight and we hope you enjoy yourself, you might hear some music that goes straight on your wants list, then again you might hear some stuff you think is rubbish, hopefully youll hear some different things. And thats what its all about. Keep it moving forward. If you can get the right people in the right club anything is possible. Read any fanzine and when they talk of progressive venues the same 3 names always crop up. The 100 Club, Albrighton and the Wilton. Think how proud Chris Pelle and Mouse must be for flying the flag up north for so long. The Beehive could be called Son Of Wilton as our music policies are in line with theirs, a mixture of rarities, semi knowns from the 60s & 70s, some R&B, a dash of crossover and some class oldies. Just as the scene needs large venues catering for the big attendances of 500 to 1000 people we need smaller more intimate clubs like this. The larger clubs generally have spacious dance floors which need filling or the promoters panic. This can limit the DJs choice of music as oldies dominate to fill the floor. At smaller clubs DJs can be more creative by taking chances and gambling. These tiny venues are like seedbeds where the forgotten and over looked sounds from yesteyear can take root, before spreading out like ripples on a pond to mass acceptance. Tonights twenty pound sound youre hearing could be next years hundred pounder. Tonights DJs "Intended Ten" - records theyd like to play but as all DJs know - what youd like to play and what you actually play are often 2 worlds apart. Roger Banks: George Cameron "My heart tells me so" (Portrait); Douglas Banks "Aint that just like a woman" (Guyden); Lamont Dozier "Your dearest one" (Melody); Willie Jones "Wheres my money" (Mister Peacock); Joe Arnold "No clouds in the sky" (Two Spot); Bobby Guy "Good enough" (APT); Azie Mortimer "Lips" (Big Top); Jimmy Wallace "Ill be back" (Alpha); Lost Souls "Secret of mine" (Raven); Jimmy Merritt "Ill forget about you" (Crackerjack). Steve & Heather Dowling: Deena Johnson "The breaking point" (Wild Deuce); Barbara Redd "Ill be alone" (SPQR); Blue Jays "Point of view" (Jay); Escorts featuring Goldie "I cant be free" (Coral); Eskew Reeder "Undivided love" (Instant); Chuck Wright "Love I wont be your fool anymore" (Ember); Jean Trevor "Get outta my heart" (Norman); Garland Davis "Dont worry about dancing for me" (Kick Off); Marv Johnson "With all thats in me" (U.A.); Kenny Lewis "Whats her name" (Buddah); Eddie Bo "Lucky in love" (Bluejay); Demures "Raining tear drops" (Brunswick). Ron Pedley: Tony Clarke "Love must be taboo" (Fascination); The Fenways "The fight" (BlueCat); Mousie & Traps "How about you" (Toddlin Town); The Butler Bros "Reputation" (Academy); George Freeman "Why are you doing this to me" (Jay Boy); Johnny Moore "Cant live without your love" (Jadan); Bill Spoon "The one who really loves you" (Hense Forth); Jackie Forrest "Show me how to love" (Platinum); Nate Adams "Im gonna be good" (Atlantic); The Golden Boys "I dont want you no more" (Mainstream). Dave Guiry: Ray & Belaires "The blames on you" (ARV); Dynamics "You make me feel so good" (RCA); Sammy Bryant "Grapevine" (Roulette); Talmadge Armstrong "Gi Gi" (Spindle Top); Cynthia & Imaginations "Is there anyone" (Magic City); Pauline Shivers "Tell him no" (Opex); Sinceres "Girl I love you" (Pzazz); Stereos "Dont let it happen to you" (Val); Continental Showstoppers "Not too young" (SS7); J.J.Daniels "Mr Lonesome" (Sureshot). Derek Pearson: Choice Of Colour "Your love"(Apt); Maxine Brown "Let me give you my loving"(Wand); Clarence Hill "Whole lotta loving" (Mainstream); Rose Brooks "Im moaning"(Soul City); Stewart Ames "Angelina" (J&W); Vanguards "Good times bad times" (Lamp); Connie Laverne "Cant live without you" (GSF); Ray Pollard "This time"(Shrine), We The People "Making my daydream real"(Lion); Jesse Boone "I got to love" (Soul-O-Potion); TSU Toronadoes "I still love you"(Ovide) Tony Coleby: William Hunt "Would you believe" (Stream Side); Tom Emanuel "Why the knower" (Golden Three); Willie Harper "But I couldnt" (Alon); Troy Keyes "You told your story" (ABC); Sonny Daye "Long road to happiness" (Power); Jimmy McFarland "Lonely lover" (RPR); Gino Washington "Like my baby" (Mala); Clyde McPhatter "I never knew" (Mercury); Originals "Ooh you put a crush on me" (Soul); Tobi Lark "Happiness is here" (Topper). We must be doing something right as DJs have now started asking us for guest spots. Thanks to all the above DJs for their time & effort and to the Wilton for loan of their equipment. Next Beehive on Sat 24 March features the DJing talents of Mister Bob Hinsley Review of The Beehive, Bradford 28 October 2000 by Dave Rimmer in Soulful Kinda Music issue 44 (Dec 2000) "What a wonderful venue this is; a pub cellar bar with a low ceiling, dance floor at one end and lots of little alcoves with seats and tables at the other. Music policy was clear from the line up, Roger Banks, Andy Dyson, Dave Rimmer, Derek Pearson and Tony Coleby. Sixties newies, R&B, a few seventies and some class rare oldies. A crowd of about 150 turned up and enjoyed themselves so much that the landlord actually let it run over by half an hour. Recommended if you live anywhere in Yorkshire or even further afield". Mark Hanson also gave Octobers Beehive a good write up in Soul Up North #31. Derek Pearson 26/1/01 A previous club at the Beehive was called The Underground Set - neat little name me thinks. ------------------------------------------------------------
  23. A old article from the late 70s. Originally in a fanzine called North Wales Soul Review in late 70s and republished in Soul Notes Fanzine 20 or so years later on Tap to view this Soul Source News/Article in full
  24. Ronald McCoy - Come Back Boo -Spotlight Tap to view this Soul Source News/Article in full
  25. Ronald McCoy - Come Back Boo Keeping things up todate, have had sent in a sample of what Ronald McCoy (Ex-Topics) is up to nowadays. Track showcased here is called Come Back Boo written by Ronald McCoy and Andrew Hamilton (song writer and article writer with articles featured in AMG , SKM, Soul Source and elsewhere) Andrew H asked me to put it up just to see how it goes, Ronnie is looking for a possible deal and the song is open for recording by others. Have similar quality tunes available. Anyway - have a listen, and am sure a bit of response/reaction using the comments feature will be well appreciated by Ronald and Andrew who have been involved in some great sounds. Agent 22 and Deer Foot Music B.M.I. Agent 22 Music (B.M.I) PO Box 604118 Cleveland OH 44104 216-299-8809 fax number: 760-875-7292. BkAgent22@excite.com Agent22@writeme.com above repaired/updated 2019 - video clip below added


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