Mike
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Everything posted by Mike
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anyone like me starts off with all the best intentions in the world fast forward 10mins and cleaning it along lines of the sunday pots and pans
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as it says may be a brief slowing up before going down
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joe dunlop is after MARY LOVE-LAY THIS BURDEN DOWN-STATESIDE anyone help get in touch with him via JOE DUNLOP GLENAVON HOPE MOUNTAIN WREXHAM LL12 9HF TEL : 01978 761739 MOB:CAR 07748714718 MOB 07546666078 : joedunlop@btinternet.com
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here are sainsburys ? https://www.uktvadverts.com/Home/Search.aspx?search=sainsbury
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anyone catch this recent radio doc on bbc radio not avail now just wondering if it be worthwhile listening when re-run Pam Grier, star of Coffy and Foxy Brown, takes us back to the cinema of the 1970s, when a type of film emerged that featured all-black casts, great soul, R'n'B and jazzy soundtracks; and characters sporting big afros, and even bigger platform shoes, shooting their way across our screens. Pam celebrates these films with the funky soundtracks and interesting stories that were given the unfortunate name of "blaxploitation" movies. She considers their musical legacy, and their wider impact, particularly in terms of the film roles that were available to black actors before and after that period. These films depicted a reality about the world which African-American audiences could identify with, even if the stories themselves were pure fantasy. Wildly colourful ghetto garb, drug and sex scenes, extreme (if often cartoon-like) violence, classic soulful scores (Curtis Mayfield, Willie Hutch, Isaac Hayes), and touches of black nationalism are the still irresistible trademarks of what became known as "blaxploitation movies". The films created a whole music genre that followed the release of the film Shaft. The films often gained success from their soundtracks rather than their plot-lines; and the music stands alone as a testimony to some very funky producers. Almost every major artist of the day did a film score for these movies. After Isaac Hayes led the way with Shaft, Curtis Mayfield followed with Superfly, Marvin Gaye with Trouble Man; then James Brown, Bobby Womack and Edwin Starr got in on the act. Contributors include Quentin Tarantino, Samuel L Jackson, Joel Freeman, Jorge Hinosa, Ashley Walters, Gloria Hendry, Dennis Coffey, Scott Bomar, Lalah Hathaway, Mathieu Bitton, Mary Ramos, Lawrence Bender, and James Hyman.
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Series exploring the life and career of soul artist Curtis Mayfield, previously broadcast on Radio 6 Part 1 was broadcast last Monday, but you can still catch it on the BBC iplayer if you are quick. Part 2 this Monday at 23:30 on BBC Radio 2 Move On Up 2/4. Exploring Curtis Mayfield's life and career throughout the 1960s and 70s. link for Part 1 below www.bbc.co.uk/iplayer/episode/b00q2qlb/A_Man_Like_Curtis_People_Get_Ready/ BBC Series info Lenny Kravitz, a life-long fan of Curtis Mayfield's music, celebrates his life and musical achievements. Curtis was a prolific songwriter whose career was sadly cut short following a tragic accident in August 1990; which eventually led to his death at the age of 57 on 26th December 1999. His songs of love and peace influenced millions, and he was an inspiration to many music luminaries including Bob Marley, Jimi Hendrix, Bruce Springsteen, Stevie Wonder and Aretha Franklin. The first episode, People Get Ready, concentrates on Curtis' early musical influences from 50s to 65: gospel beginnings, writing songs for Jerry Butler, and early Impressions' hits. The subjects of his songs ranged from simple, tender love songs to broadsides demanding social and political equality. As a songwriter and a producer, Curtis was a key architect of Chicago soul, penning material and working on sessions by notable Windy City soulsters including Gene Chandler, Jerry Butler, Major Lance, and Billy Butler. Mayfield was also an excellent guitarist, and his rolling, Latin-influenced lines were the highlights of The Impressions' recordings. Early on, he established his own publishing company and soon after that, his own independent record companies, Windy C, Mayfield and Curtom Records. Part 2 In the 1960s, Mayfield's songs were taken up by civil rights movement and in 1970 he began his solo career with (Don't Worry) If There's a Hell Below We're All Going to Go.
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just seen a few on travels and got me thinking there were cassette only type releases, got a few soul related ones somewhere so just sort of lazily wondering if there were ever similar or maybe extra tracks added (like cds today )
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throwaway thoughts think the heyday was before my time dont think ever seen one in action but was just wondering did the releases always mirror identically the actual vinyl release as in the tracks on them ?
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just been watching/listening to a earlier show with smokey robinson as guest great format of the show they have some scoff. bit of talk about recollections, background of song and that sor t of thing like his story about meeting ray charles in early days before playing well worth a visit if after some enjoyable lazy sunday viewing/listening smokey episode here https://www.livefromd...x.php?page=ep22
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any record shop owners like to pass on current views do any embrace all this download technolgy ? would/could a shop offering legal downloads for sale on other media be legit in uk ? as guess theres a lot of people out there on high street uk who may not be up to speed with a lot of the geek stuff
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includes a live performance of recently talked about storm warning - can browse performances on the right https://www.livefromd...x.php?page=ep27 Eli "Paperboy" Reed and Alan Gorrie Daryl Hall and Boston singer/songwriter Eli "Paperboy" Reed, who is about to release his Capitol Records debut, Come and Get It, immediately discovered they had something in common before joining together for the 27th and latest installment of LFDH. As a special added attraction, Average White Band's Alan Gorrie sat in on bass, helping Daryl and Eli cover one of the group's biggest hits, "Pick Up the Pieces." Both Daryl and Eli are stone soul music freaks, with Reed's odyssey taking him from a preternaturally mature teenage R&B shouter from a Boston high school to a Mississippi Delta juke joint, from Sunday morning gigs behind the organ at a tiny South Side Chicago church to headlining the coolest clubs in Brooklyn with his red-hot band, The True Loves. In this episode Daryl and Eli collaborated on a set that includes a cover of Hall and Oates' "It's Uncanny," from their 1977 No Goodbyes "hits compilation" for Atlantic Records and legendary Philly street corner band The Volcanos' "Storm Warning," an H&O outtake originally intended for the 1990 album, Change of Season, now included on the recently released Sony Legacy box set, Do What You Want, Be What You Are. The performances also includes the Reed originals, "Take My Love With You," "I Found You Out," "Pick a Number" and "You Can Run On," and covers of AWB's "Pick Up the Pieces," Don Gardner and Dee Dee Ford's "I Need Your Loving Everyday," The Falcons featuring Wilson Pickett's "I Found a Love" and Chicago soul duo Mel and Tim's "Starting All Over Again," a song covered by Daryl and John for their 1990 Change of Season album.
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quick ways to check is compare the lyrics house for sale - not many male housewives back then compare the singing dunno the word for it but the sort of ups and downs, groans, moans, shouts etc they can change the pitch but cant change the content without a lot of effort
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there is a website somewhere which is all about uk adverts think it lists all the tracks used cant remember the name or url but google may show it may help if does let us know how ya get on mike
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two of her velvet outings are in refosoul here the in demand I've Been Looking and Where were you https://www.soul-sour.../deloris%20ealy there's a few others on velvet - google should show meself be interested in a full velvet label listing inc lps if anyone has one 2 duplex 45s can be found here
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If your hero Butch had this track would you be pulling stroke's like this ... I DON'T THINK SO !!! so pack the fu*ker up !!! hopefully see you soon . Carl Fortnum . View the full item
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no probs just been wondering why people goto another site when clips are already up here
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can you drop using the big bold text, its hard to read if you have problem reading the site, on your browser there should be a zoom feature (under view)
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whats with the youtube link ? up twice in refosoul /more/soul-library/louis-paul-the-change-will-do-you-good-intro /more//louis-paul-the-change-will-do-you-good-0
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seen this pop up a few times over years so using the lightening fast refosoul live search ( ) got three of the ones discussed LISA MAY - IVE GOT A JUICY MOUTH BABY - MICHAEL CHRISTIAN - IF I CAN'T HAVE YOU - CONCEPT - CODY MICHAELS - 7 DAYS 52 WEEKS - anyone throw up the other two mentioned ?
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The Internet, Social Networking Sites And The Northern Soul Scene
Mike replied to a topic in All About the SOUL
compare ? myself would say most certainly not its just a internet site made up of various features as with a lot of internet it reflects the real world -
last shout for both comps!
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The Internet, Social Networking Sites And The Northern Soul Scene
Mike replied to a topic in All About the SOUL
post and reply removed no need for personal abuse -
a kick up for the evening shift