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12 points
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10 points
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9 points
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9 points
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There is a lot of fantastic unissued stuff being put out by some very knowledgable people. the record discussed here is a weak pop song that shouldn’t get anywhere near a soul set9 points
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King Supply and Elijah unequivocally sound the same song. They have the same Pick-A-Hit release number; P-15 and the same flip sides, 'love eurydice'. I always assumed that King Superfly and Elijah were the same person. The Pick-A-Hit releases have female backing throughout the song, unlike the Bobby King on Lunar, which has no backing singers. I like Andy's supposition that King Superfly is a play on Bobby's surname and all three releases are the same person. The lead singer certainly sounds the same on all three releases.8 points
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8 points
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I was going to post a review but I'm always aware that involvement in the event can be rightly seen as bias...never my intention but then a review by a much respected legend of our beloved scene was shared with me . . I don't do Facebook so for those who haven't seen it this is what Dave Evison had to say about his first visit to Ashton (unsolicited and much appreciated) Just got back to Stafford after a truly superb night at the Ukranian.Our first visit...in fact I think the last time I was in Ashton was our regular monday night at Tiffs in the mid 70's! So many friends I literally hadn't seen since then! Right crowd,venue and sounds...right up my street...Chris even played my all time No1 60's "newie" for me...The Fascinators "In other words". Sarah and I pick and choose specific gigs to attend now and ok sometimes we don't go out for a month, but I think I've served my apprenticeship since 1967, so the days of djing every weekend somewhere in the UK...indeed every night of the week in Gtr M/cr in the 70's are over! No regrets, I'd do it all again...if I was in my 20's!!...Its specific nights like last night and a very similar offering at our other "never miss" venue,the wonderful Electric Club in Wolves that keep us in touch with the Northern scene now and we're in our absolute comfort zone! I did get one or two asking me what I was doing there...but in a genuinely "shocked, but nice to see you after so long Dave way!" My friends know that with my role on the scene as an Oldies dj I was typecasted! I was always delighted to do it, but ever since the Wheel on a personal note, dancing has always been foremost for me, albeit I can only manage one tune at a time nowadays!! I was bleedin' knackered last night but very happy! I don't profess to even knowing many of the newies let alone ever having owned them! I may have retired from treading the boards....but I couldn't imagine life without this soul scene and I dearly hope it continues! Special mentions for our lovely friends Penni Raith and Stuart Raith for reccommending it and getting us there and back....you were dead right about the Ukranian Club...wonderful!7 points
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The Lenny and the illustrators is obviously brilliant and I'm fascinated by the debate. It raise so many ethical questions, personally I'd sooner people pursue a naturally developing sound through dancefloor reception than trying to recreate a mythical golden age through technology.7 points
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Sorry, never been into "tailor made" stuff, that includes the "back in the day" Mecca stuff, obviously back then the technology wasn't there, but same intentions, depends on your perspective I suppose, but hearing, or finding something you haven't heard before, and there's still a bottomless pit, from the "US ghetto,s" is an unbeatable experience, but, horses for courses, just an honest opinion Kev7 points
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7 points
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Hi Troy just to let you know your Dads recording of Think it Over has brought happiness to thousands of us on the Northern Soul Scene a thousand times over for decades and still does, Make sure you tell your Mother that we really appreciate that and he will never be forgotten, I’m sure your family is really proud of him I know I would be. Mick Lyons7 points
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I like so many types of soul music to pick one tune but from a Northern aspect this track sums up the whole package for me it's got attitude, thumping beat a great lyric and sung to perfection - " I,m Gone" Eddie Parker , never tire of hearing it.7 points
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Love this small club but everything else about it smack of a niter, the crowd, the music the Djs, fantastic. Angie and myself had a great night although I didn't think we'd make it after exhaust troubles on the way. AA soon on the scene, took the back box off and said on yer way All in about 30 minutes. We arrived to a full house which is often the case here. Missed my mate Simon because of said car troubles but there was a packed dance floor to Bob Hinsley and Robbo. So good to see Bob playing some records in a venue again and I hope it's not too long till he does it again. All the Dj's did the business, even had myself on the floor a few times. Baz Maleady doing what he does best, Matt bringing that hard edged niter sound to the Ukrainian and Chris Penn rounding the night off with some big hitters. Was great to catch up with so many., some I've not seen for ages, sat on the stage and had a good chat with Dave Evison who still seems as enthusiastic as ever. Great night, see you next month.6 points
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6 points
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Press Release: Tearra “Just Loving You/Teeah-Louise You Happened To Me “ SJ558 Release Date: Monday 25th November 2024 Tearra’s “Just Loving You” on it’s original U.S Midtown label due to its quality and desirability continues to regularly achieve four figure sale prices on the rare occasion that a copy comes on to the open market. Soul Junction through a licensing deal with Emandolynn Music first reissued this modern soul anthem back in 2017 as part of a dual 45 package that included the previously unissued Delights track “Listen To Me Girl” with the limited 500 copy pressing run selling out in a matter of days. Since then, copies of that Soul Junction release have regularly sold for circa £60 a copy with sales enquiries still being received for either side of this 45 to this day. Therefore, we at Soul Junction have decided to fulfill this continued demand by reissuing “Just Loving You” for the second this time paired with Teeah-Louise’s “You Happened To Me” as the featured flipside. Tearra, real name Teeah-Louise a native of Mobile, Alabama was offered a recording contract by Philadelphian Record Producer/Label Owner Manny Campbell Jr during 1980. Campbell himself had relocated his Emandolynn Music operations from the city of Brotherly Love to Atlanta, Georgia some two years earlier. Campbell had planned to record a whole album on Teeah-Louise under the working title of “Great Love”. He firstly released a lead 45 single, the mid-tempo “You Happened To Me/Got To Keep You Mine” on his Coastal label logo with the artist credited as Teeah-Louise. Teeah’s fiancé didn’t share his future wife’s ambitions of a recording career and her prospective album project faltered and was never completed. Although as a further two tracks had been recorded this allowed a for second 45 release to follow “Ooh Let This Feeling (Last A Long, Long Time)” backed with the desirable “Just Loving You” these were released on the Midtown label, with Midtown by then being Coastal Records main record distributor. This second release was credited under the artist name of Tearra, due to Teah-Louise by now not wishing to use her real name. Both the Coastal and Midtown releases were only ever pressed in 500 promotional copies runs. Teeah-Louise left the recording business for good soon after her marriage. In addition, a later 12” Coastal Records single issued on the group ‘Tomorrows Wish’ featuring the song “My Love For You” which shares the same backing track as Tearra’s “Just Loving You”. All four of Teeah-Louise’s songs were wrote by Manny Campbell, with Manny sharing the songwriting credits on “Ooh Let This Feeling (Last A Long, Long Time)” with his cousin, Keith “Toppie” Hill notably a former group member of the aforementioned ‘Delights’. For further information e-mail: sales@souljunctionrecords.co.uk or visit https://souljunctionrecords.co.uk/SJ558.html6 points
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Certainly wasn't bootlegged in the 70's, if the boot is missing something probably because they didnt have real copy to copy from,my copy came from the only known hit on this record back in the mid 90's, 6-10 copies all unplayed from a San Francisco record shop6 points
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OK, I've checked out the copy of 'Good News' that came from the Ebay Seller discussed and I can't see any difference at all. However that and the others that have been sold on the site were pressed at at least two different European plants, not the dodgy UK one responsible for the later over-presses. I think it's unlikely that anyone could have re-pressed from the masters, the labels would have had to have been identical too. I'm flummoxed. Hopefully the seller has accumulated some over the years and is flogging them off, which is also unlikely. I think we're talking about relatively small numbers though and only a few titles - time will tell. Maybe I'll pop round and ask them next time I'm up. The titles that were over-pressed are - I think Smith Brothers Lorraine Chandler Sandra Richardson Nancy Wilcox Also the Classic Example is the only one I know definitely was but because I marked them they haven't appeared on the market.6 points
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The Grumpy takeover soul events at Culcheth are always a bit special and this was no different. Exceptional music, an appreciative crowd, and a packed dance floor. And with that undefinable feeling of being somewhere special. In addition, we have the fabulous option of being able to visit the modern room, and for those of us who like 70’s and bit of 80’s, this is a real bonus. It was great to see the legendary Soul Sam in attendance. We arrived early doors, JumpinJoan and Phil Threlfall appeared to be double decking in the main room. Some fabulous tracks to warm up the dance floor; The Cairos, Al Gardner and the incredible Spidells “Pushed Out of the Picture” Ady Potts was up next and playing a current favourite, The Four Voices, followed by Donna Coleman and The Ideals “Mighty Lover” Steve Plumb was gracing the decks in the Modern room, educating and entertaining with a few funky album tracks: Mandril “it’s So Easy Lovin’ You” and Ronnie Butler & The Ramblers “Peace Without Love”. Followed by a few nice mid-tempo grooves that wouldn’t be out of place in either room: Nate Evans “This Time with Feeling” and Jimmy Mack “A Woman is So Hard to Understand”. Back in the main room Joan was spinning to a packed floor. A couple of epic dancers that won’t require a second mortgage to own, Sandra Richardson “Stay Here with Me” and The Dramatics “Your Love Was Strange”. And a track guaranteed to fill the floor The Delegates of Soul. Charlie Smith was in the very busy modern room, with his box of wondrous stuff: Flowers “For Real”. James Brown “You took My Heart” (want one of these) and Fluorescent Smogg “All My Life”. Nick McKinnon took over from Charlie, kicking off with a mellow Rufus & Chaka “Stop on by”. Carl Fortnum played The Tempests (Bobby Paris ) and Rudy Love earlier in his set. Playing a bit of 60’s blue eyed with Joey Hetherton “When You Call My Baby”, as I re-entered the main room after 11pm On next in the main room was Phil. A superb set that included The Martells, the classic oldie, Paris and the irrepressible dancer Jesse Davis “Gonna Hang on in There Girl”. It was also great to hear Willie Kendrick “Time Changes Things” being played out. Ady followed with his second set, if memory serves kicking off with the Admirations, and concluding with the classic sounds of Tamla Lewis and Al Williams. In the modern room Bill was playing smooth modern dancers: Dexter Wansel “The Sweetest Pain” and Mary Jane Girls “All Night Long” among others to an appreciative crowd. Carl came on for his second set at 12:45 in the main room. And played for me what is the greatest Northern Soul dancer of all time. The inimitable Eddie Parker “I’m Gone”; wild horses wouldn’t keep me from the dance floor when that is played. Followed by Jacky Beavers and Herman Lewis. Alas we were unable to stay until the end. But a big thank you to Baz and the team for a fabulous night of quality music in both rooms. I was moving between rooms, dancing and chatting, so it's possible I have assigned the wrong tune to a particular DJ. I think I got It right, but apologies if that is not the case.6 points
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It's not AI. It's "Castle In The Sky" by Sign Of Leo: It was copyrighted on 5 October 1970: Exists as a white label 7" promo/test pressing: https://www.discogs.com/artist/6841520-Sign-Of-Leo And is also available on a compilation LP from 1971 called "Al Robert's Revue" that showcases the songwriting talents of Ron Hackling and the acts that appeared on this obscure New Jersey "revue": https://www.discogs.com/release/15643323-Various-Al-Roberts-Revue More info: https://www.strangedigs.com/the-al-roberts-revue Ron Hackling co-wrote The Mark V's harmony garage-pop nugget "I Want To Say" on the Blast label: Hackling seems to have been involved with The Duprees (a.k.a Italian Asphalt & Pavement Co / I.A.P. Co.) in some way as well, turning up as producer and co-writer together with Tommy Petillo on a few late tracks. There's quite a bit of latter day footage of Ron Hackling performing on YouTube.6 points
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6 points
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Here are the words Johnny posted on FB in 2018 "If Only I Knew Then.. In 1976 as a naive wannabe, I was combing the USA trying to find Northern Soul to bring back to the UK. It was hard back then to make a trip profitable, if didn't pay dividends I couldn't see how I could afford a return trip.. The record were there, my knowledge wasn't.. I had made contact with a Beatles collector in Miami by the name of Rich Ulloa. he had just purchased a rare Beatles related 45 off me. A Tommy Quickly - Tip Of My Tongue - a Lennon and McCartney composition 1963 UK press in Mint unplayed condition. He was a very happy Fab 4 boy, so he said if I get to the states drop by, he knew a few places I may find some records.. that was the biggest understatement of my life. When he took me to a store where the guy had moved down from Chicago with 3 trucks loaded up with Vee Jay 45's and LP's. He used to be a Vee Jay big shot, he thought he would retire in Miami and sell the records he had accumulated within the business.. It was a huge beach front store full to the rafters with sealed albums; the 45's were in the back, a labyrinth of rooms racked up with 45's. Maybe 250,000 or more. Problem was the owner was in hospital having heart surgery, but the lady manager liked my accent so she said sure go dig around, but be careful it's a mess back there (another understatement) The owner had used the rooms as a clutter-tipping point. Bicycles, Fridges, Mops, buckets, Bread bins, mixers, boxes of clothes, shoes, and every other defunct household item you care to mention. His lifetime of jumble and chaos blocked access to the first 8 shelves all three sides of the all the rooms, so I had to climb over his detritus to start looking at the top 3 racks.. I only had 3 days before I flew home... What a dick-head! I should have emptied each room and thoroughly looked at every record. But I was young, excited and knew just about nothing about doing a serious job on such an overwhelming load... worse than that time there was very little on Vee Jay 45's, other than Fred Hughes, Betty Everett that was a Northern Soul wanted 45 at the time. So I concentrated on labels like St. Lawrence, Champion, Exodus.. I scored like a pig. Tainted Love promo's, Batman At The Go Go promo's just a ton of stuff. I was really pleased, all mint, all 50 cents each. Richie was super pleased too, I found a handful of Beatles Vee Jay EP's promo's in picture covers. I let him have (ffs) as I had no interest or knowledge of other priceless records at the time.. a moment that will stay with me forever.. at the very end of the building was a side wall about 8 ' by 8 ' just full of one title on Tollie.. thousands and thousands of copies of yellow label Sam Fletcher's. I didn't know the title so I played it. Thought it was ok but far too slow for a Northern Soul tune. I ignored them and went back to clambering around on the junk, randomly pulling out hand fulls of accessible 45's and finding a few I wanted, every so often. I went to Miami Airport chuffed as hell with my finds.Amazingly my local competitor Rob Lythall of Leicester was in the same airport lounge after a holiday.. I couldn't wait to waft a few St. Lawrence promo's under his nose.. totally cruel but gave me a strange warming feeling inside... Then when I got home, I reflected on what a crap job I did sifting through, this once-in-a-lifetime vinyl hoard... so I rang Richie and said I'd like to come back and do the job properly, clean each room out of junk and see the 80% I couldn't get at. Then the bombshell was dropped, the Vee Jay man never recovered from heart surgery, the shop closed and nobody knows where the records went to.. I was gutted, Richie was gutted .. we lost contact and I never saw Richie again .. But I can tell you, those 3 days still haunt me today, that indelible shining vision of wall to wall of Sam Flecther's ... we all know that record-dealer hurt that strikes all to often when you reflect back upon your mistakes, due to inexperience and haste. PS if anyone knows which "dump" those records went to, me and Richie would love to know.. apparently none of those records, ever turned up again.."6 points
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6 points
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Well My father was a great great vocalist it was many times that I would often hear that he was one of the most underrated singers of his time due to his addiction he was a man with a great heart and that loved his family and from his humble beginning to today's Sutton rise in the music industry everyone who really knew him knew that he was going to be able to carve out a great career for himself one thing I wanted to do I wanted to figure out how we can extend his legacy so today's population can get to know what a wonderful singer in person Sam Fletcher was6 points
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Yes, i rate Ashton Uky as a 5* function because quite simply, IT IS!. Shirley and me weren't the only contingent from " the noisy neighbours over t'hills " and i dare say a few more from elsewhere that dont originate in the red rose county. Nevertheless, likeminded folk congregate where the music is best....thankfully Chris Churm's magnet dosn't stand on its own otherwise, we'd never get in, it would be packed out solid. As it is, its always busy...and yes, folk tended to trickle in, initially, which turns to a torrent after an hour or so. We got in from before the off, got seated and then prepared...never to disappoint, this place..great atmosphere, cosy, friendly faces, lots of socializing and done in a manner as ive remarked previously, very reminiscent of Shropshire's legendary Lee Manor Hotel...its deja vu....dancers in seated area, chinstrokers/beer drinkers/crate diggers/gum chewers and general cogniscenti to the rear ( or in the Uky's case, dog leg right ) some records dont get a response...many do BUT....ALL are recieved with approval and applause...no dj is left feeling apprehensive if they don't see people moving.....its a very familiar scenario...just like 25 years ago back at that place run by Martin Bradley & Co. AND thats another thing Chris believes in: constant rotation of guests...BUT not always the same and infact, the emphasis very much on getting dj/collectors in there who will keep on offering up original and different playlists. It goes without saying, Grumpy comes with exactly the same mantra and type of dj hence, anyone missing this episode MISSED OUT. Phil D, Ian Wills, Joan, Tim, Phil T and Chris put on as good a session boasting quality tuneage that beat anything else going, on Saturday night...there's no issue with bog standard, this is purely and simply about making sure the tradition of offering folk an alternative to the run of the mill, is upheld. I couldn't fail to recommend this venue and its music to anyone, the advertising screams DIFFERENT at you and Mick Howard puts in a fantastic shift pushing it too. Well done to all concerned and long may it continue Ian Wills playlist: Emmanuel Last - Peace Loving Man / The Temptones - Girl I Love You / Danny Woods - You Had Me Fooled / Otis Lee - Hard Road To Hoe / Pat & The Blenders - Just Because / George Kirby - What Can I Do / Jo Ann Garrett - A Whole New Plan / Jimmy Wallace - I'll Be Back / The Rockmasters - Raining Teardrops / The Commands - Hey Its Love / Harry Deal & The Galaxies - I Still Love You / Al McArthur - His True Love For You / Harry & The Kayavas - If This Is Goodbye / The Falcons - Its A Good Feeling / The Peoples Choice - I'm Saving My Loving / Cody Black - I'm Slowly Molding / Venturas - Heart Of Love / The Moments - You Said / Cecil Washington - I Dont Like To Lose / The Trends - Thanks For A Little Loving / The Inspirations - Your Wish Is My Command / Just Brothers - Carlena / Gerri Hall - Who Can I Run To / The Tangeers - Whats The Use Of Me Trying6 points
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6 points
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The John Manship and Tim Brown ended auction posts by fellow members were/are classed as informative You have just posted a lazy grab of upcoming auctions ranging from 1- 8 days There is a major difference between posting upcoming adverts and posting ended auction details in our main soul forum Not impressed at all5 points
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Their reporting system is appalling , but if you'd called him a "thieving , scamming b*stard" or similar you'd have ended up in FB Jail for a month for "bullying" ...5 points
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WOW,WOW,WOW Ashton Ukrainian Club flew off into The Stratosphere of all that is great on The Rare Soul Scene!! We were treated last night to a playlist that ticked all the boxes!! Kicked off by Phil Dunn some real quality evergreens of the Soul Scene 7.15pm dance floor off and running, job done!! Team Ukrainian "Fixer" Simon Ingham followed "tastes sour don't it" lit the fuse, Bobby Rich, William Cummings, Masqueraders "do you love me baby" and many more!! Then it happened.......... Probably best summed up as "The Hinsley Effect" take a look at the attached video for a small snapshot of The Electric Atmosphere!! Bolton's favourite son Bob Hinsley did an unannounced cameo DJ spot after waaay too long away from the decks, double decking and dove tailing perfectly with That Man Robbo and the crowd loved it, breathtaking!! So much so, me and my dodgy knees even managed a few dances Yessss!!! Culcheth Head Honcho Tsop Manchester followed and for me probably the best spot of the night Gloria Barnes, Sonattas, Gerri Hall, The Differences, Delegates of Soul great set Sir !!! Making the long trip from Market Harborough Matt Sneath followed starting with a BANG !! Rudy Love, Bobby Blakeney "I'm just your "Yo Yo" and the brilliant Don Hart amazing set!! It was left to Chris Penn to close proceedings and he didn't disappoint Yvonne Vernee, Hytones "you don't even know my name" Jimmy Bo Horne Dade and finishing the night in fine style "I've got no time" dance floor still going to the last record !! Our next event the Pre Christmas Special awaits next December 14th we run a week early due to club commitments, keep your eye on here and Soul-Source for updates as we near the time. Once again The Ashton Faithful made it all possible, we were at full capacity last night and for that Team Ukrainian thanks you, see you in December !!! November Ashton Video.mp45 points
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5 points
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5 points
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Here's the results. All prices in pounds, all U.S. issues unless noted- Four Tracks- "Like My Love For You" - Mandingo -1638 Trips- "Love Can't Be Modernized" (H mix) - Soundville- 1129 Appreciations- "It's Better To Cry" - Sport - 1441 Edith Brown- "You Did It" - Four Brothers- 4752 Dontells- "Ain'tcha My Baby- Vee Jay DJ - 1100 Betty Wright- "Paralyzed" - Deep City- 400 Miracles- "I'll Try Something New" - Tamla 1 sided promo w/pic sleeve- 76 Marke Jackson- "I'll Never Forget You" - Jamie promo- 143 Narvel Felts- "Girl Come Back" - Renay autographed - 568 Gentleman June Gardner- "It's Gonna Rain" - Emarcy promo - 74 Lou Rawls- "When Love Goes Wrong" Capitol UK DJ- 164 Wade Flemons- mispress that plays "Where Did You Go Last Night" Vee Jay DJ - 244 Pretenders/ John Edwards - Kent City U.K. test press- 250 Helene Smith - "Thrill And Chills" - LLoyd - 165 Jean Carter- "Like One" Decca promo - 222 Anthony Hall- "Baby Girl Of Mine" - Virtue- 91 Jimmy Conwell- "Cigarette Ashes" - Mirwood promo- 175 Richard "Popcorn" Wylie- "Rosemary....." Karen- 347 Melba Moore- "The Magic Touch" Horace U.K. test press- 2565 points
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Wasnt quite sure where to put this lot, but I've been scanning old stuff, and found this from a local Sydney Paper about 2004/5. Arthur, (R-L) Maria O, Samantha (Miss Goldie), Alex, (dont know the far left Soul sister, i never met her) think they are all in Melbourne now. Soul Miner, I thought he did windows..anyhow, blast from the past down under...5 points
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One of the true master producers of our lifetime. Not many of the greats he didn't work with.5 points
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5 points
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The first and hopefully not the last Northern Soul evening at the George Lawton Hall. Paul Kidd’s (kidda) latest offering follows the previous memorable venues, the festival Hall (Alderley Edge) in the noughties and the Cinamon Rooms (Bowden) that ended in 2019. This is another signature venue with a large wooden sprung dancefloor. This inaugural event did not disappoint, a full house in a large hall and the kind of welcoming vibe that is the signature of our scene. The DJs nailed the playlists, playing to a crowd that mostly wanting rare and classic Northern Soul dancers. With a sprinkling of lesser played tunes to keep the connoisseurs happy. This was a two-room event. The second room playing classic oldies and seemed to be well attended. I spent the whole of time in the main ballroom: Kidda was on the decks when we arrived, the venue already seemed busy, the dancefloor warming up nicely: Adams Apples, Richie Adams and the Epitome of Sound. Next up Steve Connolly, the party now in full swing: Turley Richards, Alexander Patton and a guilty pleasure of mine, Gerri Thomas. Mr Ms finest and top spinner Ian Wills was up next. Mixing things up nicely with a terrific set: Tan Geers “let My Heart and Soul be Free, The Salvador’s, Cody Black” I’m Slowly Moulding”, The Just Brothers “Carlena” and the fabulous Al McCarther. Stuart Hutchinson gave us some crowd pleasers: Bobby Paris, The MVPs and Carol & Jerri. And a tune that seems to get better with age James Fountain “Seven Day lover”. Kidda took the final spot that included the Box office tunes Vickie Baines, and Cecil Washington. Classic oldies, Yvonne Baker and Paul Anka. Some girlie nostalgia with Peggy March. And tune that seems never to have lost its popularity on the scene, The Metros “Since I found My Baby”. Kidda closed his set with the 100 club’s finest offering Carla Thomas “I’ll never stop loving you” An excellent and enjoyable evening.5 points
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All very dodgy. These are titles that weren't over-pressed at the time but looks like they may have re-pressed. If anyone has one from them, maybe send me one to compare? Or compare with one you know are genuine I'll list the ones I know were over pressed later but Milton Bennet, Hytones, Magicians weren't5 points
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Recently posted in our event guide... We are unveiling a blue plaque in Sheffield in tribute of DAVE GODIN. Dave adopted Sheffield as his home and was actively involved in both the soul scene locally and globally. This is the first time he has been recognised for his huge contributions to the Deep soul and his longstanding connection with Tamla Motown and other genres of black music. Anyone with any love of the music should be aware of Dave's influence. You are all welcome to attend this event in Sheffield at the Picket Music Park, Charter square in Sheffield. We will be holding a small tribute at the Frog & Parrot nearby where we will be playing some of Dave's deep soul. Please try to join us in the important milestone The Event Guide post and details via the below...5 points
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5 points
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Walking through those familiar doors, is walking into another dimension, a dimension of sight and sound. It's the middle ground between light and shadow, of velvet whispers and glistening faces. You have just entered the Soul Zone. Arriving later than usual, so we unfortunately missed Phil Dunn's opening slot. Ian Wills set was box office, loved it. From The classic George Kirby to dance heaven with the Trends “Thanks for a Little Lovin” and People’s Choice “Saving My Lovin for You”. And not forgetting Gerri Hall. Jumping Joan brought her brand of vibrancy and enthusiasm to the decks and the floor. A very classy and varied selection, that included Bobby Williams, Dynells, Vee Gees and The four Voices. Two that had the dance floor bouncing: The Delegates of Soul and the adrenaline-fueled Stanley Mitchell. Expect the unexpected with Tim Ashibende, a great mix, that included classics, unknown flips and super dancers. The Trips “Love Can’t be Modernised”, Hesitations “Go Away”, Audrey Royal “Come on Playboy” Wow. A genuine classic from back in the day: The Construction”. And a real gem in Joe Graves “Debbie”. I first heard it played by Tim last month at the 100 club. This time I got to dance to it. Up next was Phil Threlfall with a box of magic, playing Jesse Davis, Jimmy Hart, The Cairos and The Fabulous Apollos. Not to mention The 4 Dynamics. Brilliant. Chris Churm was back to his usual last DJ slot. His tunes are guaranteed to the keep the dance floor busy right until the end. Kicking off with the inimitable Ascots, then Cookie Scott and Paul Sindab to name a few. The announced final tune was Ralph Graham, but Jack Montgomery “Don’t Turn Your Back on Me” played as we said our goodbyes. Another terrific evening of epic soul music. Thanks to Chris and the team. The sound system was particularly good. This is “That Other Place” where the outside world fades to nothing and why we “Keep Coming Back for More”.5 points
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4 points
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Friday The Dab of Soul weekender was eagerly anticipated. The main event on the Friday was memorable for its fantastic selection of music, an atmosphere you could cut with a knife and a dance floor that didn’t let up from the start to finish. Our co host Dave Lucas kicked off the evening, double decking with Garry Matock. Some crossover magic, Eunice Williams, the heart wrenching Debonaire’s “How’s Your New Love Treating You”, Darrow Fletcher “It’s no mistake”. And a real favourite Lyde Fisher and Gyles “Serves Me Right to Suffer” The master of the Modern Room, Steve Plumb was on next. A nice tribute to Quincy Jones with the vocals of Patti Austin “Betcha Wouldn’t Hurt Me”. Followed by Richard Caiton, Robert Parker and Beloyd. Up next Brian Pinches, some real gems: Charlene & The Soul Serenaders, The Imperial C’s. And stand out and new to me The Promatics “I think I’m Gonna Let You Go”. Lars Bulnehim, played Connie Laverne’s one hit wonder and a real rarity, Sir Joe “Every Day”. Matt Fox, included the deep soulful vocals of Lou Rawls “See You When I Get There” with highlights: Innersection, Bessie Banks and Johnny Bristol. Co Host Chris Anderton gave us an exceptional final set: Ujima, Monique and the maestro Chuck Jackson “What’s with This Loneliness”. The fabulous evening closed with the evergreen Johnnie Mae Mathews. Saturday The afternoon session in the bar area has a great vibe. Here, friendships are made and renewed. Records are bought, sold and discussed. All with a backing of great sounds played by quality DJs. I arrived as my great friend Steve (Diddy) Morgan was spinning smooth 70’s tracks. With a room full to bursting with record collectors (no pressure pal ) the incredible vocals of Nancy Wilson “Here it Comes” and the outstanding Almeta Lattimore. I had to pull out earlier than I wanted, as beer was flowing too freely and I intended to make a full night of it. But not before Peter Dunn played Sydney Joe Qualls. Dave Griffith spun Gene Chandlers version of “Can I Change my Mind”. Peter Sumner playing characteristically top tunes that included Tobi Lark “Challenge My Love” and Robert Tanner. And Johnny Roberts with the Soul Notes, the dance floor was beckoning. The evening began with a packed room, Susan Spiby-Wade and Sue Stutting double decking. Tunes to rouse the room, The Continental 4, The Hesitations “Is this the Way to Treat a Girl”, and Lou Ragland “I can’t take it” (wow) Chris Anderton next, the dance floor in full flow: the smooth Johnnie Taylor “What About Love”, T.J Williams and Skip Mahoaney’s under the radar dancer “Running Away from Love”. Lars Bulnheim followed, with a modern funky feel: True Image “keep Me Dancing” and Merry Clayton “Emotion”. Matt Fox next, there was no let up on the dance floor, a great set including familiar 60’s and 70’s rare grooves, Joe Jama, The Yum Yums and Terry Callier “Ordinary Joe”. Brian Pinches took the penultimate spot. Some real quality. Kicking off with the pleading vocals of Johnny Gilliam “Room Full of Tears”, the Delfonics version of “Hurt so Bad” and Flowers “For Real”. Steve Plumb’s finale ensured the energy remained right until the end. Up-tempo feel good with the Jackson Sisters. The high energy sound of Ronnie Butler and The Ramblers “Peace without Love”. And a personal big thanks for playing the magical and brilliant L.V Johnson “Recipe”. The patrons did not want to leave, the intended last tune was the Commands, but we reluctantly left to an encore of Dionne Warwick “Walk on by”. Alas we were all souled out, so didn’t make Sunday’s offering. We paid our respects to the fallen at the Llandudno cenotaph before heading back home. A big thank you to Chris and Dave for fabulous weekend with incredible music, great people and I for one can’t wait for the next one.4 points -
Hi all, Does anyone know the story to this record and what it goes for? https://www.discogs.com/release/8786358-Individuals-May-I- info on Discogs is scant and other than the very occasional request for it (post 5 years ago) I don't hear/read much about it on here or even on playlists etc. Media clip here:4 points
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Massive thanks to everyone for supporting our little night on Saturday. I'm sure you will agree Ady was an awesome guest, classics and obscurities blended together seamlessly, just perfect. Carl was amazing as always and, as is his trademark, threw in a few 'alternate' vocals . Add Phil's choices to those two legends, and I doubt you would hear better records anywhere in the country. Must mention Baz who works tirelessly behind the scenes to make our enjoyment of the night possible. Nothing's too much trouble, always smiling, and goes above and beyond, thanks B. Such a lovely surprise to see Soul Sam at the bar as I was walking round too, and looking so well. Biggest plaudits as always goes to all of you who never fail to turn up from every corner - Midlands, Yorkshire, Scotland, Wales, local and beyond. You're such a great crowd, up for it and on the floor from the first to the last, thank you . Doesn't feel right awarding five stars as I was playing records/co-promoting/lowering the tone (always think it's a bit strange when people rate themselves) so it's four stars for that reason only, but a massive heartfelt five stars for you guys! Actually took some photos of the night, which is a novelty as I never take my phone in, will post them in the gallery at some point4 points
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Team Ukrainian Fixer Simon Ingham is back behind the decks, always the ultimate blend of dance floor winners. From the early 70s a record that always reminds me of Bob Hinsley, pure quality!!4 points
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4 points
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4 points