Guest Richard Bergman Posted March 24, 2009 Posted March 24, 2009 What's the current value for this stunner ? And is it an urban myth that all copies were pressed with a hiss ? Thnaks in advance. Bergman
Steve G Posted March 24, 2009 Posted March 24, 2009 What's the current value for this stunner ? And is it an urban myth that all copies were pressed with a hiss ? Thnaks in advance. Bergman My copy does not have a hiss.
Mal C Posted March 24, 2009 Posted March 24, 2009 (edited) I paid £250 for mine 6 months ago, I may have been overcharged, but I needed it and they dont come up much... Great track and label!! and mine does not have hiss... Mal.C. Edited March 24, 2009 by Mal.C.
Garethx Posted March 24, 2009 Posted March 24, 2009 Are you buying or selling Richard? I think Mal's £250 is about right for it though. Used to own this but sold it as I was having a reaction against records which have that 'small town' sound. I now realise that much of the track's charm was probably based around its DIY feel.
Guest Richard Bergman Posted March 24, 2009 Posted March 24, 2009 Are you buying or selling Richard? I think Mal's £250 is about right for it though. Used to own this but sold it as I was having a reaction against records which have that 'small town' sound. I now realise that much of the track's charm was probably based around its DIY feel. Hi Gareth, I'm on the look out for one. It's a record I have recently redisocvered. The lo-fi feel to the record is certainly part of the appeal for me.
boba Posted March 24, 2009 Posted March 24, 2009 Hi Gareth, I'm on the look out for one. It's a record I have recently redisocvered. The lo-fi feel to the record is certainly part of the appeal for me. lots of people looking btw
Guest lotusland Posted March 24, 2009 Posted March 24, 2009 I don't think 'hiss' is the right word. I just think its a shit recording and a shit pressing. Not a club record by any stretch anyways, so this shouldn't matter too much.
Steve G Posted March 24, 2009 Posted March 24, 2009 I don't think 'hiss' is the right word. I just think its a shit recording and a shit pressing. Not a club record by any stretch anyways, so this shouldn't matter too much. It's been played at some of the more discerning clubs. Steve
Mal C Posted March 26, 2009 Posted March 26, 2009 It's been played at some of the more discerning clubs. Steve which clubs? I'd love to hear this out along with other records that I'm into but would never expect to hear a a venue.. Stuff like Paul Walters 521, Eunice Collins, Rhythm Machine Rodan, Turks DJO, Jay Griffin NOW, etc etc etc.. I would out of preference always attend the 100 club but on the few occasions I've gone anywhere else in the last 5 years I've simply accepted that I wont hear records I'd like to hear out, thats not saying I dont like oldies and all that, I do, but you know what I mean... Mal
Guest lotusland Posted March 26, 2009 Posted March 26, 2009 It's been played at some of the more discerning clubs. Steve Don't get me wrong, love the 45, but for this to go over in the states at a club i think you'd have to be passing out wonder-joints early doors.
Garethx Posted March 27, 2009 Posted March 27, 2009 which clubs? I'd love to hear this out along with other records that I'm into but would never expect to hear a a venue.. Stuff like Paul Walters 521, Eunice Collins, Rhythm Machine Rodan, Turks DJO, Jay Griffin NOW, etc etc etc.. I would out of preference always attend the 100 club but on the few occasions I've gone anywhere else in the last 5 years I've simply accepted that I wont hear records I'd like to hear out, thats not saying I dont like oldies and all that, I do, but you know what I mean... Mal Hi Mal I've heard most of the above at clubs on at least one occasion, maybe with the exception of Paul Walters, which is owned by at least a couple of the UK djing fraternity. The Turks was pretty popular at Stafford ("The Bad Bought The Good" side anyway).
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