Jump to content

Recommended Posts

Posted

can somebody tell me what artist done the classic fortune teller please

  • Replies 34
  • Views 2.7k
  • Created
  • Last Reply

Most active in this topic

Most active in this topic

Posted (edited)

can somebody tell me what artist done the classic fortune teller please

Benny Spellman mate.

"...and now I get my fortunes told for free!" :rolleyes:

Edited by Barry
Posted

Benny Spellman mate.

"...and now I get my fortunes told for free!" :rolleyes:

nice one cheers mate :shades:

Posted

Theres a great version by Tony Jackson on Pye - fuzz guitar a plenty

====

remember this getting really popular at the tail end of Wigan via Brian Rae....

then absolutely MONSTROUS at the Hinckley leisure centre....people just rushed onto the Floor in their 100's...still sounds great immo

Guest in town Mikey
Posted

====

remember this getting really popular at the tail end of Wigan via Brian Rae....

then absolutely MONSTROUS at the Hinckley leisure centre....people just rushed onto the Floor in their 100's...still sounds great immo

Hinckley was another great allnighter from my youthful introduction into Northern Soul. Not one that gets spoken about too much nowadays, but in both the leisure centre days, and across the road in the later venue they had some storming nights.

most vividly i remember the ultra violet lights, and them playing Jerry Williams. The haunting backing and the lights were mind blowing.

I also remember one night Reggie Garner - Hotline being played by every one of the DJs :P

BTW for my twoppence. I think Benny Spellman's version is the best, even if its over played.

Guest Richard Bergman
Posted

Theres a great version by Tony Jackson on Pye - fuzz guitar a plenty

Ive always had a soft spot for the Tony Jackson version. It has a kind of naive quality about it.

Posted

Hinckley was another great allnighter from my youthful introduction into Northern Soul. Not one that gets spoken about too much nowadays, but in both the leisure centre days, and across the road in the later venue they had some storming nights.

most vividly i remember the ultra violet lights, and them playing Jerry Williams. The haunting backing and the lights were mind blowing.

I also remember one night Reggie Garner - Hotline being played by every one of the DJs :P

BTW for my twoppence. I think Benny Spellman's version is the best, even if its over played.

---------------

hinckley imo was the first real BIG venue after Wigan...

chris king should take every credit for this one

remember he should have done alfreton leisure centre but got cancelled for some reason

and was at hinckley from the feb in 82

those first 9 months in the small room were SENSATIONAL allniters,packed dancefloor,couple of great live acts Tommy Hunt,,Gene Chandler, Junior Walker

then in the september Edwin Starr in the big room - then some time later one of the greatest allniters ever the RIC TIC REVIEW - WOW - GREAT DAYS INDEED

gr8 days...

Guest TONY ROUNCE
Posted

Ive always had a soft spot for the Tony Jackson version. It has a kind of naive quality about it.

Much the same could be said for the Rolling Stones version from their 1963 "Five By Five" EP. Actually, most beat group versions of R & B and early soul classics have the same sort of naive charm, often caused by the fact that the artists would get the words wrong because they couldn't fully understand the delivery of the original US singers.

I've always wanted to ride the Stones' version of "Route 66", which takes you to San Bernadino via Kingston and Moscow, rather than the original's Kingman and Barstow, for example....

Posted (edited)

Theres a great version by Tony Jackson on Pye - fuzz guitar a plenty

Tony Jackson wanted The Searchers to do more cover versions of soul songs , whlist he was in /with them , but their management at the time refused , stating that such material would not be commercial enough ......

He left the group in 1964 , and enjoyed a brief - albeit less successful - solo career and fronting The Tony Jackson Group . TJ passed away in 2003 , aged 65 .......

Malc Burton

Edited by Malc Burton
Posted

Ive always had a soft spot for the Tony Jackson version. It has a kind of naive quality about it.

I don't really agree with this, it's got a bit of an edge to it with that guitar sound which at the time was still a pretty new innovation

Posted

There's also a version of it by The Merseybeats on the B-side of their first UK chart 45, "It's Love That Really Counts" (cover of the Shirelles).


Guest TONY ROUNCE
Posted

Tony Jackson wanted The Searchers to do more cover versions of soul songs , whlist he was in /with them , but their management at the time refused , stating that such material would not be commercial enough ......

He left the group in 1964 , and enjoyed a brief - albeit less successful - solo career and fronting The Tony Jackson Group . TJ passed away in 2003 , aged 65 .......

Malc Burton

That's not quite right, Malc - it was actually their drummer, the late Chris Curtis, who was the soul fan - right up until his death, a couple of years back, in fact - who was directly responsible for their recording things like "Sweets For My Sweet", "Ain't Gonna Kiss Ya", "Don't Throw Your Love Away", "Someday We're Gonna Love Again" and "Goodbye My Lover Goodbye", and who was always pushing for them to record even more soul cuts than they did.

TJ, however, did record some brilliant soul covers post-Searchers, including "Never Leave Your Baby's Side", "Come On And Stop" and "Bye Bye Baby"/You Beat Me To The Punch".

Having been the Searchers' lead singer on their first hits he was very bitter (understandably) about the way he was sidelined and eventually ousted from the group after "Needles And Pins" (which he didn't sing on) was a hit.

To me he's one of the greats of British Beat, and the Searchers were never as good once he was kicked out.

Posted

That's not quite right, Malc - it was actually their drummer, the late Chris Curtis, who was the soul fan - right up until his death, a couple of years back, in fact - who was directly responsible for their recording things like "Sweets For My Sweet", "Ain't Gonna Kiss Ya", "Don't Throw Your Love Away", "Someday We're Gonna Love Again" and "Goodbye My Lover Goodbye", and who was always pushing for them to record even more soul cuts than they did.

TJ, however, did record some brilliant soul covers post-Searchers, including "Never Leave Your Baby's Side", "Come On And Stop" and "Bye Bye Baby"/You Beat Me To The Punch".

Having been the Searchers' lead singer on their first hits he was very bitter (understandably) about the way he was sidelined and eventually ousted from the group after "Needles And Pins" (which he didn't sing on) was a hit.

To me he's one of the greats of British Beat, and the Searchers were never as good once he was kicked out.

Once again , Tony , I bow the font of knowledge ; I always thought it was TJ who pushed the idea of songs , and not as you state , CC .....

Malc Burton

Guest TONY ROUNCE
Posted (edited)

Once again , Tony , I bow the font of knowledge ; I always thought it was TJ who pushed the idea of songs , and not as you state , CC .....

Malc Burton

Chris was a great mate of Dusty Springfield's too, and it was apparently Chris who turned her on to a lot of the more obscure soul things that she cut on her first couple of albums. He also was forever on at Vicki Wickham, producer of Ready Steady Go, to book more soul artists in the show's early days.

Despite some terrible mental problems in later life, he was a very nice bloke who was enthusiastic about soul right up till he died...

Edited by TONY ROUNCE
Guest Gavin Page
Posted

Hinckley was another great allnighter from my youthful introduction into Northern Soul. Not one that gets spoken about too much nowadays.

Most vividly i remember the ultra violet lights, and them playing Jerry Williams. The haunting backing and the lights were mind blowing.

Oh yes, Oh yes, a young skinny Gavin in a pair of Spencers with the white stripe down the sides as the caught the light when you did your floor work...............

What was I doing wanker.gif

It was a grat nighter

Posted

interesting listening to the different versions

do like the del-rays

just as a matter of interest got benny spellman uk london issue

value on this anyone?

regards

russ

Guest Pete Griffin
Posted

Look At Your Box?

Is this a £25 pressing?

280131658989.jpg

Dont think this one got pressed, looks the same as mine mate, will have to look for mine to compare.

Guest edsuede
Posted

There's also a version of it by The Merseybeats on the B-side of their first UK chart 45, "It's Love That Really Counts" (cover of the Shirelles).

:thumbsup::thumbup: A cracking version - will surprise many a soulie will this one!!!

Posted

can somebody tell me what artist done the classic fortune teller please

Sorry but I have to say that I hate this record with all my heart, also the bloody snake and suger dumpling.

Guest Pete Griffin
Posted
Sorry but I have to say that I hate this record with all my heart, also the bloody snake and suger dumpling.
:lol: I AGREE WITH THE SNAKE, BUT FORTUNE TELLER (CLASSIC CLUB SOUL) :yes:
Posted

---------------

hinckley imo was the first real BIG venue after Wigan...

chris king should take every credit for this one

remember he should have done alfreton leisure centre but got cancelled for some reason

and was at hinckley from the feb in 82

those first 9 months in the small room were SENSATIONAL allniters,packed dancefloor,couple of great live acts Tommy Hunt,,Gene Chandler, Junior Walker

then in the september Edwin Starr in the big room - then some time later one of the greatest allniters ever the RIC TIC REVIEW - WOW - GREAT DAYS INDEED

gr8 days...

We attended Hinckley regularly but I must say that although musically enjoyable, I never got to grips with the Sports Hall feel/dancefloor thing.

Worst Hinckley moment for me was being at the front of the queue on the Major Lance night and being up against those full glass doors, the queue was pressing forward that much that I remember being crushed against them and realising that the half inch toughened glass was bending to the point of shattering - it didn't thank God. :lol:

The area upstairs were the record bar was was great - us Warrington lads used to go in matching blue T shirts with 'BHS BREWMASTERS' on the front (British Home Stores being our chosen seat for tea and talking sh*te when we got home [point of fact, Dave Withers missus, Wendy, was the manageress of our local BHS at the time, if I am not mistaken]) :yes:

Get involved with Soul Source

Add your comments now

Join Soul Source

A free & easy soul music affair!

Join Soul Source now!

Log in to Soul Source

Jump right back in!

Log in now!

Source Advert





×
×
  • Create New...