Tobytyke Posted Tuesday at 06:50 Posted Tuesday at 06:50 Which of the Grapevine singles could you play at an ovo soul night? Without having your knuckles rapped by the soul police. Bettye Boo "Say it isnt so" Any others? 2
Solidsoul Posted Tuesday at 08:05 Posted Tuesday at 08:05 (edited) 1 hour ago, Tobytyke said: Which of the Grapevine singles could you play at an ovo soul night? Without having your knuckles rapped by the soul police. Bettye Boo "Say it isnt so" Any others? "Destroy That Boy" The Happy Cats. A great record and dancer that was unreleased on an original label. "Rosemary What Happened" Richard Wylie as the Grapevine release is a better unreleased cut, and I think a better cut than the Karen original. This yellow Grapevine series is the true Casino Classics label, as every release was based on records that were being played at the Casino nighters. Edited Tuesday at 08:24 by Solidsoul 2
Bo Diddley Posted Tuesday at 08:37 Posted Tuesday at 08:37 Carol Anderson - Sad Girl. Both the FEE original and Grapevine single were released in 1979. So.......... no idea !!! Flaming Emeralds FEE original released just a year before Grapevine. 1
Rhino Posted Tuesday at 21:54 Posted Tuesday at 21:54 If ok to play one it's must be OK to play all of them but you struggled to give them away mid 80s most in the £1 sales box? Who times and standards have changed over the years.
Tobytyke Posted yesterday at 05:48 Author Posted yesterday at 05:48 10 hours ago, Mick Boyle said: Barons Of Soul? Good point mick. That's from the Grapevine 2K series isnt it? Must be a few of those that could be played.....Eddie Holman for example.
Solidsoul Posted yesterday at 06:19 Posted yesterday at 06:19 (edited) 13 hours ago, Rhino said: If ok to play one it's must be OK to play all of them but you struggled to give them away mid 80s most in the £1 sales box? Who times and standards have changed over the years. The point is, that if it was unreleased before the Grapevine legal UK issue there is no other legitimate way to play it, so Grapevine becomes the first release. In the USA by 1970, you would have struggled to give any deleted record away for a £1 but that doesn't make them worthless now. Edited yesterday at 11:40 by Solidsoul
Chalky Posted yesterday at 06:58 Posted yesterday at 06:58 I guess with them all being legit UK releases they are all ok to play if you so wish. Scene etiquette however, the unwritten rules, is you don’t play those with an original US release. 3
Rhino Posted yesterday at 07:56 Posted yesterday at 07:56 Karl was it popcorn willie that had one of the grapevine releases stop as he owned the rights ? Remember the story but cant remember which single it was ?
Steviehay Posted yesterday at 11:32 Posted yesterday at 11:32 (edited) I know someone who played the whole lot as his set years ago at an all dayer, went down a storm. 3 hours ago, Rhino said: Karl was it popcorn willie that had one of the grapevine releases stop as he owned the rights ? Remember the story but cant remember which single it was ? THE ONLY ONE I KNOW THAT WAS STOPPED WAS ANN SEXTON YOU'VE BEEN GONE TOO LONG Edited yesterday at 11:33 by Steviehay 1
Mick Boyle Posted yesterday at 12:05 Posted yesterday at 12:05 5 hours ago, Chalky said: I guess with them all being legit UK releases they are all ok to play if you so wish. Scene etiquette however, the unwritten rules, is you don’t play those with an original US release. And there's your answer.
Agentsmith Posted yesterday at 12:26 Posted yesterday at 12:26 Chalky correct, nail on the head...it's about records getting a legitimate first release in this country and yes of course, if the American release came first then it's de facto that is the copt to play....but everyone and their finances, are different....a 2hole heap of wanted tunes exist in minute quantities....and if the chances are, the average aspiring dj is never going to be able to afford the rocking-horse rare, theyre going to see what's on offer legitimately. A super rare, but universally appreciated tune, can only be played in so many places in one time, but if it get's a legit uk issue ( and any parties or estates benefit from royalties or a windfall from sales ), in essence, it's helping to spread the word and popularity....and at the same time, as the global market is showing, the originals are no being devalued...like how folk maybe thought in the mid 70's and 80's...because theyre now ' antiques ' their values have increased substantially. Everybody's thought dna is different on this subject...isn't it a win-win circumstance if some long forgotten artist is actually getting their music played, and appreciated by a whole bunch of folk?, they may have failed monetarily, but the sound they created, didn't. the uk releases we've witnessed this last quarter century are as important as the one's soulies and mods alike, chased in the 60's....the 70's was important becahse it began the process of issukng tunes here, that actually never got a look in, or weren't discovered/known about 7 or 8 years previous. They all have their worth, whichever way we look at it. 2
Chalky Posted yesterday at 12:46 Posted yesterday at 12:46 4 hours ago, Rhino said: Karl was it popcorn willie that had one of the grapevine releases stop as he owned the rights ? Remember the story but cant remember which single it was ? I’m not sure mate. I know Popcorn worked closely with grapevine and they were still issuing his material until a few years ago.
Popular Post Jessie Pinkman Posted 21 hours ago Popular Post Posted 21 hours ago For me if a record is released because of demand by the Northern scene, then it shouldn't be played end of. British releases that were released not for the NS but because they had the rights, for example Rufus Lumley "I'm Standing" on Stateside are perfectly acceptable to be played. I know some would even frown upon White label Motown pressings being played when there's a real acetate in someone's collection, like Gladys Knight "Too late" 5
Popular Post Woodbutcher Posted 21 hours ago Popular Post Posted 21 hours ago I think the days of any elitism regarding OVO and the like are disappearing fast outside of a very few venues. I'm not condoning it for a second , but the vast majority of punters these days at the myriad of 'cheap beer and ample parking' soul do's littering the Events section these days probably don't even know the name of the tune they're strutting their YT taught line-dancing moves to , let alone what label it's on ... 4
Soulagogo Posted 20 hours ago Posted 20 hours ago Exactly. I,m sure the up and coming Bristol soul are only interested in how fast it is !
Jessie Pinkman Posted 20 hours ago Posted 20 hours ago 55 minutes ago, Woodbutcher said: I think the days of any elitism regarding OVO and the like are disappearing fast outside of a very few venues. I'm not condoning it for a second , but the vast majority of punters these days at the myriad of 'cheap beer and ample parking' soul do's littering the Events section these days probably don't even know the name of the tune they're strutting their YT taught line-dancing moves to , let alone what label it's on ... I thought the original question was Which of the Grapevine singles could you play at an OVO soul night? Without having your knuckles rapped by the soul police. That's why I gave my answer that none of the Grapevine 1st series releases should be played now at an OVO soul night.
Woodbutcher Posted 20 hours ago Posted 20 hours ago 1 minute ago, Jessie Pinkman said: I thought the original question was Which of the Grapevine singles could you play at an OVO soul night? Without having your knuckles rapped by the soul police. That's why I gave my answer that none of the Grapevine 1st series releases should be played now at an OVO soul night. Very sorry for voicing an opinion Chief Superintendent ...
Jessie Pinkman Posted 20 hours ago Posted 20 hours ago 2 minutes ago, Woodbutcher said: Very sorry for voicing an opinion Chief Superintendent ... You don't have to apologise to me mate. I was just pointing out the original question 1
Soul-slider Posted 19 hours ago Posted 19 hours ago (edited) 6 hours ago, Steviehay said: I know someone who played the whole lot as his set years ago at an all dayer, went down a storm. THE ONLY ONE I KNOW THAT WAS STOPPED WAS ANN SEXTON YOU'VE BEEN GONE TOO LONG Although Ann Sexton did get a UK release on 'Inferno' during 1979. Edited 19 hours ago by Soul-slider
Steviehay Posted 19 hours ago Posted 19 hours ago Just now, Soul-slider said: Although Ann Sexton did get a UK release on 'Inferno' during 1979. Yes but not grapevine it was pulled 1
Tobytyke Posted 17 hours ago Author Posted 17 hours ago 3 hours ago, Jessie Pinkman said: I thought the original question was Which of the Grapevine singles could you play at an OVO soul night? Without having your knuckles rapped by the soul police. That's why I gave my answer that none of the Grapevine 1st series releases should be played now at an OVO soul night. So you are saying Bettye Boo ,Carol Anderson and Flaming Emeralds on respect of the original question are a no. Thanks.
Jessie Pinkman Posted 15 hours ago Posted 15 hours ago 1 hour ago, Tobytyke said: So you are saying Bettye Boo ,Carol Anderson and Flaming Emeralds on respect of the original question are a no. Thanks. Toby I've already given you my opinion, If you don't agree with it then that's okay, I take from your question you're okay playing these 3 records on Grapevine at a OVO night. 1
Roburt Posted 5 hours ago Posted 5 hours ago Having attended my 1st soul clubs in 65 & going to niter clubs from 66, I never did get the OVO thing at all. We'd have danced to any version of a 'top soul sound' back in the day ... ... ... coz it was what was 'in the grooves' that counted, not where & when those grooves had left the pressing plant. Mind you, dancing to lots of the pop sh*te spun @ the Casino I would have a lot of trouble with.
Davidwapples Posted 4 hours ago Posted 4 hours ago First uk issue then play them If someone else there has the us release then let them play them Unreleased before then play whatever
Jessie Pinkman Posted 3 hours ago Posted 3 hours ago (edited) 12 minutes ago, Wiganer1 said: It's a free country u play what u want What at a advertised Original Vinyl Only soul night. Really is that where were at nowadays. F**K it lets play what we want, whatever label it's on. Edited 3 hours ago by Jessie Pinkman 1
Shinehead Posted 3 hours ago Posted 3 hours ago If in doubt don't play em, there is thousands upon thousands of Northern records to go at without having to play any records that the poster seems to think needs authorisation to play. 1
Jessie Pinkman Posted 3 hours ago Posted 3 hours ago I can see it now, who needs Butch, Ted, Sam, when we can get most of their records on a look a like bootleg. Who fancies going down that slippery slope. 1
Chalky Posted 3 hours ago Posted 3 hours ago If it is previously unreleased then it is fine IMO why deprive anyone of great soul music? If it’s reissued for the scene decades later where original issues exist from the time then a big no no from me. 3
Mick Boyle Posted 2 hours ago Posted 2 hours ago A few years back I was asked why I was playing Cliff Nobles OLIGS on Atlantic at an ovo night as first release was on VJ by an acquittance so no malice intended (I think) Obviously we went through the local / national release thing but he was still objective. I said if I was to offer you the Ivories on Despenza or Wand which would you want and he said Wand as its so much rarer. He then agreed that both local / national releases are ok to play. We went on to agree that records made deliberately for the northern scene should not be played at an ovo event UNLESS unreleased like Grapevines Barons Of Soul & Eddie Holman. Were not the soul police so who cares what we came up with. Yes I run an ovo event but I attend events without worrying what there policy is. So in my opinion some grapevine are ok but not all. 1
Chalky Posted just now Posted just now 2 hours ago, Mick Boyle said: A few years back I was asked why I was playing Cliff Nobles OLIGS on Atlantic at an ovo night as first release was on VJ by an acquittance so no malice intended (I think) Obviously we went through the local / national release thing but he was still objective. I said if I was to offer you the Ivories on Despenza or Wand which would you want and he said Wand as its so much rarer. He then agreed that both local / national releases are ok to play. We went on to agree that records made deliberately for the northern scene should not be played at an ovo event UNLESS unreleased like Grapevines Barons Of Soul & Eddie Holman. Were not the soul police so who cares what we came up with. Yes I run an ovo event but I attend events without worrying what there policy is. So in my opinion some grapevine are ok but not all. Some people have no idea and shouldn’t be allowed out
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