Fiftyboiledeggs Posted June 16 Posted June 16 Searling made that point today on his radio show on Solar. Said it changed the tempo.' Looking back now, I think he was right. 1
Micksmix Posted June 16 Posted June 16 Yes, along with the Carstairs, Gil Scott Heron "the bottle" which has been an anthem on many scenes!!
Zoomsoulblue Posted June 16 Posted June 16 Back in the 70ts there was oldies sounds and newie sounds or shufflers and I guess now looking back new old sounds being played for the first time - usually a DJ would put 3 or 4 newies sounds together - wasn’t about how old the record was it was about the sound Youve been gone to long Seven day lover Night of the Wolf Burning spear Visibly looking down at the floor of the Casino , when they changed the sound you could see people leave the dance floor as well as go onto the dance floor changed the tempo yea right like we cared - wizzing our heads off 1 1
Frankie Crocker Posted June 16 Posted June 16 3 hours ago, Fiftyboiledeggs said: Searling made that point today on his radio show on Solar. Said it changed the tempo.' Looking back now, I think he was right. There were other records that brought the tempo down roundabout the same time - Kenny Smith, Bobby Hutton, Dena Barnes but to name a few. Ann Sexton before this phase. The Carstairs are often quoted to be the definitive game-changer but there was a whole raft of newies being plugged at the same time such as Lloyd Michaels, Spooky & Sue, Southside Movement etc. James Fountain was one of many groundbreaking sounds at a time of diversifying influences before disco and funk really took a hold. 1 2
Mithras Posted June 16 Posted June 16 anderson brothers,kenny smith,and from 2nd night dean parish .lol not many there that night 1
Mark S Posted June 16 Posted June 16 Early days lots of slower and mid tempo stuff from the likes of Major Lance, Otis Leavill and of course the Impressions wasn't all stompers some propper melodic soul got played out. Mid 70s these new sounds were recent releases with a funkier disco type vibe caused quite a stir at the time and divided opinion. Used to go to Sale Mecca the Blue Rooms Ian Levine and Colin Curtis used to play a lot of this stuff on a Thursday night I am convinced that they played these sounds to guage reaction prior to Saturdays at the Highland room 3
Micksmix Posted June 16 Posted June 16 1 minute ago, Mark S said: Early days lots of slower and mid tempo stuff from the likes of Major Lance, Otis Leavill and of course the Impressions wasn't all stompers some propper melodic soul got played out. Mid 70s these new sounds were recent releases with a funkier disco type vibe caused quite a stir at the time and divided opinion. Used to go to Sale Mecca the Blue Rooms Ian Levine and Colin Curtis used to play a lot of this stuff on a Thursday night I am convinced that they played these sounds to guage reaction prior to Saturdays at the Highland room I went regularly to Sale Mecca and I always got that impression. I vaguely remember the Anderson Brothers getting a luke warm reception first time round, then road block the following week!! 2
Solidsoul Posted June 16 Posted June 16 (edited) A couple of other slower big records I remember getting played before James Fountain were "Love Bandit"- Kenya Collins and 'Cool Off" - The Detroit Executives. Edited June 16 by Solidsoul 1
Geeselad Posted June 17 Posted June 17 17 hours ago, Mark S said: Early days lots of slower and mid tempo stuff from the likes of Major Lance, Otis Leavill and of course the Impressions wasn't all stompers some propper melodic soul got played out. Mid 70s these new sounds were recent releases with a funkier disco type vibe caused quite a stir at the time and divided opinion. Used to go to Sale Mecca the Blue Rooms Ian Levine and Colin Curtis used to play a lot of this stuff on a Thursday night I am convinced that they played these sounds to guage reaction prior to Saturdays at the Highland room Seems also to be a shift in tempo, or time signatures between the earlier period at the wheel and what was being played at the end of the wheel/ begining of the torch nighters. A good example is the okeh stuff, early wheel- the beat, rhythm ect opposed I do t want you more and sani Sheldon 2
Dayo Posted July 20 Posted July 20 In my memory it was Fantastic Johnny C Don’t Depend On Me that first really split the crowd. Seven Day Lover was warmly received, as was the Carstairs. I think Shake n Bomp also divided the room - I liked it - but by the time we got to Doctor Buzzard I was seriously having doubts! 1 1
Recommended Posts
Get involved with Soul Source
Add your comments now
Join Soul Source
A free & easy soul music affair!
Join Soul Source now!Log in to Soul Source
Jump right back in!
Log in now!