Everyone on here has slightly different interests ... as I reach my 70's, I am getting overly nostalgic & keep looking back to the 60's through rose coloured glasses.

I like to read of old clubs I attended or knew about ... about old soul records I knew / owned back then ... BUT .. my main interest is in details on soul acts.

I like to research artist bio's & find out some of the many curious events that they endured down the years of their career ... the missed opportunities (at least 3 male singers on the 60's  Balto soul claim it was they that was 1st asked by Otis Redding to travel down to Memphis to cut "Sweet Soul Music") ... the rip offs (managers running off with their gig money or record company advance) .... the double dealing (a beautiful female singer who had to sleep with an agent to get a try out with Stevie Wonder's Wonderlove backing singers) .. ETC  ETC.

I get really frustrated that the vast majority of such data is just about totally lost to us now (the singer having passed away or lost his memory, the venues closed & demolished, the old TV video tape lost / thrown away or taped over, the recording master tapes of unissued soul rotted away before anyone got the chance to listen to them) ...

BUT lots of info relating to US soul acts is difficult to get coz US media largely ignored them & their exploits till the end of the 60's and so, the detail was never really documented in the 1st place. I can (sort of) understand that ... why would a US music TV show host know who / what The Stones were on about when told they'd only appear on his show if they had Howling Wolf  with them.  WHAT REALLY GETS MY GOAT THOUGH is the vast amount of lost knowledge of the exploits of US soul artists here in the UK.

AS AN EXAMPLE .... take the case of Alvin Robinson ... maybe he didn't have any big pop hits but he was a mainstream artist who had years of success (in later years, in even toured the US as part of Dr. John's live band ... but little or nobody sat him down & asked him about his career in detail) ...

Alvin had his first UK 45 release in 1964 (Pye International), this was followed by "Fever" on Red Bird later that same year. Jump forward to summer 66 and he had a high profile release on the UK indie STRIKE RECORDS ... so by September 66 he had established a decent profile with UK soul fans. I guess his US manager (Joe Jones) came to a deal with the guys at STRIKE and a UK tour was organised. This ran for a number of weeks and featured a good few major shows at top venues ... HOWEVER ... most of the info on that tour now seems totally lost to us ... Never mind, what Alvin made of the UK, the clubs he played, the British band that backed him up, the food, the travel arrangements, the digs, the soul fans he met here, ETC.

All I've been able to establish is that he arrived here in September 66 and Roy Tempest selected the Noblemen (Motivation) to back him up on his dates (they had just backed up the Vibrations & Edwin Starr on similar UK gigs & would follow on by doing the same job behind the Coasters here). Included in the gigs the ensemble played were shows in Boston (the Gliderdrome), Birmingham (2 nights at the Cedar Club) and a show at Newcastle University (in early November). But just about everything else about his time in the UK now seems to be gone for good. ..... Did he do a London show ?  Did he get a reception from Strike Records, was he provided with copies of his newish UK 45 to hand out as promo items, were any press / radio interviews organised for him, do any photos exist of him in the UK (performing or otherwise) ... NO IDEA AT ALL !!!    SUCH IS LIFE I GUESS.

 

Edited March 12, 20187 yr by Roburt

I find it frustrating that there is much more documented info on the UK backing group (the Noblemen / Motivation) involved with these tours than there is about the soul acts they backed up ... but then, I guess their members are still around to ask - though why no one seems to have asked them about the US acts they supported or their impressions of the clubs (Gliderdrome, Wheel, Mojo, Tiles, Marqee, etc) I can't think ... SO FRUSTRATING ... 

A pic from 66 of the Noblemen ...

 

Edited March 12, 20187 yr by Roburt

Cool looking dudes / geezers 👏👍🎶🎶🎶

Rob

I understand your frustration but don't be too despairing.

Are you aware of the British Newspaper Archive project? They are scanning and uploading loads and loads of British local newspapers. They are only recently getting to the first ones for the 1960s so there is very little there as yet for that decade. But I thought I would try it - and bingo! here is another venue for Alvin Robinson in Autumn 1966.

There could well be more as the project proceeds.

Then of course there are all the British music papers. I know you are aware of that American Radio History website which has copies of Billboard. Cash Box etc. But have you noticed that a few British ones are starting to be added. Disc, Record Mirror, Melody Maker. NME. Again not much there as yet but hopefully that is a resource that will grow and grow.

Anyway hope my one actual contribution here is of use.

 

 

Rob-Photos do exist of Alvin Robinson's 66' UK tour- two of them appear on the back cover of the 1980's Charly compilation LP 'Shine On'.Hopefully someone more computer-savvy  than me who has the LP can put them up. 

Alvin was a fine and  often overlooked artist with a fantastic voice-certainly one of New Orleans' forgotten Soul greats.

Yep, more & more old stuff from newspapers & music mags is getting digitised & put online ... it's just taking so long for much of the stuff that interests us to turn up. That ad for the Granby Halls is great .........

Another gem of info that's out hiding on the net is this Alvin Robinson tit-bit  ...........

Alvin was from NO, la (New Orleans) and was a respected studio guitarist chasing sessions for himself as the featured artist (this was late 50's / early 60's). He wasn't too successful but was eventually signed to Imperial and enjoyed 3 x 45 releases on Imperial in 61/62 (before he moved to NY). Back then, he would hook up with all the other NO based musicians to play gigs / sessions (Alan Toussaint & his group of guys + Mac Rebennack / Dr.John). After his NY stint was over, Alvin moved to LA in early 66 and hooked up with other old NO guys there. Dr John got him involved with a bunch of NOla guys in the studio. This resulted in cuts attributed to The Zu Zu Blues Band (others were shopped around as by Jessie Hill and the Poopettes). The group members were :- Ike Williams, trumpet; Tank Jernigan, tenor sax; Mac Rebennack, piano; Alvin Robinson, guitar; Al Frazier, bass; John Boudreaux, drums; Jessie Hill, percussion and vocals. This band did some gigs,and then recorded. They cut a whole album of stuff but could only get A & M to put out a 45 (Scepter-Wand took some of the other cuts but didn’t put them out). The band broke up & some of the members went back to LA studio session work, hiring themselves out to anyone who wanted a NOla funk sound.

So, Alvin was on cuts laid down in LA in early 66 (just as a guitarist) but only 2 (?) of these escaped the vaults. These formed A &M 45 # 790 by the Zu Zu Blues Band -- "Zu Zu Man / Side Show" ... these sides got UK soul club plays and the A side was booted with a PART 2 version on the tuvaside.

Alvin's NY based manager had released existing tracks on his own label (see scan on 1st post) in April 66 which Strike had put out in the UK, so no doubt, Alvin focused on that after the Zu Zu Blues Band project didn't really work out. Preparations for his UK tour (discussions between Joe Jones & Roy Tempest must have taken place around August 66) and as a result, Alvin flew over here in September 66. No doubt he had a few days rehearsing with the Noblemen in London. As a long time US studio session guitar player, more used to working with NOla funkers, I just wonder what he made of the UK beat group guys selected to back him up.  

 

 

 

Edited March 13, 20187 yr by Roburt

  On 12/03/2018 at 22:54, Spain pete said:

Cool looking dudes / geezers 👏👍🎶🎶🎶

They weren't really mod types, just 'run of the mill' young Brits trying to break into the music biz. The shot above (& others taken the same day on Bognor Regis stn) were done by them & their manager. They'd decided on the style of dress as most of their work was backing up US soul acts or playing UK R&B clubs. So looking like mods was good for the image (as was playing covers of current soul hits at the time).

Just read this with interest before realising it's Al Robinson of 'Sho 'bout to drive me wild' fame on Pulsar, total stormer and one of my absolute faves

 

  On 13/03/2018 at 11:42, Chris Turnbull said:

Just read this with interest before realising it's Al Robinson of 'Sho 'bout to drive me wild' fame on Pulsar, total stormer and one of my absolute faves

 

Yep, the guys involved with the Zu Zu Blues Band project hooked up again & (via Mercury) got Pulsar Records going in LA. Of course, one of the 1st acts they cut was Alvin (in 69, after his Atco released 45 tracks had been put out). The Pulsar 45 was also released as by Shine (Al's nickname). Guess that's why (the nickname) his UK comp LP was titled 'SHINE ON'.

Anyone know if the UK LP sleeve notes make mention of events on the UK tour ?

Edited March 13, 20187 yr by Roburt

Alvin / Al / Shine continued to work with Dr. John (after the Zu Zu Band & Pulsar Records) and was in Dr. John's Gumbo band, the outfit that cut the tracks on his big selling GUMBO LP.

Before (& after) the sessions that resulted in that album (which incidently also featured Tami Lynn on vocals), Dr. John & his live band toured the UK. Alvin didn't come along on either of those UK tours, I don't know whether this was coz he had bad memories of his 66 UK tour of if he just didn't want to tour all over at those times (1970 & 72).    

 

The text above mentions the 1966 tour in passing, only to say that he was already a veteran of "gruelling tours" and so impressed Derek Brandon with the professional way he handled things as an artist in his own right. Also mentions Robinson as part of Dr John's European tour band in 1986.

Another quote from Dr. John that's on-line ... this was in the early 70's but he was talking about his time in New Orleans record studios at the end of the 50's & into the 60's ...

 I recorded some single records for Ace around '59, some of them was released. Then I recorded an album for AFO Records, that was Jimmy Battiste and Melvin Lastie's company, I was like the first white act on an all black company.

"At the time I was workin' with Battiste and Melvin and those guys, it was a part of their company. But by being an artist, I was tryin' to help them keep their company, their artists, which consisted of Barbara George – she had that 'I Know' record – Prince La-La, who had that 'She Put the Hurt On Me', and there was a few others. There was quite a few artists that they had you know, Tammi Lynn was one of them. Like she was one of the best artists they ever had that they could never get off the ground.

"Same with Willie Tee (who had a minor hit with 'Teasin' You'). Willie Tee still has a band in New Aw-lens. He had some good records but they never did get that action. He since then has cut a big band album with H.B.Barnum in L.A. but nothin' happened with it. But I mean, these are artists that just because they don't have a hit Top 40 record, that don't take nothin' away from 'em.

And that was it. In the mid-'60's, as Minit was bought out by L.A. based Imperial, as the Lasties and Battistes headed for Los Angeles, the era of New Orleans as a recording center had come to an end.

He left New Orleans towards the end of 64, and Tammi Lynn, Earl King + WillieTee were already well know to him before then. As Mac worked a lot with Harold Battiste (AFO), he must have played on Willie Tee's first 3 single releases. Maybe even on "Teasin You", as that was through Earl King. Tammi's first record was also on AFO, so he'd have played on those tracks too. The AFO studio group (ALL FOR ONE) was just about the same set of musicians that Allen Toussaint used on all the Minit / Imperial tracks cut in NOla ... The Minit Men 1960-63  -- Lee Allen, tenor; Red Tyler, bari; Allen Toussaint, piano (replacing Mac who played piano in the AFO band); Roy Montrell or Snooks Eaglin, guitar; Chuck Badie, bass; John Boudreaux, drums. These guys would have played on Alvin's Imperial tracks.

After Mac had arrived in LA, he played on loads of pop cuts (Sonny & Cher, etc) plus soul stuff from the Valentinos, Olympics, Sims Twins, Billy Preston & more.

Edited March 13, 20187 yr by Roburt

I don't recall this being played here back in the 60's (am I wrong ?) ... Dr. John -- The Point (wonder if Alvin is mixed up in there on guitar) ...

 

By all accounts, Alvin was responsible for getting Shorty Long's music career started. It seems Alvin taught Shorty how to play the guitar & gave him encouragement that helped him land gigs at the Old Stables club in Birmingham (late 50's). Again how & where this happened now seems to be lost in the mist of time. Back then, Alvin was in NOla, while Shorty was in Birmingham and the cities are almost 350 miles apart.   

 

Edited March 15, 20187 yr by Roburt

I'm fascinated by these posts about Alvin Robinson. I can widen the conversation even more!

My band The Sovereigns used to back many US acts for dubious agent Roy Tempest, who was renown for bringing over unknown black artists and passing them off as well known acts, such as The Fabulous Temptations, The Fabulous Isley Brothers etc. etc.

We did however back a few of the genuine artists he brought over- The Soul Sisters, Clyde McPhatter, Garnett Mimms....and Alvin Robinson!

I can't remember if The Motivation backed him before or after our stint. Roy used to move all his backing bands from act to act. However, I vividly remember that Roy wasn't known for giving his artists much in the way of expenses, so Alvin had to travel in our notoriously unreliable Commer van from gig to gig. He even had to help us push it to jump start it once! I can't even remember exactly how many shows we did with him.

He also arrived without a guitar. Luckily, I had two, a '62 rosewood fingerboard Fender Strat and a Gibson Melody Maker. Alvin chose to play my strat, although he mentioned that he wasn't usually a strat player.

Furthermore , in those pics that Mickey Finn has posted, that is definitely my strat Alvin is playing. I can even see my old Marshall JTM 45 amp behind him!

I've no idea where these pics were taken- quite possibly at the old Whisky a Go Go, above the Flamingo in Wardour Street. It looks like it and we did do a gig there.

I just had to post this message after stumbling onto this wonderful site.

Aww the joy of nostalgia! Those indeed were the days!

Hi Pip

Enjoyed that!

What do you recall about Garnet Mimms? Did you back him on “I’ll take good care of you”? How long did you get to learn the songs? Was this in London? etc etc.

Hi David

Well we certainly played "I'll Take Good Care of You" at every show. Obviously, Jerry Ragovoy's team played on the recording.

The Senate were the first of Roy Tempest's bands to back Garnett. I think we did two short tours with him. We had an idea of his set list and were able to get copies of his records and learn them as best we could. As with most of the acts, we got about 2 hours in the afternoon at the gig before the first show to rehearse.

I know we did a couple of dates at the Mojo in Sheffield, as well as The Place Hanley and a few of the classic soul venues. Garnett was superb and I was a big fan before we even got to back him. He was the ultimate professional and one thing I'd never seen before or since- his stage patter and announcements were completely scripted. e.g. for "Cry Baby" he always announced "Gee you're wonderful, I think you're grand. You bought over a million copies and made my life quite complete!" Which was a bit ironic as that song wasn't previously well known at all in the UK!

I do remember stopping at the famous Blue Boar services at Watford Gap on the M1 and Garnett getting hooked on beans on toast!

Hello, Pip Williams. I loved your work with the magnificent Bloodstone.

Any good stories about them?

Thanks

Wonderful to hear your memories of the great Garnet Mimms and Alvin Robinson,Pip- made my morning, thank you for sharing them! Were the Sovereigns you were in the same ones who made the  1966 45' on King (UK) 'Bring Me Home Love' ,with a cover of Bobby Bland's That's The Way Love Is on the B side ? I used to have that single

Hi John.

I could write a book on my time with Bloodstone and Mike Vernon- when I have time I'll try to recall a few of the best bits!

Hey Michael.

Yep, the same Sovereigns!

Fun, it's only now when reminiscing that I really realise just how amazing those times were, and how privileged we were to be part of it all.

Soul music was were I started really, even though I went on to produce so many rock and pop acts.

Funny how I have no interest in Hip-Hop or all these records that are produced these days using samples and programmed tracks.

I was listening to some old James Carr and Howard Tate stuff at the weekend- it still sounds wonderful!

I look forward to hearing about those best bits....I rate Harry Williams and Charles McCormick among the best and most under rated of all soul singers

Best

John

Hi there

Just stumbled across this site. I am the guy who wrote the article on The Noblemen/Motivation who supported Alvin Robinson on that tour. I have updated the Garage Hangover website with some more material on this band, which gives a bit more info. 

Two members are dead now, singer Jimmy Marsh and drummer Malcolm Tomlinson but I am in touch with the other four, including Martin Barre who went on to Jethro Tull. I have also done a huge article on the group where they talk about their time with Lee Dorsey, Edwin Starr, The Vibrations, Ben E King and The Coasters. This will go online in the next few months but not sure where. 

I also did the article on The Fantastics with Pip Williams which is on Garage Hangover. I've done some entries on Edwin Starr's British tours and a few others, which readers might find interesting on Garage Hangover. 

One of the difficulties is that Roy Tempest appears to have shared gigs backing the soul artists with different bands so while some bands may have played most of the gigs on a tour, there may be some provided by different backing bands. 

Alvin Robinson may be a case in point. Bryan Stevens the bass player in that band says Robinson stayed with them in their Gloucester Road flat so he reckons they did all the gigs. However, Mick Ketley, the keys man doesn't remember playing at the Whisky A Go Go and Alvin played there twice I think. I made a note of the dates. It's quite possible this was The Sovereigns as Pip says.

Nick

This is what I have so far but there will be missing ones

21 October 1966 - Granby Hall with Ike & Tina Turner, Edwin Starr and others. I know The Noblemen played with Edwin Starr (one of the few they did) so someone else backed Alvin Robinson.

22 October 1966 - Blue Moon, Cheltenham - doesn't list backing band 

24 October 1966 - Whisky A Go Go, Wardour Street (no band mentioned)

25 October 1966 - Location, Woolwich (no band mentioned)

28 October 1966 - Dungeon, Nottingham (definitely with The Noblemen)

29 October 1966 - Starlight Ballroom, Boston Gliderdrome (definitely with The Noblemen) plus also Burlesque in Leicester (with Noblemen)

30 October 1966 - Jigsaw, Manchester (no band mentioned)

31 October 1966 - Whisky A Go Go, Wardour Street (no band mentioned)

 

1-2 November 1966 - Club Cedar, Birmingham (definitely with Noblemen but called Motivations)

5 November 1966 - Northwich Memorial Hall, Northwich but says with Pinkerton's Assorted Colours. Also The Cavern in Liverpool with the following: Herbie Goins, The Sect, The Johnny Breeze & The Atlantics, The Herb Set, The Interns and The First Lites

6 November 1966 - Club West Indies, Stonebridge Park, northwest London (no band mentioned)

There is also a missing Newcastle Uni that Malcolm Tomlinson from Noblemen recalls they did as he remembers they lost him and had to find him. 

Tempest also set up early hour shows at the Scotch of St James so may be these too

This might be useful for the Whisky. Something I pulled together from MM adverts. 

https://garagehangover.com/whisky-a-go-go-wardour-street-london-1966-gigs/