Popular Post Mike Posted July 11, 2017 Popular Post Posted July 11, 2017 looks like ace records have revamped their video trailers works better from here, yep? the below mainstream modern soul vol 2 comp is due out end of month Published on 7 Jul 2017 https://acerecords.co.uk/mainstream-mo... High quality 70s soul from a professional and inspired soul stable. The Mainstream family of labels was a major source of black music through the early and mid-70s. Owner Bob Shad was primarily a jazz producer but had enough nous and appreciation of soul music to go with current trends. His in-house arrangers included veteran hit-maker Bert DeCoteaux, fellow jazzer Wade Marcus and the up-and-coming Patrick Adams.Adams’ production on Chapter Three’s ‘I’ll Never Be The Same’ is soul with an early disco beat, and Chocolate Syrup’s uptempo ‘You’ve Got A Lot To Give’ is of a similar ilk. Mainstream had several great harmony vocal groups – Special Delivery, the Steptones and Eleventh Commandment all contribute excellent examples of the genre. ‘Oh My Love’, the rarely seen or heard flip of Almeta Lattimore’s ‘These Memories’, sounds equally haunting and is one of several great Detroit productions co-opted onto Mainstream. Others include McArthur’s very soulful ‘I’ll Never Trust Love Again’, Charles Beverly’s ‘Grass Ain’t Greener’ and the Steptones’ ‘Your Love Is Like The Rising Sun’. Charles Colbert is a mystery artist whose Mainstream tape of ‘Slow Down World’ debuts here, while Sugar Billy Garner recorded for the Fast Track subsidiary four years after his New Day recording of ‘I Got Some’. Shad clearly dug southern soul and licensed in tracks from Lee Bates, Lenny McDaniel and Randolph Brown; he even issued a southern ballad by Count Willie & The Dukes. The jazz influence can be felt mainly from female singers Ellerine Harding, Nia Johnson and Alice Clark – all of whom benefited from Mainstream’s jazz track record. Jeany Reynolds made an impressive debut on Mainstream some years before her disco hits as Jeannie, while veteran New York balladeer Lenny Welch offers the neglected ‘When There’s No Such Thing As Love (It’s Over)’. Collectively, the 23 tracks here maintain Mainstream’s quality 70s soul reputation. High quality 70s soul from a professional and inspired soul stable. The Mainstream family of labels was a major source of black music through the early and mid-70s. Owner Bob Shad was primarily a jazz producer but had enough nous and appreciation of soul music to go with current trends. His in-house arrangers included veteran hit-maker Bert DeCoteaux, fellow jazzer Wade Marcus and the up-and-coming Patrick Adams.Adams’ production on Chapter Three’s ‘I’ll Never Be The Same’ is soul with an early disco beat, and Chocolate Syrup’s uptempo ‘You’ve Got A Lot To Give’ is of a similar ilk. Mainstream had several great harmony vocal groups – Special Delivery, the Steptones and Eleventh Commandment all contribute excellent examples of the genre. ‘Oh My Love’, the rarely seen or heard flip of Almeta Lattimore’s ‘These Memories’, sounds equally haunting and is one of several great Detroit productions co-opted onto Mainstream. Others include McArthur’s very soulful ‘I’ll Never Trust Love Again’, Charles Beverly’s ‘Grass Ain’t Greener’ and the Steptones’ ‘Your Love Is Like The Rising Sun’. Charles Colbert is a mystery artist whose Mainstream tape of ‘Slow Down World’ debuts here, while Sugar Billy Garner recorded for the Fast Track subsidiary four years after his New Day recording of ‘I Got Some’. Shad clearly dug southern soul and licensed in tracks from Lee Bates, Lenny McDaniel and Randolph Brown; he even issued a southern ballad by Count Willie & The Dukes. The jazz influence can be felt mainly from female singers Ellerine Harding, Nia Johnson and Alice Clark – all of whom benefited from Mainstream’s jazz track record. Jeany Reynolds made an impressive debut on Mainstream some years before her disco hits as Jeannie, while veteran New York balladeer Lenny Welch offers the neglected ‘When There’s No Such Thing As Love (It’s Over)’. Collectively, the 23 tracks here maintain Mainstream’s quality 70s soul reputation. Side 1 01 Preview Grass Ain't Greener - Charles Beverly 02 Preview You Can Be Cured - Randolph Brown & Company 03 Preview Come Back With Your Love Pt 1 - Special Delivery 04 Preview You've Got A Lot To Give - Chocolate Syrup 05 Preview I'll Never Be The Same Pt 1 - Chapter Three 06 Preview Oh My Love - Almeta Lattimore 07 Preview I'll Never Trust Love Again - McArthur 08 Preview When There's No Such Thing As Love (It's Over) - Lenny Welch 09 Preview Your Love Is Slipping Away - Lee Bates 10 Preview Please Don't Set Me Free - Jeany Reynolds 11 Preview Never Did I Stop Loving You - Alice Clark 12 Preview Let Her Know - Bobby Earl Williams 13 Preview I Know Something You Don't Know - Ellerine Harding 14 Preview You Are The Spice Of My Life - Nia Johnson 15 Preview I've Got To Tell You - Count Willie with LRL & The Dukes 16 Preview I've Been Trying To Love You - Lenny McDaniel & The Last Nikle 17 Preview Love Bug - Sugar Billy 18 Preview You'll Do It - Calvin Arnold 19 Preview Today Or Never - Eleventh Commandment 20 Preview Your Love Is Like The Rising Sun - Steptones 21 Preview Where There's A Will (There's A Way) - Terry Huff 22 Preview Slow Down World - Charles Colbert 23 Preview Everyone Has Someone - Linda Perry 4
Sunnysoul Posted July 12, 2017 Posted July 12, 2017 (edited) Charles Colbert is mentioned as "a mystery artist" ... is he not the same Charles "Chuck" Colbert out of Chicago who was a member of the Daylighters in the early 60's and later The American Breed ... and who with his father (also Charles) was involved in the Nike, Tip Top and Mellow labels ? Edited July 12, 2017 by sunnysoul
Thinksmart Posted July 14, 2017 Posted July 14, 2017 Looking forward to this hugely. Great that Kent (and Ace more widely) have embraced quality 1970's soul over recent years. 1
Mickey Finn Posted July 14, 2017 Posted July 14, 2017 Brilliant stuff ... Kent keeping us very busy this year and roll on more undiscovered/forgotten 70s gems
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