Gordon wynter Posted May 15, 2017 Share Posted May 15, 2017 I have read some of the comment about wanna bee d j's and one think that has struck me is the ego boost some folk have about owning certain rare records they want YOU to know they have . Someone may play Telma Laverne but would not be seen or even owning a Jimmy Robins (both class records) because J R is to cheap 2 Link to comment Social source share More sharing options...
Popular Post Eddiefoster Posted May 15, 2017 Popular Post Share Posted May 15, 2017 6 minutes ago, Gordon wynter said: I have read some of the comment about wanna bee d j's and one think that has struck me is the ego boost some folk have about owning certain rare records they want YOU to know they have . Someone may play Telma Laverne but would not be seen or even owning a Jimmy Robins (both class records) because J R is to cheap Dead right - don't get me wrong, it's nice to own those rarities because they're mostly hard to find and hard to afford, but I love a cheap record especially when it gets a reaction. I can think of quite a few occasions I've been approached by someone expecting to hear that something I've played is made from "unobtainium" only to leave smiling when they find out it's a fiver 4 Link to comment Social source share More sharing options...
Ian Stacey Posted May 15, 2017 Share Posted May 15, 2017 On 14/05/2017 at 19:35, markw said: There is a fella on here who DJs regularly who plays records he doesn't like just because they fill the dance floor. Bizarre. Truly bloody bizarre. who is that mark does he contribute to soul source !? 1 Link to comment Social source share More sharing options...
Tobytyke Posted May 15, 2017 Share Posted May 15, 2017 On 14/05/2017 at 19:35, markw said: There is a fella on here who DJs regularly who plays records he doesn't like just because they fill the dance floor. Bizarre. Truly bloody bizarre. Isnt that what youre supposed to do as a dj keep the dance floor full? you play the stuff you like when you get home. Link to comment Social source share More sharing options...
Popular Post Markw Posted May 15, 2017 Popular Post Share Posted May 15, 2017 30 minutes ago, tobytyke said: Isnt that what youre supposed to do as a dj keep the dance floor full? you play the stuff you like when you get home. I understand the point you're trying to make. But I did think that the Soul scene was a cut above a village hall disco or a wedding reception. 5 Link to comment Social source share More sharing options...
Guest Shufflin Posted May 15, 2017 Share Posted May 15, 2017 the DJ's I respect are the ones who turned me onto new sounds, records you've never heard before and think 'damn' Link to comment Social source share More sharing options...
lincsmod1970 Posted May 15, 2017 Share Posted May 15, 2017 When they STOP bloody looking on FB etc... at other people's play lists, go out and buy said records on play list at 3/4 X the price they actually SHOULD BE (pretend they've had them years, when they weren't even about on the scene!!) or pretend they bought it for £5.00 at a boot fair or something... INSTEAD actually spend hours scouring lists/ internet/ record boxes/ fairs... and try breaking some NEW or underplayed tunes (they are still out there if you bother to look!!) 3 Link to comment Social source share More sharing options...
Popular Post Philt Posted May 15, 2017 Popular Post Share Posted May 15, 2017 Once upon a time I don't think many people even thought about DJing, never entered your head. That was something left to people with donkeys years of experience, collections with real depth and access to stuff no one else had. People you looked up to because of their knowledge and the leg work they'd put in. We all just turned up and danced our arses off, maybe buying the odd cheap thing to buzz off at home until you got to the next nighter to do the same again. It was different and exclusive and exciting. The scene misses those focal points and that sense of loving it for what it is and how it made you feel, as opposed to what it does for a few egos. Any amount of third rate or tired records being played by wannabes in half empty rooms every weekend. Why ffs? 12 Link to comment Social source share More sharing options...
Geeselad Posted May 16, 2017 Share Posted May 16, 2017 Well 4 hours ago, shufflin said: the DJ's I respect are the ones who turned me onto new sounds, records you've never heard before and think 'damn' top post. Link to comment Social source share More sharing options...
burt weedon Posted May 16, 2017 Share Posted May 16, 2017 A Proppa DJ,,MMMmmm..well i would say try an keep that floor rollin,listen to the punters,so what if we all aint got originals.but you no how to fill the floor,some times u have to play a copy or 2nd issue or wot eva..you pay your £2..you want £2.worth ov dancing,not sittin bored shit less..only say wot i see..collect,,been collecting all me life..still cant get em all..an i try..trust me.xxxxxx..enjoy the music guys..an dance.xx Link to comment Social source share More sharing options...
Joesoul1958 Posted May 16, 2017 Share Posted May 16, 2017 On 13/05/2017 at 20:38, markw said: I am sure I will get stick and abuse for saying all this, but on the main Northern niter scene, from what I can see (playlists, gig reviews, comments etc) all these younger DJs who are getting 'big gig' bookings just play the same tired old bollocks the old boys play anyway. They are trapped in the same bullshit "keep the dance floor full" mindset vortex which dominates mainstream Northern Soul niters regardless of quality, imagination and diversity. They are terrified of getting abuse from the old boys and girls on the dancefloor for "playing fooking B-sides", "that fooking funky shit" or any other "fookin shite we don't know" or that "in't proper fookin Northern". Here! Here!, at least someone talks sense, 👍 2 Link to comment Social source share More sharing options...
Guest Posted May 16, 2017 Share Posted May 16, 2017 (edited) And to do it correctly, have and play your own records and not borrow most of your set from someone with clout who wants to promote you into a top DJ which you will never be. Just because someone wants "New Blood" on the scene doesn`t mean it has to be manufactured! Edited May 16, 2017 by Guest Link to comment Social source share More sharing options...
Tomangoes Posted May 16, 2017 Share Posted May 16, 2017 I read something about some young guy (IL) with all the tunes loaning them to some old guy (LC) which made the old guy look fantastic? The Twisted Wheel, back in the day? As the Trends sang..time changes things. Ed Link to comment Social source share More sharing options...
dean jj Posted May 16, 2017 Share Posted May 16, 2017 I think that DJ'ing, if you know what you doing, is purely mathematical, and based on the audience. Most boring audience need to know every record [thankfully never done that one], average every third record needs to be 'known', occasionally, and after thirty years of playing out for money, one in five. One in five. Special nights with special customers. dean 1 Link to comment Social source share More sharing options...
Ian Stacey Posted May 16, 2017 Share Posted May 16, 2017 3 hours ago, Steve Lane said: And to do it correctly, have and play your own records and not borrow most of your set from someone with clout who wants to promote you into a top DJ which you will never be. Just because someone wants "New Blood" on the scene doesn`t mean it has to be manufactured! well said its not just youngsters that "Borrow" records to play venues I can assure of that middle age djs do it to 2 Link to comment Social source share More sharing options...
Guest Posted May 16, 2017 Share Posted May 16, 2017 2 hours ago, tomangoes said: I read something about some young guy (IL) with all the tunes loaning them to some old guy (LC) which made the old guy look fantastic? The Twisted Wheel, back in the day? As the Trends sang..time changes things. Ed Or even The Metros,lol. Link to comment Social source share More sharing options...
Ian Stacey Posted May 16, 2017 Share Posted May 16, 2017 On 13/05/2017 at 18:47, geeselad said: don't think there's been any djs under 30 that have broken into the mainstream and have introduced new tunes that have been taken up at multiple venues. Now THAT is what the scene really needs! ADAM Did that in the eighties Shaun chapman Ally mayer Shaun gibbons all under thirty all contributed to the scene but so where the majority of people going .it can be done just have to be determined & get a good following Link to comment Social source share More sharing options...
Winsford Soul Posted May 16, 2017 Share Posted May 16, 2017 A wanna be can become a DJ when a DJ creates room by becoming a has been Not mentioning any names You can fill in the blanks yourself Steve Link to comment Social source share More sharing options...
Ian Stacey Posted May 16, 2017 Share Posted May 16, 2017 25 minutes ago, Winsford Soul said: A wanna be can become a DJ when a DJ creates room by becoming a has been Not mentioning any names You can fill in the blanks yourself Steve explain & please do fill in the blanks for us all . Link to comment Social source share More sharing options...
Winsford Soul Posted May 16, 2017 Share Posted May 16, 2017 7 minutes ago, redditchcrew said: explain & please do fill in the blanks for us all . Its all tongue firmly in cheek. Just my mischievous sense of humour Steve Link to comment Social source share More sharing options...
Tomangoes Posted May 16, 2017 Share Posted May 16, 2017 1 hour ago, Steve Lane said: Or even The Metros,lol. The Trends? Must be having a senior moment:) Here is the best version............... 1 Link to comment Social source share More sharing options...
Winsford Soul Posted May 16, 2017 Share Posted May 16, 2017 1 hour ago, redditchcrew said: explain & please do fill in the blanks for us all . Can't you manage to yourself ? Steve Link to comment Social source share More sharing options...
Guest Shufflin Posted May 16, 2017 Share Posted May 16, 2017 I definitely remember DJ's asking us to bring records along ,they would play them on condition if they knackered them it was not their fault - needless to say I never took any along Metros is the best version imo Link to comment Social source share More sharing options...
Stanley Posted May 16, 2017 Share Posted May 16, 2017 (edited) it used to be that named dj,s/collectors would by ,reputation ,built on knowledge , research ,experience and just great vinyl introduce the unexpected or unknown play in a set....in my day if you didn,t have the original vinyl ..just go away and learn your trade first.........thats why we are in this crap situation is because anyone and everyone wants to wake in the morning and think .........today i,m going to be a dj...buy a box of repros boots etc and think they are the bees knees .......it will end in tears......................oh by the way tomorrow i fancy being a brain surgeon anyone know where i can get some repro parts .......that matthew kelly has a lot to answer for. Edited May 16, 2017 by stanley 3 Link to comment Social source share More sharing options...
Guest Gogs Posted May 17, 2017 Share Posted May 17, 2017 Although i usually now only do "oldies" nights at my local Miners Club ( quite a few of my playlists are listed on SS), i have occasionally been asked to other ATB venues, The last time i had an early spot and a later spot, Starting the early spot (lasted 1 and a half hours, i was only meant to be on 30 mins) i announced that i was going to play modern, crossover and some that they might not know, one of the resident dj's said that i didn't have any of these. Boy did i prove him wrong. A DJ normally only plays what the promoter wants them to, but give them a chance and they might surprise you. Link to comment Social source share More sharing options...
Geeselad Posted May 17, 2017 Share Posted May 17, 2017 4 hours ago, redditchcrew said: ADAM Did that in the eighties Shaun chapman Ally mayer Shaun gibbons all under thirty all contributed to the scene but so where the majority of people going .it can be done just have to be determined & get a good following I did mean since this revival thing started, say the last 5 years. Link to comment Social source share More sharing options...
Ian Stacey Posted May 17, 2017 Share Posted May 17, 2017 6 hours ago, geeselad said: I did mean since this revival thing started, say the last 5 years. their are no where near the numbers of the eighties the slight influx of new people cause a couple of films is not a revival . Link to comment Social source share More sharing options...
Ian Stacey Posted May 17, 2017 Share Posted May 17, 2017 9 hours ago, Winsford Soul said: Can't you manage to yourself ? Steve no steve I want you to tell us all because we regard you as the dean of the scene. Link to comment Social source share More sharing options...
Twoshoes Posted May 17, 2017 Share Posted May 17, 2017 11 hours ago, gogs said: A DJ normally only plays what the promoter wants them to, Not being argumentative here as this is something that has puzzled me for some time, I could be being a bit thick,slow or whatever but does this happen. Looking at it from a paying customers point of view I would rightly or wrongly assume a promoter books a Dj because he likes what they play having heard them somewhere else or by reputation, also because knowing his regular punters will like what said dj plays. Why then would he have to dictate what the dj plays, doesn't make sense to me or as I say am I missing something. 1 Link to comment Social source share More sharing options...
Guest Gogs Posted May 17, 2017 Share Posted May 17, 2017 4 hours ago, Twoshoes said: Not being argumentative here as this is something that has puzzled me for some time, I could be being a bit thick,slow or whatever but does this happen. Looking at it from a paying customers point of view I would rightly or wrongly assume a promoter books a Dj because he likes what they play having heard them somewhere else or by reputation, also because knowing his regular punters will like what said dj plays. Why then would he have to dictate what the dj plays, doesn't make sense to me or as I say am I missing something. As i said, although i don't DJ very often i am probably better known for playing oldies, i don't have many rare or expensive records but i am a bit of a collector and tend to pick up a lot of stuff i like (when i have a bit of spare cash) this includes modern and crossover that i couldn't play at my usual oldies nites, but i rarely get asked to do anything other than oldies. Link to comment Social source share More sharing options...
Girdwoodinc Posted May 18, 2017 Share Posted May 18, 2017 it's all one big fucking joke...we just don't know the punch line yet... 1 Link to comment Social source share More sharing options...
Ik001 Posted May 18, 2017 Share Posted May 18, 2017 (edited) On 5/12/2017 at 14:56, P S original said: Hope it dies , just sold a large chunk of my records for a lot of money because its now a joke , tv adverts films its f.... is this scene , the answer to the question is when they buy real quality records but then again it used to be about the records now its about mates and names Quite agree with your. remarks. I am old school, no talc, no silly swirly skirts as it is now so much in your face that it is becoming a "pop" culture. When my wife, Janice and I go out we do so to "be at one" to dance to a particular record, not taking F%%king selfies. I do resident at a monthly soul night and prefer to finish the night playing records that are ignored by some d.j's because they are cheapies, not in vogue at the moment or they have never heard of as they've only been into the music for 5 or 10 years not 45 years. It can be a struggle at times when you are playing these and someone comes up to and asks for The Exciters : Reaching for The Best to which you reply no don't have this one and he gets upset and says every decent northern Soul D.J. has this one. As for youngsters on the scene, how many have been nurtured by their parents? Enough said really could go on all night. Edited May 18, 2017 by ik001 2 Link to comment Social source share More sharing options...
Cover-up Posted May 19, 2017 Share Posted May 19, 2017 If you play records in public, you're a real DJ. If you play records in the house, you're a wannabe DJ. As Yoda famously said: "Do. Or do not. There is no try." 2 Link to comment Social source share More sharing options...
dean jj Posted May 19, 2017 Share Posted May 19, 2017 Yoda now there is a great DJ. Always breaking new tunes, intermingled with forgotten oldies, and current biggies, yet never retreating into the death star of the 500 empire. His manipulation of the double light sabers alone merits his inclusion in the DJing hall of fame 2 Link to comment Social source share More sharing options...
Zed1 Posted May 19, 2017 Share Posted May 19, 2017 A Northern soul DJ in 2017 is a very different animal to the Northern Soul DJ of 40 years ago given the huge change in the demographic of those attending your average 'Northern Soul & Motown Night', ie a bunch of young Kids eager to learn and experience new music as opposed to a bunch of Pensioners looking to get pissed and pull. These days many DJ's are little more than Jukeboxes, ie they only hold a few of the popular tunes and you put in a request and out pops Ruby Andrews and Dobie Gray. Quite literally M8. 1 Link to comment Social source share More sharing options...
Fred Benson Posted May 19, 2017 Share Posted May 19, 2017 14 hours ago, ik001 said: Quite agree with your. remarks. I am old school, no talc, no silly swirly skirts as it is now so much in your face that it is becoming a "pop" culture. When my wife, Janice and I go out we do so to "be at one" to dance to a particular record, not taking F%%king selfies. I do resident at a monthly soul night and prefer to finish the night playing records that are ignored by some d.j's because they are cheapies, not in vogue at the moment or they have never heard of as they've only been into the music for 5 or 10 years not 45 years. It can be a struggle at times when you are playing these and someone comes up to and asks for The Exciters : Reaching for The Best to which you reply no don't have this one and he gets upset and says every decent northern Soul D.J. has this one. As for youngsters on the scene, how many have been nurtured by their parents? Enough said really could go on all night. Well said........ 1 Link to comment Social source share More sharing options...
Popular Post Daz Mc Posted May 19, 2017 Popular Post Share Posted May 19, 2017 In my opinion a DJ gets booked for his / her taste..if we all had the same records in our box then u would only need one DJ all night...be varied, play something different to the rest and dont be afraid to believe in a tune even if others dont...after a few plays theyll soon come round to liking it 5 Link to comment Social source share More sharing options...
Popular Post NEV Posted May 19, 2017 Popular Post Share Posted May 19, 2017 Personally a wanna be dj becomes a real dj when he can use a mic to be able to interact with his audience and do it with confidence ......me, im just a guy with records who can put one on after the other and hoprfully, do it without making mistakes ..well, aside from picking the wrong records and emptying the floor,rather than putting the instrumental flip instead of the vocal or playing 45's at 33 ,cueing in with the volume up etc lol I think the question should be ...at what point does a wanna be dj become a desperate dj ? Is it when he attends venues and talks about himself and his collection to the promoter, or when he constantly makes podcasts promoting songs he has, but doesn't actually ever play out at venues or is it when he sets up his own nights to assure a spot ,then invites fellow promoters in turn for return favour . The best dj's are really talented ,the rest are still either wannabes or people who get invited to play their records, but don't really care if they don't innit ;) 4 Link to comment Social source share More sharing options...
Popular Post Girdwoodinc Posted May 19, 2017 Popular Post Share Posted May 19, 2017 Sorry Nev but the mic thing is so 70s and most people who use it either mumble or tell their life story instead of playing the records, personally the mic thing does not make a good DJ but I do agree that there are a few that use it very well and it works for them 4 Link to comment Social source share More sharing options...
Ged Parker Posted May 19, 2017 Share Posted May 19, 2017 If you play records in to a paying audience you're a DJ. Whether you're the right DJ for the audience, or even a competent DJ at all, is a different question. 2 Link to comment Social source share More sharing options...
Popular Post Len Posted May 19, 2017 Popular Post Share Posted May 19, 2017 1 hour ago, R Soul said: Sorry Nev but the mic thing is so 70s and most people who use it either mumble or tell their life story instead of playing the records, personally the mic thing does not make a good DJ but I do agree that there are a few that use it very well and it works for them I've always liked the 'Northern Soul Mumble', never understood a word, but always liked it! Len 5 Link to comment Social source share More sharing options...
Popular Post Geordiejohnson Posted May 19, 2017 Popular Post Share Posted May 19, 2017 (edited) 2 hours ago, NEV said: Personally a wanna be dj becomes a real dj when he can use a mic to be able to interact with his audience and do it with confidence ......me, im just a guy with records who can put one on after the other and hoprfully, do it without making mistakes ..well, aside from picking the wrong records and emptying the floor,rather than putting the instrumental flip instead of the vocal or playing 45's at 33 ,cueing in with the volume up etc lol I think the question should be ...at what point does a wanna be dj become a desperate dj ? Is it when he attends venues and talks about himself and his collection to the promoter, or when he constantly makes podcasts promoting songs he has, but doesn't actually ever play out at venues or is it when he sets up his own nights to assure a spot ,then invites fellow promoters in turn for return favour . The best dj's are really talented ,the rest are still either wannabes or people who get invited to play their records, but don't really care if they don't innit ;) I agree Nev, and of late i see people getting dj spots that.. lets face it they are soul lovers but not collectors or even djs who haveve started to buy a bit of vinyl, playing mediocre tunes, they self promote themselves on Fbook continually wanting attention posting their playlist, bumming up to promoters (when the next event is looming) ... and then blow me. people blow smoke up their arses saying or posting how great said persons mundane sets were (the same folk actually prior too were saying.."nowt special" common tunes. boring etc). Ive Djayed in clubs since the 80's, can use a mike, have promoted venues, and actually could care less if i DJ or not, but asked i will and play from the heart, and never ask to dj never bumm anyone and only post my plays if asked, Recently i was told about someone (just an average punter who has djayed sometimes ) but nothing to pull any trees up not a collector but has small selection of tunes, who was most upset that they weren't given a particular spot in a particular room at an event and let anyone who would listen know the fact, and sulked for quite a while over it..... that makes me puke. I probably dont wave my arms around enough or act like a sycophant to any promoter out there, to be asked... probably why i only go to one or two select venues now... the rest bore me, that's the sad thing... and 9 times out of 10 i hear better music in my conservatory than i do out. Humph im grumpy today Geeeooooordie Edited May 19, 2017 by geordiejohnson 5 Link to comment Social source share More sharing options...
Ik001 Posted May 19, 2017 Share Posted May 19, 2017 4 minutes ago, geordiejohnson said: I agree Nev, and of late i see people getting dj spots that.. lets face it they are soul lovers but not collectors or even djs who haveve started to buy a bit of vinyl, playing mediocre tunes, they self promote themselves on Fbook continually wanting attention posting their playlist, bumming up to promoters (when the next event is looming) ... and then blow me. people blow smoke up their arses saying or posting how great siad persons mundane sets were (the same folk actually prior too were saying.."nowt special" common tunes. boring etc). Ive Djayed in clubs since the 80's, can use a mike, have promoted venues, and actually could care less if i DJ or not, but asked i will and play from the heart, and never ask to dj never bumm anyone and only post my plays if asked, Recently i was told about someone (just an average punter who has djayed sometimes ) but nothing to pull any trees up not a collector but has small selection of tunes, who was most upset that they weren't given a particular spot in a particular room at an event and let anyone who would listen know the fact, and sulked for quite a while over it..... that makes me puke. I probably dont wave my arms around enough or act like a sycophant to any promoter out there, to be asked... probably why i only go to one or two select venues now... the rest bore me, that's the sad thing... and 9 times out of 10 i hear better music in my conservatory than i do out. Humph im grumpy today Geeeooooordie Spot on comments there. Would give you a reputation but can't find the button/link? Best, Ian 1 Link to comment Social source share More sharing options...
Guest Posted May 19, 2017 Share Posted May 19, 2017 (edited) 2 hours ago, R Soul said: Sorry Nev but the mic thing is so 70s and most people who use it either mumble or tell their life story instead of playing the records, personally the mic thing does not make a good DJ but I do agree that there are a few that use it very well and it works for them No it isn`t. It`s very important equipment which we use to bring the crowd together, keep them informed and to some extent educated where the 45 originates from, ie: Detroit, Chicago, Philly and as to why we sometimes link a few tracks together in a certain way. A lot of people also like to listen and not dance and the DJ plays his part with that. No mic, half a job! Edited May 19, 2017 by Guest Link to comment Social source share More sharing options...
Baz1 Posted May 19, 2017 Share Posted May 19, 2017 4 minutes ago, Steve Lane said: No it isn`t. It`s very important equipment which we use to bring the crowd together, keep them informed and to some extent educated where the 45 originates from, ie: Detroit, Chicago, Philly and as to why we sometimes link a few tracks together in a certain way. A lot of people also like to listen and not dance and the DJ plays his part with that. No mic, half a job! Most in a mumble Link to comment Social source share More sharing options...
Steve S 60 Posted May 19, 2017 Share Posted May 19, 2017 3 minutes ago, Steve Lane said: No it isn`t. It`s very important equipment which we use to bring the crowd together, keep them informed and to some extent educated where the 45 originates from, ie: Detroit, Chicago, Philly and as to why we sometimes link a few tracks together in a certain way. A lot of people also like to listen and not dance and the DJ plays his part with that. No mic, half a job! Agreed. It's good to hear what the DJ has to say (most of the time), whether it's announcing the record, acknowledging the previous DJ's efforts, or calling out the raffle. 1 Link to comment Social source share More sharing options...
Mellorful Posted May 19, 2017 Share Posted May 19, 2017 2 hours ago, ged parker said: If you play records in to a paying audience you're a DJ. Whether you're the right DJ for the audience, or even a competent DJ at all, is a different question. If wanted or had a venue Ged you would be up there of people to ask to become a resident, you got the tunes, know how to play them and communicate well. Link to comment Social source share More sharing options...
NEV Posted May 19, 2017 Share Posted May 19, 2017 3 hours ago, R Soul said: Sorry Nev but the mic thing is so 70s and most people who use it either mumble or tell their life story instead of playing the records, personally the mic thing does not make a good DJ but I do agree that there are a few that use it very well and it works for them Ironically, I'd have agreed with you but it was the 70's when you couldn't make out a word but everyone used the mic lol I'm not disrespecting people who don't use a mic Dave , which is why I probably prefer small clubs that play the right music and don't insist on the mic but even in those places , a guy / gal who knows the art of the mic can turn up the atmosphere / arouse the crowd. I for one totally respect someone who can add some background history to a particular artist or record and do it without mumbling or talking mumbo jumbo . 2 Link to comment Social source share More sharing options...
Woodbutcher Posted May 19, 2017 Share Posted May 19, 2017 1 hour ago, geordiejohnson said: I agree Nev, and of late i see people getting dj spots that.. lets face it they are soul lovers but not collectors or even djs who haveve started to buy a bit of vinyl, playing mediocre tunes, they self promote themselves on Fbook continually wanting attention posting their playlist, bumming up to promoters (when the next event is looming) ... and then blow me. people blow smoke up their arses saying or posting how great said persons mundane sets were (the same folk actually prior too were saying.."nowt special" common tunes. boring etc). Ive Djayed in clubs since the 80's, can use a mike, have promoted venues, and actually could care less if i DJ or not, but asked i will and play from the heart, and never ask to dj never bumm anyone and only post my plays if asked, Recently i was told about someone (just an average punter who has djayed sometimes ) but nothing to pull any trees up not a collector but has small selection of tunes, who was most upset that they weren't given a particular spot in a particular room at an event and let anyone who would listen know the fact, and sulked for quite a while over it..... that makes me puke. I probably dont wave my arms around enough or act like a sycophant to any promoter out there, to be asked... probably why i only go to one or two select venues now... the rest bore me, that's the sad thing... and 9 times out of 10 i hear better music in my conservatory than i do out. Humph im grumpy today Geeeooooordie Nice bit of self-promotion there ... expect to see a 'do' in your conservatory listed very soon ... Humph I'm cantankerous today ... 1 Link to comment Social source share More sharing options...
Frankie Crocker Posted May 19, 2017 Share Posted May 19, 2017 2 hours ago, geordiejohnson said: I agree Nev, and of late i see people getting dj spots that.. lets face it they are soul lovers but not collectors or even djs who haveve started to buy a bit of vinyl, playing mediocre tunes, they self promote themselves on Fbook continually wanting attention posting their playlist... Recently i was told about someone (just an average punter who has djayed sometimes ) but nothing to pull any trees up not a collector but has small selection of tunes, who was most upset that they weren't given a particular spot in a particular room at an event and let anyone who would listen know the fact, and sulked for quite a while over it..... that makes me puke. Does an upset DJ chuck their records out of the box if they they've not got a pram to throw their toys out of? And where do upset Wannabe DJ's go for counselling if there's no cloakroom at the venue? 3 Link to comment Social source share More sharing options...
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