Drew3 Posted October 24, 2006 Posted October 24, 2006 Followed many of the debates on here with great interest and clearly what is one person's 'played out oldlie' is not so for another. What is also clear is that what is being played in one area might be a 'poo' (sorry ) elsewhere. So, what are the present 'played out oldies' for you? Mine would be (and not to say they arn't great records): Better Use Your Dead - Little Anthony & The Imperials. You Don't Love Me - Epitome of Sound. One of these two seems to be played each time I go out! Not looking to start any sort of debate just interested to see if what is new to me etc.is someone else's poo? KTF. Drew.
steve z Posted October 24, 2006 Posted October 24, 2006 Followed many of the debates on here with great interest and clearly what is one person's 'played out oldlie' is not so for another. What is also clear is that what is being played in one area might be a 'poo' (sorry ) elsewhere. So, what are the present 'played out oldies' for you? Mine would be (and not to say they arn't great records): Better Use Your Dead - Little Anthony & The Imperials. You Don't Love Me - Epitome of Sound. One of these two seems to be played each time I go out! Not looking to start any sort of debate just interested to see if what is new to me etc.is someone else's poo? KTF. Drew. Hi Drew, tunes for home consumption IMO.ATB STeve
Dendog Posted October 24, 2006 Posted October 24, 2006 (edited) HI Drew As a promoter of the Fez an Oldies Only Venue my answer to this question is If you put a record on the decks thats new!!! out of ten would get up and dance? But if you put say a burnt out oldie on such as Frank Wilson Do I love, no matter what venue you are at out of ten would get up. I can only say there are 1000's of oldies records that are still played at the Fez there are four dj's on you might get a record played twice but not often so thats 100+ in one night some say same old same old songs but we like them and the floor proves that but if a venue or promoter are turning to cross the board policy then you would hear less of the oldies and more of the modern but i would not knock them because they are pleasing the other soulies but burnt out oldies never i cut my first teeth on them but Drew good question dendog Edited October 24, 2006 by Dendog
Supercorsa Posted October 24, 2006 Posted October 24, 2006 This has always puzzled me, who decides what is or isn't a played out oldie? And why is it, that in some cases the played out oldies still go for quite large sums of money?
Sharon Cooper Posted October 24, 2006 Posted October 24, 2006 HI Drew As a promoter of the Fez an Oldies Only Venue my answer to this question is If you put a record on the decks thats new!!! out of ten would get up and dance? But if you put say a burnt out oldie on such as Frank Wilson Do I love, no matter what venue you are at out of ten would get up. I can only say there are 1000's of oldies records that are still played at the Fez there are four dj's on you might get a record played twice but not often so thats 100+ in one night some say same old same old songs but we like them and the floor proves that but if a venue or promoter are turning to cross the board policy then you would hear less of the oldies and more of the modern but i would not knock them because they are pleasing the other soulies but burnt out oldies never i cut my first teeth on them but Drew good question dendog "'A'cross the board policy then you would hear less of the oldies and more of the modern" Just as a matter of interest what would constitute a 'modern' record to you? As I have had many discussions with people regarding what they would say is a modern record when in fact its as old as the hills but has not been heard by them before and has a slightly different sound to it! There is in fact far too much elitism and sectarianism in my opinion in the scene. If you are going to try and give a name to a section of the scene such as 'modern' then I think there needs to be some clarification as to what is actually meant. I have my opinion of what 'modern' means and I know that I would not hear that at our night but we would say that we play Across the board. A comment such as that highlighted just serves to create a greater sense of division.
Dendog Posted October 24, 2006 Posted October 24, 2006 (edited) This has always puzzled me, who decides what is or isn't a played out oldie? And why is it, that in some cases the played out oldies still go for quite large sums of money? thats a good one ask any dj to sell there oldies because they dont play them any more watch ther faces dendog Edited October 24, 2006 by Dendog
Dendog Posted October 24, 2006 Posted October 24, 2006 (edited) "'A'cross the board policy then you would hear less of the oldies and more of the modern" Just as a matter of interest what would constitute a 'modern' record to you? As I have had many discussions with people regarding what they would say is a modern record when in fact its as old as the hills but has not been heard by them before and has a slightly different sound to it! There is in fact far too much elitism and sectarianism in my opinion in the scene. If you are going to try and give a name to a section of the scene such as 'modern' then I think there needs to be some clarification as to what is actually meant. I have my opinion of what 'modern' means and I know that I would not hear that at our night but we would say that we play Across the board. A comment such as that highlighted just serves to create a greater sense of division. Modern, crossover, you tell me ?? but in my youth you would not get Pressure or Party Time Man, Third Window & so on even though they are good tunes elitism and sectarianism donnt let us get teco Edited October 24, 2006 by Dendog
Pete S Posted October 24, 2006 Posted October 24, 2006 If you are going to try and give a name to a section of the scene such as 'modern' then I think there needs to be some clarification as to what is actually meant. The actual definition is: "shit records that don't sound like 60's soul"
Pete S Posted October 24, 2006 Posted October 24, 2006 The Epitome Of Sound must have been played at more or less every venue since it was first discovered in 73. And rightly so! There are probably only 3 or 4 better Northern records ever made. So no wonder people want to hear it and dance to it. I don't play my records very often byut when I do, I always play that...and Little Anthony...and maybe 30 or 40 more, but it'll always be the same ones I keep going back to because asically - they are the best records!
Dendog Posted October 24, 2006 Posted October 24, 2006 The actual definition is: "shit records that don't sound like 60's soul" nice one pete but would have not been so blunt but this is getting away from Drews question dendog
Sharon Cooper Posted October 24, 2006 Posted October 24, 2006 Modern, crossover, you tell me ?? but in my youth you would not get Pressure or Party Time Man, Third Window & so on even though they are good tunes elitism and sectarianism donnt let us get teco I think you were the one who mentioned 'modern' so the onus is really on you I think to clarify what you mean. Sorry don't quite understand the term 'TECO' either. Is that some type of 'Oldie' I've yet to have the pleasure of hearing??If we guess that your 'youth' was mid 1960's to mid 70's then do mid to late 70's tunes constitute modern to you? Anything that wasn't heard by you in your youth is modern then? Just really trying to see what is behind all this oldies and modern talk. Even though I think the whole subject has been done to death on here.
Drew3 Posted October 24, 2006 Author Posted October 24, 2006 I had hoped to avoid such a discussion, but I suppose it was inevitable. What I was looking for from the post was records to be named. Purpose is to simply see what the choices would be. I'm discovering 'new to me' sounds all the time and it would be interesting to see if any of them fit the bill as someone else's 'played out' record? Easier to ask what yours are as opposed to me trying to list, as there are so many 'new to me' records that are 'old' sounds to someone else, if you see what I mean? Go on. Name your 'played out oldies' for me. It's all part of my education! KTF. Drew.
Pete S Posted October 24, 2006 Posted October 24, 2006 nice one pete but would have not been so blunt It's just a laugh mate... true though
Guest Bearsy Posted October 24, 2006 Posted October 24, 2006 The actual definition is: "shit records that don't sound like 60's soul" What are you trying to say Pete ? did you miss the 70`s and 80`s in your quest for quality black soul music from the 60`s era
Pete S Posted October 24, 2006 Posted October 24, 2006 Drew I am removing 20 records from my own collection box, I haven't got many, maybe 100 or so of my favourites, 10 are played out oldies, 10 are not played out oldies, I wonder if people will think the same way.. bear in mind this isn't actually a playlist, they are just some my favourite records BOBBY REED - I'LL FIND A WAY INNOCENT BYSTANDERS - FRANTIC ESCAPE DEL ROYALS - MAN OF VALUE STER PHONICS - DON'T LEAVE ME EMANUEL LASKEY - LUCKY TO BE LOVED HONEY BEES - NEVER IN A MILLION YEARS PATTI AUSTIN - HE'S GOOD ENOUGH FOR ME MONIQUE - IF YOU LOVE ME LANDY - DOCTOR GOOD SOUL LITTLE ANN - WHEN HE'S NOT AROUND (WHAT SHOULD I DO) JJ BARNES - PLEASE LET ME IN RICHARD TEMPLE - THAT BEATIN RHYTHM NATURAL FOUR - I THOUGHT YOU WERE MINE FRANKIE CROCKER - TON OF DYNAMITE JOANIE SOMERS - DON'T PITY ME VOLCANOS - THE LAWS OF LOVE YUM YUMS - GONNA BE A BIG THING COASTERS - CRAZY BABY DYNAMICS - I NEED YOUR LOVE DETROIT EXECUTIVES - COOL OFF mix them all together though and you have a half decent hour of listening
steve z Posted October 24, 2006 Posted October 24, 2006 The Epitome Of Sound must have been played at more or less every venue since it was first discovered in 73. And rightly so! There are probably only 3 or 4 better Northern records ever made. So no wonder people want to hear it and dance to it. I don't play my records very often byut when I do, I always play that...and Little Anthony...and maybe 30 or 40 more, but it'll always be the same ones I keep going back to because asically - they are the best records! BUT Pete you play them at HOME.......ATB Steve
Pete S Posted October 24, 2006 Posted October 24, 2006 What are you trying to say Pete ? did you miss the 70`s and 80`s in your quest for quality black soul music from the 60`s era I remain uninterested in the sound of the 70's and 80's my friend. Apart from a few. BUT Pete you play them at HOME.......ATB Steve Well thats because I don't dj Steve...where else am I supposed to play them?
Dendog Posted October 24, 2006 Posted October 24, 2006 (edited) I think you were the one who mentioned 'modern' so the onus is really on you I think to clarify what you mean. Sorry don't quite understand the term 'TECO' either. Is that some type of 'Oldie' I've yet to have the pleasure of hearing??If we guess that your 'youth' was mid 1960's to mid 70's then do mid to late 70's tunes constitute modern to you? Anything that wasn't heard by you in your youth is modern then? Just really trying to see what is behind all this oldies and modern talk. Even though I think the whole subject has been done to death on here. sharon my youth!!!! i loved it soul was here and we can say its to stay do you agree on that the beat is what its all about sharon dendog Edited October 24, 2006 by Dendog
steve z Posted October 24, 2006 Posted October 24, 2006 Drew I am removing 20 records from my own collection box, I haven't got many, maybe 100 or so of my favourites, 10 are played out oldies, 10 are not played out oldies, I wonder if people will think the same way.. bear in mind this isn't actually a playlist, they are just some my favourite records BOBBY REED - I'LL FIND A WAY INNOCENT BYSTANDERS - FRANTIC ESCAPE DEL ROYALS - MAN OF VALUE STER PHONICS - DON'T LEAVE ME EMANUEL LASKEY - LUCKY TO BE LOVED HONEY BEES - NEVER IN A MILLION YEARS PATTI AUSTIN - HE'S GOOD ENOUGH FOR ME MONIQUE - IF YOU LOVE ME LANDY - DOCTOR GOOD SOUL LITTLE ANN - WHEN HE'S NOT AROUND (WHAT SHOULD I DO) JJ BARNES - PLEASE LET ME IN RICHARD TEMPLE - THAT BEATIN RHYTHM NATURAL FOUR - I THOUGHT YOU WERE MINE FRANKIE CROCKER - TON OF DYNAMITE JOANIE SOMERS - DON'T PITY ME VOLCANOS - THE LAWS OF LOVE YUM YUMS - GONNA BE A BIG THING COASTERS - CRAZY BABY DYNAMICS - I NEED YOUR LOVE DETROIT EXECUTIVES - COOL OFF mix them all together though and you have a half decent hour of listening Hi Pete ,BIG toe and all that THEY ARE DEFINATELY ...ALL OLDIES....ATB STEVE
Guest Bearsy Posted October 24, 2006 Posted October 24, 2006 I mentioned on another topic on here recently that a favourite tune of mine is, Ruby Andrews - Just loving you, and someone kindly posted in no uncertain words that it was an overplayed piece of shite, When i have played it out the floor reaction has always been superb and many have even requested it as they know i always carry it in my box, If anyone has an overplayed box of oldies that they no longer want i have cash waiting for your scrap but only if they are in mint condition as you would never of played them and obviously cheap as they must be worthless.
Supercorsa Posted October 24, 2006 Posted October 24, 2006 Apparently this is a played out oldie, yet I've only heard it twice in the past 5 years or so. It makes Pete's list less played out.
Simsy Posted October 24, 2006 Posted October 24, 2006 If you were locked in a room for 2 hours with Kiss FM blasting out, then any of the above came on .. I for one would be doing f***ing flips & twists! All good soul in the mix (ish). It's the modern played out oldies .. That's the thing.. :secret:
Guest Bearsy Posted October 24, 2006 Posted October 24, 2006 Drew I am removing 20 records from my own collection box, I haven't got many, maybe 100 or so of my favourites, 10 are played out oldies, 10 are not played out oldies, I wonder if people will think the same way.. bear in mind this isn't actually a playlist, they are just some my favourite records BOBBY REED - I'LL FIND A WAY INNOCENT BYSTANDERS - FRANTIC ESCAPE DEL ROYALS - MAN OF VALUE STER PHONICS - DON'T LEAVE ME EMANUEL LASKEY - LUCKY TO BE LOVED HONEY BEES - NEVER IN A MILLION YEARS PATTI AUSTIN - HE'S GOOD ENOUGH FOR ME MONIQUE - IF YOU LOVE ME LANDY - DOCTOR GOOD SOUL LITTLE ANN - WHEN HE'S NOT AROUND (WHAT SHOULD I DO) JJ BARNES - PLEASE LET ME IN RICHARD TEMPLE - THAT BEATIN RHYTHM NATURAL FOUR - I THOUGHT YOU WERE MINE FRANKIE CROCKER - TON OF DYNAMITE JOANIE SOMERS - DON'T PITY ME VOLCANOS - THE LAWS OF LOVE YUM YUMS - GONNA BE A BIG THING COASTERS - CRAZY BABY DYNAMICS - I NEED YOUR LOVE DETROIT EXECUTIVES - COOL OFF mix them all together though and you have a half decent hour of listening they are all Over played shite Pete. how much for all of them in a job lot Bearsy
Drew3 Posted October 24, 2006 Author Posted October 24, 2006 Hi Pete ,BIG toe and all that THEY ARE DEFINATELY ...ALL OLDIES....ATB STEVE Maybe they are oldies Steve but where are they played out reguarly enough for someone to have a legit moan that they're 'played out'? I know Pete's list are oldies but the only one from it that I can say I've have heard out reasonably regular is the Emanuel Laskey. KTF. Drew.
Sharon Cooper Posted October 24, 2006 Posted October 24, 2006 I had hoped to avoid such a discussion, but I suppose it was inevitable. What I was looking for from the post was records to be named. Purpose is to simply see what the choices would be. I'm discovering 'new to me' sounds all the time and it would be interesting to see if any of them fit the bill as someone else's 'played out' record? Easier to ask what yours are as opposed to me trying to list, as there are so many 'new to me' records that are 'old' sounds to someone else, if you see what I mean? Go on. Name your 'played out oldies' for me. It's all part of my education! KTF. Drew. The list for me would include: What I ain't going nowhere Talk of the grapevine You didn't say a word I've got to find me somebody Time Call me(??) ANY Tommy Hunt stuff My weakness is you Wade in the water Baby hit and run + others but its giving me a head ache to think about them Do I Love You (Indeed I Do)
Pete S Posted October 24, 2006 Posted October 24, 2006 they are all Over played shite Pete. how much for all of them in a job lot Bearsy You don't want to start buying pressings mate The list for me would include: What I ain't going nowhere Talk of the grapevine You didn't say a word I've got to find me somebody Time Call me(??) ANY Tommy Hunt stuff My weakness is you Wade in the water Baby hit and run + others but its giving me a head ache to think about them Do I Love You (Indeed I Do) You're spot on with that list...local youth club back in the 70's, now local soul club!
Guest Bearsy Posted October 24, 2006 Posted October 24, 2006 You don't want to start buying pressings mate You're spot on with that list...local youth club back in the 70's, now local soul club! Pete now you know that is another subject altogether , BTW i love the Joannie Sommers
Guest Posted October 24, 2006 Posted October 24, 2006 BUT Pete you play them at HOME.......ATB Steve I'm intrigued enough to ask Steve, you have a one hour spot 11pm at the infamous Right Track Club Peterborough, 300+ in, go on what would YOU play???
Guest Simon Posted October 24, 2006 Posted October 24, 2006 This whole conversation is a red herring, a record only comes across as an oldie if the dj doesn't use his imagination & instinct. Take Frank Wilson for instance, this will probably to your average punter sound fairly boring when played amongst a bunch of obvious records but played in amongst some more enlightening choices it will sound fresh & vibrant. It's not the records that are played out oldies but infact the djs who don't use any imagination & the dancers who blank anything apart from the obvious, all IMHO of course. Simon
Dendog Posted October 24, 2006 Posted October 24, 2006 The list for me would include: What I ain't going nowhere Talk of the grapevine You didn't say a word I've got to find me somebody Time Call me(??) ANY Tommy Hunt stuff My weakness is you Wade in the water Baby hit and run + others but its giving me a head ache to think about them Do I Love You (Indeed I Do) play this little lot at any venue then watch the floor
Drew3 Posted October 24, 2006 Author Posted October 24, 2006 The list for me would include: What I ain't going nowhere Talk of the grapevine You didn't say a word I've got to find me somebody Time Call me(??) ANY Tommy Hunt stuff My weakness is you Wade in the water Baby hit and run + others but its giving me a head ache to think about them Do I Love You (Indeed I Do) From my trips out Bridget, on your list I'd count: Baby Hit And Run and of course; how could I not have said origionally, Do I love You, which is the ultimate 'poo'. KTF. Drew.
Chalky Posted October 24, 2006 Posted October 24, 2006 This whole conversation is a red herring, a record only comes across as an oldie if the dj doesn't use his imagination & instinct. Take Frank Wilson for instance, this will probably to your average punter sound fairly boring when played amongst a bunch of obvious records but played in amongst some more enlightening choices it will sound fresh & vibrant. Simon Would it, not to me it wouldn't
Sharon Cooper Posted October 24, 2006 Posted October 24, 2006 play this little lot at any venue then watch the floor Exactly...wheres the imagination?
Guest Baz Posted October 24, 2006 Posted October 24, 2006 play this little lot at any venue then watch the floor Empty
Pete S Posted October 24, 2006 Posted October 24, 2006 Let me say something controversial here then, this works both ways, one of the reasons I've stopped going out round here is because it's usually the same people dj-ing at every venue. Now don't get me wrong, these guys are really good and they have brilliant records - but they do tend to play the same records most of the time. And here's the twist. These records often include records with an average price of £500 upwards. So while these records may not be played at all venues, they do seem to be played round here too much, so just because you pay tons of money for a record, does that mean it has to be played at every event? Empty
Guest Bearsy Posted October 24, 2006 Posted October 24, 2006 Let me say something controversial here then, this works both ways, one of the reasons I've stopped going out round here is because it's usually the same people dj-ing at every venue. Now don't get me wrong, these guys are really good and they have brilliant records - but they do tend to play the same records most of the time. And here's the twist. These records often include records with an average price of £500 upwards. So while these records may not be played at all venues, they do seem to be played round here too much, so just because you pay tons of money for a record, does that mean it has to be played at every event? That also includes the quality of the £500 + tune too, at least overplayed oldies are still being talked about and the reason maybe being is that they may not want to be heard when you go out but they are still liked very much by most. great point of view that Pete.
Sharon Cooper Posted October 24, 2006 Posted October 24, 2006 Exactly...wheres the imagination? Ok I'll say my bit now the missus has said hers,,, First if its in the groove that counts then there is no such thing as an oldie, modern tune , cross over or what, because all that counts is in the groove, secondly if its all that is in the groove, why do people run 'oldies nights' and advertise them as for 'soulies only' as if they are the only people who know what soul music is. again there is no such thing as an oldie because just about everything we play is old and when we went to our youth clubs and early soul nights weren't we in fact listening to modern music????, well we didn't know what it was and we had never heard it before, so at best it had to be crossover. No, oldies are to do with nostalgia and going out and listening to them again is a nostalgia trip. To be true to northern soul you have to remember what northern soul was about and that was discovering 'new music' rare and obscure records, the rarer the better. That remains for me the heart of northern soul. I love my oldies and I do like to hear them but going to some soul nights is like listening to the oldies radio stations. We can keep the oldies (played out tunes) but we need to rediscover some of the excellent oldies never or hardly ever played whilst remaining true to the desire to discover new music.
Guest Simon Posted October 24, 2006 Posted October 24, 2006 Let me say something controversial here then, this works both ways, one of the reasons I've stopped going out round here is because it's usually the same people dj-ing at every venue. Now don't get me wrong, these guys are really good and they have brilliant records - but they do tend to play the same records most of the time. And here's the twist. These records often include records with an average price of £500 upwards. So while these records may not be played at all venues, they do seem to be played round here too much, so just because you pay tons of money for a record, does that mean it has to be played at every event? Tis a good point the money thing & a very easy trap to fall into, obviously if people have shelled out a large wedge for a tune they are gonna want to play it even if it's not appropriate to do it for that particular set/do but because you've laid out so much for it you feel compelled to play it. If people could get over this money hurdle i think you'd start to hear a lot morre varied sets & different tunes being played. Simon
Guest Simon Posted October 24, 2006 Posted October 24, 2006 I love my oldies and I do like to hear them but going to some soul nights is like listening to the oldies radio stations. I agree with this but it's not just the oldies some tunes that have gone big in the last 5 years have been hammered to death as though they were oldies, yer 'Deep dark secret', JW's 'Because of you' etc. As i said before a serious lack of imagination from both the DJs & dancers alike. Simon
Dendog Posted October 24, 2006 Posted October 24, 2006 (edited) Here is some for the bonfire Nov 5th they will be well burnt out Cottonmouth - Treat You Kindly C B Overton - If I Can't Stop You Mangetic Touch - Will You Stay With Me Chapter Three - I'll Never Be The Same Again font=Times]Driza-Bone - Rear Love font=Times]Driza-Bone - Pressure Benny troy - Stranger in Paradise Paulette Reeves - Jazz freak Any one of Sister Sledge I Have AND SOME -----STAIT ON THE FIRE dendog Edited October 24, 2006 by Dendog
Tabs Posted October 24, 2006 Posted October 24, 2006 Back to the original topic my 4 overplayed (but still great) records are: Dana Valery - You don't know where your interest lies. Johnny Caswell - You don't love me anymore Eddie parker - I'm gone Rita and the Tiara's - Gone with the wind
Pete S Posted October 24, 2006 Posted October 24, 2006 Here is some for the bonfire Nov 5th they will be well burnt out Cottonmouth - Treat You Kindly C B Overton - If I Can't Stop You Mangetic Touch - Will You Stay With Me Chapter Three - I'll Never Be The Same Again font=Times]Driza-Bone - Rear Love font=Times]Driza-Bone - Pressure Benny troy - Stranger in Paradise Paulette Reeves - Jazz freak Any one of Sister Sledge I Have AND SOME -----STAIT ON THE FIRE dendog I quite like that Pressure track and I think Thinking Of You by Sister Sledge is one of the best records ever made, but I'll give you some petrol to pour on the rest of them, despite me never having heard any of them
Drew3 Posted October 24, 2006 Author Posted October 24, 2006 Here is some for the bonfire Nov 5th they will be well burnt out Cottonmouth - Treat You Kindly C B Overton - If I Can't Stop You Mangetic Touch - Will You Stay With Me Chapter Three - I'll Never Be The Same Again font=Times]Driza-Bone - Rear Love font=Times]Driza-Bone - Pressure Benny troy - Stranger in Paradise Paulette Reeves - Jazz freak Any one of Sister Sledge I Have AND SOME -----STAIT ON THE FIRE dendog Don't think I've heard any of these Dendog, let alone played out, which sort of proves the point of 'one man's played out....... is another man's' etc.etc. KTF. Drew.
Guest Posted October 24, 2006 Posted October 24, 2006 (edited) bonfire i have some for that Edited October 24, 2006 by 5.OUL
Guest Simon Posted October 24, 2006 Posted October 24, 2006 what about that sad sack record by T.J Williams - & Pat & The Blenders - Just Because can i put these on your fire please dendog drew some digs me i dig them back dendog Can't think why you'd want to put Pat & the Blenders on the bonfire, for sure it's overplayed but brilliant nonetheleess! Simon
Drew3 Posted October 24, 2006 Author Posted October 24, 2006 drew some digs me i dig them back dendog Don't follow! KTF. Drew.
Russoul1 Posted October 24, 2006 Posted October 24, 2006 I'm intrigued enough to ask Steve, you have a one hour spot 11pm at the infamous Right Track Club Peterborough, 300+ in, go on what would YOU play??? sorry just had to answer this one, and no disrespect to any dj, promoters etc right, got my cd box, bootlegs, vinyl carvers, reissues, etc plus my one and only original - interplay on orange rca yes ready to go, need say no more but the 300+ crowd love it........theres your answer paul russ ps, before anyone asks its a joke regards interplay, original etc
Guest Rich Posted October 24, 2006 Posted October 24, 2006 I know Pete's list are oldies but the only one from it that I can say I've have heard out reasonably regular is the Emanuel Laskey. KTF. Drew. Lucky chap - what a great record Can't remember when I last heard it out - although it gets a regular play on my personal squawk box.
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