mischief Posted August 13, 2006 Posted August 13, 2006 Ok w have one for dj's and one for dancers... this is for the dancers only not dj's who dance (probably badly aswell)
Guest Posted August 13, 2006 Posted August 13, 2006 I'd like to think originals but if your dancing you wouldn't know unless you checked the decks after every record...."original"..."original"..."ohh no, I just danced to a bootleg!" My vote is cast
Epic Posted August 13, 2006 Posted August 13, 2006 Frank Wilson? How many original copies? Certainly not enough for the amount of times the record has been played & danced to over the last 20 years. Never heard a promoter say over the mic. "Unfotunately Mr. Kenny Burrell is not appearing here tonight - please do not offend the DJs by asking for Frank Wilson as none of them have it." I totally agree that original is best in both credibility & sound quality . However I have a problem with people who totally dimiss CDs.I don't mean "Dale Wintons - Now That's What I Call Northern" compilations. I am talking about quality previously unreleased stuff from Motown - RCA etc. I think the whole idea of releasing them is so people can hear them properly & not off some dodgy acetate that some top jock is playing. The last Cellarful of Motown had two blinding (previously unreleased) tracks by JJ Barnes - they of course will never get played - that is a crying shame.
Supercorsa Posted August 13, 2006 Posted August 13, 2006 I am talking about quality previously unreleased stuff from Motown - RCA etc. I think the whole idea of releasing them is so people can hear them properly & not off some dodgy acetate that some top jock is playing. The last Cellarful of Motown had two blinding (previously unreleased) tracks by JJ Barnes - they of course will never get played - that is a crying shame. Bet they do, Vinyl Carvers anyone?
grant Posted August 13, 2006 Posted August 13, 2006 If I was on the dancefloor and someone played something nice and fast like the CODs She's Fire - wouldnt give a flying f**k what it was on the decks at the time
John Murphy Posted August 13, 2006 Posted August 13, 2006 If I was on the dancefloor and someone played something nice and fast like the CODs She's Fire - wouldnt give a flying f**k what it was on the decks at the time As if it makes the slightest difference, as long as it's a good tune.
Martyn Pitt Posted August 13, 2006 Posted August 13, 2006 ... this is for the dancers only not dj's who dance (probably badly aswell) Have you seen me dancing...I mean really dancing? Martyn
Guest Andy BB Posted August 13, 2006 Posted August 13, 2006 If I was on the dancefloor and someone played something nice and fast like the CODs She's Fire - wouldnt give a flying f**k what it was on the decks at the time if I was on the dancefloor and I then found out the DJ was playing a boot I'd run to the loo, vomit in disgust and then leave never to return, pausing only briefly to make wa*ker signs at the chav behind the decks.
Guest ON HUBERT STREET Posted August 13, 2006 Posted August 13, 2006 if I was on the dancefloor and I then found out the DJ was playing a boot I'd run to the loo, vomit in disgust and then leave never to return, pausing only briefly to make wa*ker signs at the chav behind the decks. YEAH!!!
grant Posted August 13, 2006 Posted August 13, 2006 if I was on the dancefloor and I then found out the DJ was playing a boot I'd run to the loo, vomit in disgust and then leave never to return, pausing only briefly to make wa*ker signs at the chav behind the decks. dont talk s****e
Guest Andy BB Posted August 13, 2006 Posted August 13, 2006 Oooh get you! OK, I exaggerated, I wouldn't vomit, but I would definitely do one, and I would make a w*nker sign.
grant Posted August 13, 2006 Posted August 13, 2006 Oooh get you! OK, I exaggerated, I wouldn't vomit, but I would definitely do one, and I would make a w*nker sign. check the decks everytime somebody spins something that might be a bit rare to see if its an original or not do you, must do that before I have a dance
Guest Andy BB Posted August 13, 2006 Posted August 13, 2006 check the decks everytime somebody spins something that might be a bit rare to see if its an original or not do you, must do that before I have a dance No, it's much simpler than that. Just don't go to shite clubs where they play fake records.
Epic Posted August 13, 2006 Posted August 13, 2006 Bet they do, Vinyl Carvers anyone? IMHO Vinyl Carvers are worse than boots/reissues/cds. Ooops forget, we would miss out on those "WONDERFUL" Funk Brothers Motown instrumentals DO I LOVE THEM - INDEED I DON'T.
Soulsmith Posted August 13, 2006 Posted August 13, 2006 Personally I prefer boots. The perceived pitch of a sound is just the ear's response to frequency, ie, for most practical purposes the pitch is just the frequency. Pitch is a term used to describe the frequency of sound waves. The normal range of human hearing is from about 20 Hz to 20 000 Hz. And thus I can pick them up much better with my hearing aid.
Dave Fleming Posted August 13, 2006 Posted August 13, 2006 IMHO Vinyl Carvers are worse than boots/reissues/cds. Why is that??,if someone has brought or owned the Orig Lp or legit Cd,or been giving an unreleased track on a Cdr, why should they not get a track cut on to 45 if it makes life easier for them,but if your talking about cutting big rare 45s they don`t own then plying them out well that`s a different game so to speak Dave f..............
Guest dundeedavie Posted August 13, 2006 Posted August 13, 2006 Why is that??,if someone has brought or owned the Orig Lp or legit Cd,or been giving an unreleased track on a Cdr, why should they not get a track cut on to 45 if it makes life easier for them,but if your talking about cutting big rare 45s they don`t own then plying them out well that`s a different game so to speak Dave f.............. absolutely , if something is cd only release or album only , you travel a lot and can't carry albums but own the artist original album then why not
chrissie Posted August 13, 2006 Posted August 13, 2006 (edited) ooooooops so sorry, wrong thread, i thought it said Pole Dancers and was going to rant and say "what i do in the privacy of my own living room is my business" Anastasia Beaverhousen Edited August 13, 2006 by chrissieo
asboannie Posted August 13, 2006 Posted August 13, 2006 (edited) No, it's much simpler than that. Just don't go to shite clubs where they play fake records. Several times, I have walked our of all lighters and evening doo's, because they play boot's. When I bay the money on the door I want to hear the originals. Edited August 13, 2006 by asboannie
grant Posted August 13, 2006 Posted August 13, 2006 Several times, I have walked our of all lighters and evening doo's, because they play boot's. When I bay the money on the door I want to hear the originals. bet the other 99.9% who were dancing didnt give a toss tho'
asboannie Posted August 13, 2006 Posted August 13, 2006 (edited) bet the other 99.9% who were dancing didnt give a toss tho' They diden't, but it was 5 of us at the time . Will never go back again. Edited August 13, 2006 by asboannie
Guest mrs norman maine Posted August 13, 2006 Posted August 13, 2006 I'd like to think originals but if your dancing you wouldn't know unless you checked the decks after every record...."original"..."original"..."ohh no, I just danced to a bootleg!" My vote is cast Me too!
asboannie Posted August 13, 2006 Posted August 13, 2006 (edited) Surely the sound over the systems tells you the quality of the record alone. Edited August 13, 2006 by asboannie
grant Posted August 13, 2006 Posted August 13, 2006 Surely the sound over the systems tells you the quality of the record alone. no not all the time as there are probably a lot of good boots out there and a lot of poor sound systems too.the argument here is not of being a collector, but about being a dancer enjoying themselves with whats being played - if djs just played out crap 'rarities' all nite that were poor, undanceable etc (have seen this before too) then I wouldnt walk out, but I wouldnt go back again. Last soul nite I went to the dj played a blinder. not sure if they were all originals or not (knowing the cap who was djing it is unlikely) but me and about 150 others were having a ball
Guest Posted August 13, 2006 Posted August 13, 2006 but me and about 150 others were having a ball Which is the whole point of going out to a club - otherwise you could just nip round peoples houses and thumb through each others records and view/talk about them in full light and not under the influence of anything. You can't really talk in a club, well I can't - I'm a bit deaf when the musics played loud
Joto Posted August 13, 2006 Posted August 13, 2006 I'd like to think originals but if your dancing you wouldn't know unless you checked the decks after every record...."original"..."original"..."ohh no, I just danced to a bootleg!" My vote is cast reckon 99% of stoke would not know, or care
Guest Bearsy Posted August 13, 2006 Posted August 13, 2006 i wouldnt care if it meant hearing top quality tunes locally instead of having to travel hundred of miles to hear originals which of course is what i would want to hear if i was travelling hundreds of miles but in a localish venue with loads of mates having a ball, NO
mischief Posted August 13, 2006 Author Posted August 13, 2006 i wouldnt care if it meant hearing top quality tunes locally instead of having to travel hundred of miles to hear originals which of course is what i would want to hear if i was travelling hundreds of miles but in a localish venue with loads of mates having a ball, NO You don't have to travel hundreds of miles you got Bisley & Eastbourne.. might be an hour an half in the car but thats nothing ... any thing around 2 hours is local
Guest NASHEE Posted August 13, 2006 Posted August 13, 2006 reckon 99% of stoke would not know, or care I hope you mean...Stoke the venue....not Stokies themselves Yours Sincerely Mrs Angry....original vinyl collector,,,Stoke
mischief Posted August 13, 2006 Author Posted August 13, 2006 SEE BOOT V ORIGINAL THREAD I'VE CLOSED THIS ONE NOW
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