NEV Posted September 21, 2013 Posted September 21, 2013 What determines a "rare record" ? QUANTITY ... Not the sound Maybe not as common as Belita Woods or Ann Sexton in terms of quantity ,but just like those two ,it is a great song that most people love ,so when it turns up on any sales page ,it usually shifts ... although i am still baffled as to why the Ann Sexton still fetches $100+ in any condition ,surely most collectors would have it by now
Cunnie Posted September 21, 2013 Posted September 21, 2013 According to Ady in a previous topic he sold his "Bunky" one to JV. Wasn't there also an acetate by supposedly Ritchie Parker, not very good if I remember rightly, have it on a disc somewhere. The Richie Parker cut is actually Aaron Neville & IMO the best version but might be a little bit biased as it sits in my collection. Ain't we discussed this before Chalky?
ZootSuit Posted September 21, 2013 Posted September 21, 2013 (edited) Is this one of those records that are 'of a time', as in 'you had to have been there'? I'm not meaning this post to be one of those 'sh*t record' comments by any means, as they serve no purpose, that's not what I mean. I genuinely don't think much to it, not even Butch's one. I'm not knocking the record for the sake of it, I just wondered is it just me? If so, I really am 'the odd one out' All the best, Len Len, I WAS going to bring it up the next SIB do....you is deffo ''the odd one out'' This was a record I just had to have first time I heard it at the Birds Nest (West Hampstead, must have been around 1974), took years to get a copy, then a Bunky issue. Laters Paul Edited September 21, 2013 by ZootSuit 1
45cellar Posted September 21, 2013 Posted September 21, 2013 think this is a bit rareDSC03859.JPG Comparing the Label Credits it would appear that the "Arp" Press was the pressing plant used for the Rare BUNKY Release.
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