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Posted

also originally released in the UK, on Track :thumbsup:

 

I'd avoid the UK Track issue - it gradually starts slowing down through the middle, and sounds terrible at the fade-out.

Posted

Totaly forgot about the Stone copy only just comeback into mind. :shhh::elvis:

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I have it on Stone....much nicer

Posted

spun "you'll soon be gone" on friday night sandwiched between "oh baby" by Jill Harris and "you made me suffer" by Tyrone Davis.

 

the kind of music that is mid-tempo but has a double helping of soulful vocals... 

Posted

I'd avoid the UK Track issue - it gradually starts slowing down through the middle, and sounds terrible at the fade-out.

i had it years never noticed...came off barnsley market for £1...common as muck on drew was even a pop hit


Posted (edited)

Eddie Spencer on Power Exchange (scan nicked from internet)

 

By the looks of it that scan above is my copy of Eddie Spencer on Arc   :D

 

Cheers 

 

Richard

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Edited by Premium Stuff
Posted

Eddie Spencer on Power Exchange (scan nicked from internet)

 

By the looks of it that scan above is my copy of Eddie Spencer on Arc   :D

 

Cheers 

 

Richard

 

I've had Eddie Spencer on all 3 of those issues both the Canadian ones played lousy but the UK one nicely  :yes:

Posted (edited)

Track Records deal with their Detroit contacts seemed to be over in 3 months (Nov 67 -- Jan 68), though their licensing deals obviously lasted longer as some of their soul releases were reissued later in the 60's (the Debonaires single escaping on 45 very early in the 70's).

The label's last soul release in 1976 featured two LaBelle UK recorded cuts.

Edited by Roburt
Posted

Track Records deal with their Detroit contacts seemed to be over in 3 months (Nov 67 -- Jan 68), though their licensing deals obviously lasted longer as some of their soul releases were reissued later in the 60's (the Debonaires single escaping on 45 very early in the 70's).

The label's last soul release in 1976 featured two LaBelle UK recorded cuts.

i think it was really through polydor who distributed track john. they issued a few detroit things earlier before track came about.... hard to believe the parliaments `testify` came out twice here in the 60`s....and how did polydor get away with reissuing edwin starr in 1969 when motown had long snapped up the rights

Posted (edited)

confused now lol i got it on drew and also on made in Detroit  but on a demo is this a legit copy then told you im a bit slow  :lol:

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Edited by night nurse
Posted

Also by EddieSpencer on Canadian arc but think this is about £150?

 

never rated this version, Not a patch vocally to the precisions... I really don't think he's that much of a singer..

  • Helpful 1
Posted

never rated this version, Not a patch vocally to the precisions... I really don't think he's that much of a singer..

Rarety value only im afraid! .......... Precisions version is far superior. 

Posted

i think it was really through polydor who distributed track john. they issued a few detroit things earlier before track came about.... hard to believe the parliaments `testify` came out twice here in the 60`s....and how did polydor get away with reissuing edwin starr in 1969 when motown had long snapped up the rights

 

Polydor just distributed Track Records.

The label was run by the Who's management team ..... Kit Lambert & Chris Stamp.

The pair were mates of RSG's Vicki Wickham, who in 1970 became Patti LaBelle & the Blue Belles manager. Wickham renamed the group LaBelle & they moved to the UK. They signed with Lambert / Stamp at Track and recorded some cuts here in the UK (these weren't released till 76). LaBelle opened some shows for the Who but in late 70 returned to the US.

LaBelle eventually hit big in 1974 & had 6 hits in all thru to the end of 76 (it was those hits that prompted Lambert & Stamp to release a couple of the group's earlier UK recordings on a Track 45 in 76). 

Not sure who hooked Lambert & Stamp up with their Detroit connection; could well have been someone at Polydor.

Posted

never rated this version, Not a patch vocally to the precisions... I really don't think he's that much of a singer..

 

Totally agree. The only reason in my opinion to own the 45 on ARC is because of the uptempo flipside.

 

Has anyone ever tracked down Carole Waller's version of "You're So Good To Me Baby" (not the Silky Hargraves song)? Is it only a demo/acetate or does it exist on an issued 45? Apparently "recorded for USA Records".

Posted

Page 132 of Keith Rylatt's "Groovesville USA" has a photo of a clip from Billboard magazine... apparently Lambert and Stamp moved one Nancy Lewis from London to New York to run their US operation. The short article explains how they were trying to forge a 'third force' in England's R&B field by looking for ties with small R&B labels in the States.

Posted (edited)

Yes, you're right.

Seems that Lambert & Stamp hit on the idea themselves.

They wanted Track Records to rival the Tamla Motown & Atlantic labels in the UK as a major R&B source back in 1967.

It never really worked out, sales wise for them.

Nancy Lewis was still in the same job in summer 1970 (a member of the Who's management team).

She accepted a gold disc from Decca Records (US) on behalf of the group in early August 1970

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Edited by Roburt
  • Helpful 1

Posted (edited)

Yes, you're right.

Seems that Lambert & Stamp hit on the idea themselves.

They wanted Track Records to rival the Tamla Motown & Atlantic labels in the UK as a major R&B source back in 1967.

It never really worked out, sales wise for them.

Nancy Lewis was still in the same job in summer 1970 (a member of the Who's management team).

She accepted a gold disc from Decca Records (US) on behalf of the group in early August 1970

 

Nice article  :thumbsup: thanks for sharing...........

Edited by Chris L
Posted (edited)

i had it years never noticed...came off barnsley market for £1...common as muck on drew was even a pop hit

 

If you've still got it, give it a spin.  Take it off halfway and go straight to the last 30 seconds, and you'll see what I mean Dave!

Edited by Gene-R
Posted (edited)

Arc Records (who released the Eddie Spencer 45) were well established in Canada by the 60's. They seemed to specialise in Country music releases though they also put out polka & ethnic music recorded by Canadian artists. They made a big push in 1967, putting out 20 albums to help celebrate their centennial year.

See here for info on some of their 45 releases ............ https://www.45cat.com/label/arc-ca

By 1969 they were getting more into contemporary pop & rock, having had hits on such acts as the Paupers, Sugar Shoppe & David Clayton-Thomas. Seems that their Eddie Spencer signing was part of a start in that direction that they had taken in 68 .........

 

Don't think the Arc Eddie Spencer 45 can be that rare though no doubt most copies disappeared straight into Canadian homes in the late 60's, never to reappear.

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Edited by Roburt

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