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Love & Desire: Patrice Holloway Anthology

Love & Desire: Patrice Holloway Anthology magazine cover

A superb set of releases from Kent in early June rounded off with the Patrice Holloway Anthology.

"Patrice was beautiful, she was sassy. She was extraordinarily creative and way ahead of her generation. I loved her very, very much." Motown producer Frank Wilson

What an adventure it was to write the liner notes for "Love & Desire: The Patrice Holloway Anthology"! I had the opportunity to immerse myself in the life of this fascinating unsung artist through interviews with a host of her legendary colleagues: stellar session vocalists such as Clydie King and Edna Wright as well as Motown icon Brenda Holloway, Patrice's sister. What emerged was a portrait of a singularly talented, spirited and fascinating young woman who was truly beloved by all who knew her.

What didn't emerge was the answer to an age-old riddle: Who sang backup behind Diana Ross on 'Someday We'll Be Together'? Brenda Holloway clearly hears her sister on the track, and Merry Clayton shared a vivid anecdote about rehearsing and recording it with Patrice. After the notes were sent to the printer, Motown stalwart Gloria Jones insisted that she had cut the vocals with Carolyn Willis and Patrice. Of course, the late producer Johnny Bristol claimed it was the Waters. File this one under Unsolved Mysteries.

But here's the biggest mystery: How did Patrice Holloway not become a superstar? "Love & Desire" showcases this brilliant vocal stylist on 25 rare tracks bursting with charisma and personality. Her complete output for Capitol is here: nine tracks released on five singles during two tenures with the label. 'Stolen Hours', 'Ecstasy' and 'Love And Desire' have long been Northern Soul favourites, and 1971's 'Evidence' and 'That's The Chance You Gotta Take' personify the "value for money" single. Another highlight is 1967's 'That's All You Gotta Do', written by future Motown luminary Willie Hutch.

Did I say Motown? An excursion into the Hitsville vaults has yielded a treasure trove of exciting rarities. A few have sneaked out on compilations in recent years, such as Patrice's original version of 'The Touch Of Venus', her duet with sister Brenda on 'Come Into My Palace' and her seldom-heard double-sided tribute to her teenage heartthrob, 'Stevie' and 'The Boy Of My Dreams'. (Incidentally, Brenda spills the beans in the booklet notes on her little sister's romance with young Mr Wonder.)

Ten Motown tracks see light for the first time anywhere. There's further flirtation with Stevie on a lively cover of his 'Surf Stomp', a Smokey-produced version of the Miracles' 'All That's Good' and an authoritative take on Mary Wells' 'My 2 Arms - You = Tears'. Barely in her teens when she committed these tracks to tape, Patrice is yearning and tender on 'Love Walked Right In' and boisterous on 'Flippitty Flop'. Versatility abounds over a wide variety of styles including doo wop ('Crying'), mid-60s pop ('The Go Gang') and testifying soul (the powerful 'I Got To Change').

As I said, everyone who knew Patrice loved her. I, too, came to love her while working on "Love & Desire". Now it's your turn.

By Dennis Garvey

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1. Stolen Hours

2. Lucky My Boy

3. Ecstasy

4. Love And Desire

5. That's All You Got To Do

6. Stay With Your Own Kind

7. Evidence

8. That's The Chance You Gotta Take

9. Black Mother Goose

10. The Touch Of Venus

11. Those Dj Shows

12. For The Love Of Mike

13. Stevie

14. My 2 Arms - You = Tears

15. Come Into My Palace - With Brenda Holloway

16. All That's Good

17. I Got To Change

18. Tall Boy

19. Flippitty Flop

20. The Go Gang

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theboyfromxtown

Posted

Those varying stories about "Someday We'll Be Together" have kept some of us amused for donkey's years. My money is on the producer; they know what's in the final mix. But does it really mattter...it was still a great piece of history;

Fantastic release from Ace/Kent. Well done

Guest Paul

Posted

Those varying stories about "Someday We'll Be Together" have kept some of us amused for donkey's years. My money is on the producer; they know what's in the final mix. But does it really mattter...it was still a great piece of history;

Fantastic release from Ace/Kent. Well done

My copy arrived today so I look forward to hearing it later.

Guest aaaaa

Posted

my copy arrived 4 hours ago and has been played 3 times a truely fantastic cd with top sleeve notes, great to have all those tunes on one cd. :thumbsup:

Chalky

Posted

Another compilation I was looking forward to and I wasn't disappointed either, had several plays this week. Great to see all she's done for Motown and Capitol together in one package. Just got to find the time to read the sleeve notes which are up to the usual Kent standard. About time these were all put into one book :yes:




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