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Out Now - Soul Up North Magazine #120 - Summer 2024 Issue magazine cover

Out Now - Soul Up North Magazine #120 - The Summer 2024 issue

Content goes like this...

#OPENING PAGE : CONTENTS – EDITORIAL & INFO

#GOOD TUNES & GREAT GROOVES
Dave Halsall

#FUNK IN YO’ FACE – FUNK UP NORTH-THE NORTHERN SIDE OF FUNK
Howard Priestly

#ISSUE CD TRACK LISTING + INFO – ‘LP ONLY TRACKS’
Diane Naylor

#SAY IT AGAIN, THE STORY OF A SONG
John Smith

#SOULFUL SEVENTIES SPINS aka ‘PLUMB’S PEACHES’
Steve Plumb

#HOT OFF THE VINYL PRESS
Howard E

#FEET TO THE BEAT – VENUE REPORTS
Steve Plumb / Charlie Atkinson

#THE LADIES CHOICE – COLLECTING RARE SOUL
Julie Molloy

#SOUL IN PRINT – MAGAZINES & FANZINES (Part 22)
Iain McCartney

#FEET TO THE BEAT – VENUE REPORTS
Geoff Green


#SOUL SPOTLIGHT – THE RIGHT COMBINATION
Steve Guarnori

#PICTURE ME GONE (BUT NOT FORGOTTEN) PT. 6 EXTRA
Martin Scragg

#CHICAGO SOUL
Shane Cox

#MARK LOYD OF THE MONOTONES & THE TREETOPS
Chris Bishop, Colin Higgins, Jim Eaton

#LITTLE SILVER DISCS
Howard E

#JOHNNY DAYE
Ed Salamon

#RANCE ALLEN GROUP
Stax Records

#SOUL IN A DIGITAL AGE
John Farrar

#JIMMY JAMES – A TRIBUTE

#COLLECTING BRITISH
Lord Snooty

#VIEW FROM THE APE HOUSE
Tim Brown

#FEET TO THE BEAT – VENUE REPORTS
Geoff Green

#FLASHBACK FEATURES–A DAB OF EARLY SOUL & RnB WITH A HINT OF OBSCURITY
Craig Butler

#AND FINALLY – DEEP SOUL CORNER

 

 

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Tap here to purchase Soul Up North 120 Summer Issue via Source Store

 

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Members Comments

Recommended Comments

Roburt

Posted

My article in the new edition is .... 

#SAY IT AGAIN, THE STORY OF A SONG   

It's an attempt to chronicle the history of a particular song & I chose this oft recorded one co-written  by Bunny Sigler. It was cut by artists based all over the US, with just one version being by a Philly based guy. So, to get others to know of the song's existence, Bunny must have cut a demo version and sent out copies of that demo to various cities. 

I am not aware of any acetates of the song coming to light ... maybe someone on here knows of one. 

My fave version of it was by a Japanese jazz funk guy. 

 



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